Ruthie’s Origami Adventures

Autumn cards by Ruthie Kitagawa
Autumn cards by Ruthie Kitagawa

 

For several years, Ruthie’s Origami Corner has been a popular fixture at JANM, whether as its own standalone event or as part of larger events like Target Free Saturdays and Oshogatsu Family Festival. Visitors young and old have benefited from Ruthie Kitagawa’s gentle guidance as she leads them in making unique origami items to commemorate every occasion.

A longtime JANM volunteer, Ruthie is a native Angeleno who spent part of her childhood imprisoned at Santa Anita Assembly Center and Amache Relocation Center. She has had an interest in arts and crafts for as long as she can remember; while still in high school, she volunteered to teach a class for the Boys and Girls Club.

Ruthie did not discover origami until later in life, and she admits that at first, she was not very good at it. Her initial experience with the craft occurred during preparations for her brother’s wedding in 1992, when she assisted in folding hundreds of gold foil cranes. She remembers with good humor that her cranes wound up on the reception tables, hidden behind floral arrangements, and that she was not invited to help with her sister’s wedding decorations two years later.

Shortly after her brother’s wedding, Ruthie’s older sister Lois—a dedicated JANM volunteer—encouraged her to take origami classes at the museum. Under the tutelage of Ryoko Shibata, who taught the origami classes at that time, Ruthie dedicated herself to improving her skills, which steadily blossomed. At the same time, she began volunteering at JANM as a docent and a Hirasaki National Resource Center assistant. Shibata Sensei eventually asked Ruthie to be her assistant in the origami classes, which Ruthie then took over when Shibata retired.

Kitagawa, right, received the 2010 Community Award in recognition of her services as a volunteer.
Ruthie Kitagawa, right, received the 2010 Community Award
in recognition of her services as a volunteer.

 

Sadly, Ruthie’s older sister passed away in 1998. Ruthie credits Lois—who was an avid origami practitioner—and JANM with inspiring her passion for the art form. Today, Ruthie applies a creative approach to her origami practice, often adding her own unique flourishes to designs she finds in books.

When asked what she enjoys the most about teaching her origami classes, Ruthie responds: “I love getting to know the people who come. They try so hard, and they can’t always complete the projects, but when they do, their faces just light up! That makes me really happy.”

Read more about Ruthie’s life story on Discover Nikkei. To meet Ruthie in person, come to Target Free Family Saturday this weekend, where she will be teaching participants to make a unique holiday ornament. Ruthie will also lead a Year of the Sheep origami workshop at our Oshogatsu Family Festival on January 4.

Hitoshi Sameshima throws out opening pitch at Dodger’s JA Community Night

The opening pitch being thrown during the July 12th game against the Colorado Rockies at Dodger Stadium.Photo by Jon SooHoo/©Los Angeles Dodgers,LLC 2013.
The opening pitch being thrown during the July 12th game against the Colorado Rockies at Dodger Stadium.
Photo by Jon SooHoo/©Los Angeles Dodgers,LLC 2013.

 

In case you didn’t catch it, the Museum’s very own volunteer Hitoshi Sameshima threw the opening pitch for the Dodgers vs. Colorado Rockies home game on July 12th! He threw a great pitch alongside two other World War II veterans, James Ogawa and Don Seki during “Japanese American Community Night” at Dodger Stadium.

Sameshima is a familiar face at the Museum as a devoted docent, even giving a tour the day of the game. He was a student at the University of Southern California when the war broke out, and was eventually drafted into the Army while his family was interned at Gila River in Arizona. He served in the Military Intelligence Service as an interrogator and interpreter from 1944 to 1946.

Check out the footage here!

Visible & Invisible Through a Student’s Eyes

Westdale

Growing up in Southern California as a person of Japanese descent, JANM has played a large role in helping me discover my cultural identity. Each exhibit that I have immersed myself in has, in one way or another, done an excellent job of captivating me while still teaching me about my Japanese American heritage. Out of all the exhibits that I have seen, the museum’s newest installment Visible & Invisible: A Hapa Japanese American History has been one of the most personally intriguing because it delves into the deep history of mixed-race and hapa individuals within the United States. Being half Japanese and half Caucasian myself, I found Visible & Invisible to be very relatable to my life.

As I walked through the exhibit, a few pieces that really piqued my interest, including an anti-Japanese campaign poster for California Senator James D. Phelan that revealed the prejudice and discrimination  Japanese Americans faced more than two decades before World War II. Another intriguing part of the exhibit was an article from Ebony magazine that highlighted the troubles endured by children of American soldiers and Japanese women. Although I can’t entirely relate to those children due to the fact that being hapa hasn’t been detrimental to me at all, I realize now that life for some mixed race children, both in Japan and in the United States following World War II, was not easy.

Basketball has played a huge role in my life. Up until this past year I had been spending the majority of my weekends either at practices or games for my team, the Venice Lakers. Seeing the different Venice jerseys and pictures of multiple teams, a few of which I recognized, brought back many fond memories of my time playing Japanese American basketball. It was easily my favorite part of the exhibit. JA basketball helps expose children to not only the sport of basketball, but to different aspects of Japanese culture. If you ask a child of Japanese descent if he plays basketball, there’s a high likelihood that he or she will say yes, or will know somebody who does.

Another facet of the exhibit that interested me was Virgil Westdale, a half Japanese, half Caucasian soldier forced to switch his name from Nishimura to Westdale so he could join the armed forces. After the United States Army Air Corps found out about Westdale’s background they demoted him to private, stripped him of his pilot’s license, and sent him to Camp Shelby in Mississippi to join the 442nd Regimental Combat Team. The accompanying video helped me delve deeper into Westdale’s personal account of what life was like for him as a mixed-race member of the 442nd and as an American of Japanese heritage during World War II.

Lastly, this exhibit wouldn’t feel like a JANM exhibit without a compelling interactive component. I very much enjoyed the interactive aspects of last year’s XLAB 2012, however, the black journal experiment in Visible & Invisible has become my favorite, mainly because of the personal touch each participant can add. It’s absolutely amazing to see the artistic skills and personal messages from people as far north as Eugene, Oregon, to people who have lived in Boyle Heights since 1944.

Ultimately I would have to say that the main reason that Visible & Invisible initially appealed to me was because I am mixed-race. However, walking through the exhibit I realized that the exhibit wasn’t so much about being hapa as it was about the Japanese American experience. Visible & Invisible runs the gamut in terms of Japanese and mixed race culture within the United States by giving an informative, yet enthralling, look at nearly 300 years of history. I highly recommend coming to the JANM to check this exhibit out before it ends on August 25th.

Writer Jeremy Parks is a 17 year old high school senior who attends Campbell Hall High School in Studio City. He is an editor on his school’s newspaper. He is volunteering this summer with the museum’s Watase Media Arts Center.

Congratulations to Judge Bruce Iwasaki

Congratulations to Judge Bruce Iwasaki who was appointed to a judgeship in the Los Angeles County Superior Court by Governor Jerry Brown on May 18. He is a former board member of the Japanese American Bar Association.

The photo below is from The Rafu Shimpo, taken by Mario Reyes. The very proud-looking woman to the right of Judge Iwasaki is his mother Sumi, who happens to be a long-time volunteer at JANM! To his left is his wife, Evelyn Yoshimura, a long-time staff member at the Little Tokyo Service Center. Both Bruce and Evelyn were part of the collective that produced Gidra magazine which was featured in our Drawing the Line: Japanese American Art, Design & Activisim in Post-War Los Angeles last year.

Also in the picture are his daughter Naomi and son-in-law Casey Eiseman.

Read about his appointment on The Rafu Shimpo website >>

 

2012 Gala Dinner & After Party photos

Thank you to everyone who supported our 2012 Gala Dinner & Silent Auction!

Here are a few photos from the Gala Dinner and the After Party, plus links to a LOT more photos from the night.

Yosh Uchida, Deni & Norman Mineta, and Gordon Yamate
Yosh Uchida, Deni & Norman Mineta, and Gordon Yamate

One of our volunteer photographers, Tracy Kumono, has produced a short slide show of the evening’s highlights, which she has graciously allowed us to share with everyone.

JANM President/CEO G.W. Kimura with Tomoshige Mizutani

View the slideshow >>

She also has the complete set of photos (750+) on her website, from which you can order individual prints. You will need to enter your name and email address to enter the gallery and order prints directly from her.

View the Dinner photos and order prints >>

Kaji Family

Wyatt Conlon was our “Red Carpet” and “After Party” photographer. He has put an album together. You can order prints directly from him as well. If you would like to order individual prints, simply enter the code word “gala” to receive a 20% discount off your purchase.

View the Red Carpet and After Party photos >>

We are interested in hearing your comments of the evening. If you’d like to share your thoughts, please send us an email to specialevents@janm.org.

Thank you!

John, Josh, and Jack Morey
T. Candice Nakagawa, George Tanaka, and Guest

 

 

 

 

 

 

 

Photos by Tracy Kumono & Wyatt Conlon

Drawing the Line videos all online!

There’s just one more month to see Drawing the Line: Japanese American Art, Design & Activism at JANM!

If you’d like a taste of what is in the exhibition, all of the  Drawing the Line artist videos are online now. You can check them out on our YouTube channel.

Here’s the video of musician and dancer Nobuko Miyamoto, founder of Great Leap.

If you’re a fan of Nobuko, don’t miss her performance this coming Tuesday at the Los Angeles Contemporary Exhibitions:

Nobuko Miyamoto—What Can a Song Do?
Tuesday, January 24, 7pm
Los Angeles Contemporary Exhibitions, 6522 Hollywood Boulevard, Los Angeles, 90028.

Nobuko Miyamoto and Chris Iijima. Courtesy of Photographic Collections, Visual Communications. © Visual Communications.

Together with a group of guest musicians and activists from the 1960s/‘70s and the present, Miyamoto brings alive the dynamic moment when her 1973 album “A Grain of Sand: Music for the Struggle of Asians in America,” created a heartbeat for the Asian American Movement and shared rhythms with Black, Latino, and Native American cultural and political activists.

General admission is $10, students is $5, and it’s FREE for members of JANM and LACE! Tickets available at the door.

One last Drawing the Line update! We asked Yoshimi Kawashima (a former intern and current JANM volunteer!) to write an article about Gidra magazine for our Discover Nikkei site. Yoshimi is a current UCLA student active with the Nikkei Student Union (NSU), so thought she’d appreciate the assignment. We think she did a great job! GIDRA: The Voice of the Asian American Movement

Update (added 1/20/12): We’ve pulled together a Nikkei Album on our Discover Nikkei site with all of the Drawing the Line videos with brief summaries of each video. Check it out >>

Volunteer Docent Sergio Holguin

For many people who visit the Museum, the highlight of their visit is often getting a tour from one of our many dedicated volunteer docents. Many of our docents share their own or their family’s first-hand experiences from World War II. However, as our older Nisei volunteers have slowed down a bit, the demand for docents is being increasingly met by those whose families were not incarcerated in America’s concentration camps.

Photo by Richard Watanabe

Although their experiences aren’t first-hand, their being there to share the Japanese American experience with our visitors is very important, and in some ways may even help non-JA visitor relate more with the stories.

One of our younger docents is Sergio Holguin, a computer science major at Cal Poly Pomona. Sergio is a third-generation Mexican American. He recently wrote a wonderful article for our Discover Nikkei website that shares how he became interested in Japanese American history, and why he decided to volunteer at the Museum.

Nisei? Sansei? No, I’m just a Gakusei
By Sergio Holguin
Read his article >>

*****

P.S. Here’s a 2009 article on Discover Nikkei about another non-JA Museum docent—Nahan Gluck:

The History of Japanese Americans from the Perspective of a German American: Mr. Nahan Gluck, docent for the Japanese American National Museum

30-second volunteer videos

Our volunteers are amazing. They continually inspire us with their dedication and enthusiasm. They are even willing to step outside their comfort zones if it means helping the museum to share the important stories of the Japanese American experience.

Since last summer, staff at our Watase Media Arts Center along with interns and volunteers have been working on a series of digital shorts that record many of our docents and other volunteers. The videos share the volunteer’s personal stories related to artifacts from our core Common Ground: The Heart of Community exhibition.

We’re collecting them together for easy access on our Discover Nikkei website. There are already 15 of the videos online, with more being added almost weekly.

Check out the volunteer videos on Discover Nikkei:

The 21st Century Museum: Significant artifacts selected by Japanese American National Museum Volunteers
http://5dn.org/janm-vols

Volunteers featured so far: Bob Uragami, Babe Karasawa, Yae Aihara, Richard Murakami, Yoko Horimoto, Jim Tanaka, Tohru Isobe, Mas Yamashita, Robert Moriguchi, Kathryn Madara, Kent Hori, May Porter, Eileen Sakamoto, Lee Hayashi, and Roy Sakamoto.

Here are the three most recently uploaded videos: