On September 12, 2023, the Japanese American National Museum (JANM), Little Tokyo Historical Society (LTHS), and other Little Tokyo partners celebrated the upcoming 100th anniversary of JANM’s Historic Building with a new plaque and street signs marking the building’s significance and its City of Los Angeles Historic Cultural Monument designation.
JANM’s Director of Collections Management and Access and Curator, Kristen Hayashi, welcomed the group and introduced Michael Okamura, president of the Little Tokyo Historical Society, who spoke about the LTHS’s efforts to raise the visibility of historic sites throughout Little Tokyo, including the Koyasan Buddhist Temple, the Kame Restaurant, the Finale Club, Sei Fujii and J. Marion Wright Memorial Lantern, Toyo Miyatake Way, Reverend Howard Toriumi Plaza, and the Aoyama Tree.
“You could tell that throughout Little Tokyo these are significant. We honor these legacy people who were before us and it’s very important. When you walk throughout Little Tokyo please take a moment and absorb all these people and the naming sites,” said Okamura.
Rev. William Briones of Nishi Hongwanji Buddhist Temple then spoke about how the site played an important role in the spiritual and social life of the community.
“It was a place of spiritual refuge, community, a playground for the children, a place to grieve for their loved ones, and to find joy in the joining of two people. And who could forget the iconic picture that Archie Miyatake took? The backdrop of one of the assembly points from which local Issei and Nisei were sent to the camp. Today we are truly honored for this recognition and even though a lot of people don’t know the history of this, there are so many fond and wonderful memories of this temple. Thank you for this recognition,” said Briones. Afterward, both of them unveiled the new signs on 1st Street that now mark the historic site.
The Historic Building was designed by local architect Edgar Cline and built in 1925 as the Nishi Hongwanji Buddhist temple. In 1985, the newly incorporated JANM signed a fifty-year lease with the City of Los Angeles to renovate the temple and convert it into a museum. The renovation was conceived by a consortium of eight Japanese American architects: Marcia Chiono, David Kikuchi, Shigeru Masumoto, Yoshio Nishimoto, Frank Sata, Takashi Shida, George Shinmo, and Robert Uyeda. In 1986 it was designated as City of Los Angeles Historic Cultural Monument 313. In 1992 JANM opened its doors to the public with 23,800 square feet of space for exhibitions, collections, and public programs.
“JANM’s Historic Building is our oldest and largest artifact on our campus. It is hallowed ground, a site of conscience, and a gathering place for civic engagement and social justice. The plaque and street signs not only commemorate the Historic Building’s history in the Japanese American community but also expands the public’s understanding of its significance to the history of Los Angeles and the US. Commemorating the building’s history ensures that past injustices will never be repeated and that diverse voices will be heard now and into the future,” said Ann Burroughs, President and CEO of JANM.
Principal City Planner and Manager for the City of Los Angeles Office of Historic Resources, Ken Bernstein, praised the new plaque and street signs for raising the visibility of the historic site in Little Tokyo.
“Our historic buildings anchor us in an ever changing city. They really provide a meaningful connection to our collective memory—that bridge between past, present, and future. Thanks to you, the historic designation and enhanced visibility through the street sign and the plaque will continue to allow the Little Tokyo community to connect to its rich heritage and really use that rich heritage as a way of continuing to promote the vitality of the Little Tokyo community.”
Actor, activist, JANM Trustee, and Board Chair Emeritus, George Takei, joined Burroughs and Bernstein to unveil the bronze plaque, now installed at the building’s historic entrance.
Hayashi closed the ceremony by noting the significance of the ceremony and the power of place that JANM’s Historic Building has on its own and in relation to JANM’s Pavilion.
“These places matter to us and our community and we want people to know about its significance; that’s why we have this ceremony today. We could’ve just mounted the plaque but instead we really wanted people to know that it’s here. Several people have pointed out that there are several generations of people here today to witness this moment and it’s so fitting because as you turn around and you look towards JANM’s Pavilion, the architects of the Pavilion really wanted us to reflect on our past. Our past is what guides our present and future. It’s symbolic of who’s represented here. We have several generations here to carry on the legacy of those who have come before us in Little Tokyo.”
A special surprise performance by the children of Nishi Daycare charmed the audience of fifty who gathered in the plaza for the celebration.
Don’t Fence Me In: Coming of Age in America’s Concentration Camps. Photo by Paloma Dooley.
What was it like to grow up behind barbed wire? JANM’s exhibition, Don’t Fence Me In: Coming of Age in America’s Concentration Camps, explores the experiences of Japanese American youth confronting the injustice of being imprisoned in World War II concentration camps while embarking on the universal journey of adolescence. Preteens, teenagers, and young adults danced with one another, listened to jazz and big band music, and formed musical groups of their own that performed regularly in camp.
Swing dance, which developed alongside jazz music, was started by African American dancers at the Savoy Ballroom in Harlem, New York. Musicians such as Count Basie, Duke Ellington, Ella Fitzgerald, Dizzy Gillespie, and Chick Webb all performed at the ballroom. The ballroom’s anti-discrimination policy created a unique environment for diversity and creativity. The Savoy Ballroom and swing dancing was also featured at the 1939 New York World’s Fair. From there, swing dance and music spread across the country throughout the 1930s, including in Los Angeles.
Swing dancing was so popular among youth that a group of young dancers interrupted Los Angeles City Hall council members to invite them to a swing dance contest at the Gilmore Stadium on September 11, 1938. The following year, the Palomar Ballroom hosted the Jitterbug Championships and the finalists (from twenty states and six countries) danced for cash prizes to live music from the Artie Shaw and Ken Baker Orchestras in front of thousands of people at the Los Angeles Memorial Coliseum as part of the International Jitterbug Championships on June 18, 1939.
The final dance at the Jerome concentration camp before it closed in 1944. Photo taken by Francis Leroy Stewart on June 14, 1944, National Archives and Records Administration.
One of the farewell dances at the Jerome concentration camp before it closed in 1944. Photo taken by Francis Leroy Stewart on June 14, 1944, National Archives and Records Administration.
Henry Ushijima, a sound engineer in Hollywood, plays dance records at a dance given by the Girl’s Recreation Committee in the Manzanar concentration camp. Photo taken by Francis Leroy Stewart on May 29, 1942, National Archives and Records Administration.
During World War II, young Nisei like George Yoshida who enjoyed big band music continued to do so when they were forcibly removed from their homes. According to his book, Reminiscing in Swingtime, incarcerees created big bands such as the Densoneers or D-Elevens, Down Beats, Jive Bombers, Jivesters, Music Makers, Pomonans, Poston Camp #2 Band, Rhythm Kings, Rhythmaires, Savoy Four, Stardusters, and Starlight Serenaders in the temporary detention centers and concentration camps.
Nisei like sisters Yuri Long and Sumiko Hughes were a part of social clubs that would also participate in swing dancing. Long and Hughes, who are both featured in the Don’t Fence Me In audio tour on Bloomberg Connects, talked about how much they enjoyed swing dancing as part of their social club, Just Us Girls (the JUGs), in the Manzanar concentration camp. The JUGs were made up of the youngest girls, followed by the Forget-Me-Nots and the Moderneers.
“They call us wild because at the dances, the JUGs were always very popular, and the guys would come and ask them to dance. And they jitterbug. They were on the dance floor all the time. And some of the other club girls were sort of off on the side. They didn’t get asked as much. And they didn’t jitterbug. And they used to jitterbug wild. They would throw them under their legs,” recalled Hughes.
Yuri Long
Sumi Hughes
Bob Wada
JANM’s digital guide on Bloomberg Connects
Bob Wada, who was also featured in the Don’t Fence Me In audio tour, recalled knowing where all of the dances were at the Poston incarceration camp because the blocks within camp kept a running log.
“A lot of the blocks had their own dances. So we had our own. They weren’t, like, out of control dances, they were good. People didn’t crash dances. Our block had a dance and they invited a few friends that would come. That’s about the only thing we did socially,” he said.
Some incarcerees even had their own musical equipment made in camp. Two Nisei, one of which may have been Sadaichi Tanioka, made a turntable for Henry Nomura so that he could play music for his own enjoyment and for others in the firebreaks and at block dances at the Manzanar concentration camp.
Henry Nomura’s turntable. Photo by Paloma Dooley.
Dance bids from Karen Nagao that were collected by her mother-in-law, Ruth (née Higa) Nagao. Photo by Paloma Dooley.
Handmade dance bids—paper booklets featuring an illustration of the event on the cover—were popular, complete with blank lines for dance partners to sign their name. Many of the dance bids in Don’t Fence Me In were donated by Karen Nagao. Her mother-in-law, Ruth (née Higa) Nagao, was incarcerated in the Pomona temporary detention center and the Heart Mountain concentration camp. While working as a crop picker and nurse’s aide at Heart Mountain, Nagao participated in many events including plays and dances. Her collection of dance bids commemorated block dances and special events like, a New Year’s Eve Dance, a Valentine’s Dance, and a Coronation Ball.
To celebrate big band music, JANM created a Don’t Fence Me In playlist of popular songs from the 1940s and hosted a two-part public program, From Barbed Wire to Boogie Woogie, on June 17, 2023.
From Barbed Wire to Boogie Woogie kicked off with a conversation between dance preservationist Rusty Frank and Rohwer concentration camp survivors, artists, and performers, June Aochi Berk and Takayo Tsubouchi Fischer. Berk and Fischer met at the Rohwer when they were ten years old and have been friends ever since. While incarcerated at Rohwer, they were too young to attend the dances but they were attuned to the fashion of the times and taught themselves how to dance.
Rusty Frank, June Berk, and Takayo Fischer talk about dancing in camp. Courtesy of the Japanese American National Museum.
“I used to love looking at the Sears Roebuck and Montgomery Ward catalogs,” said Fischer.
“I made my mother buy me white majorette boots, a skirt, and a top. And my brother had to have pachuco pants so he could be in style in camp,” recalled Berk. “We would stand around and watch the big kids dance and we’d go home and copy them. That’s how we learned to dance. My brother always wore his pachuco hat all the time and I would look to see who was dancing with him.”
From Barbed Wire to Boogie Woogie then transitioned to the All Camps Swing Dance with live music from the Fabulous Esquires Big Band and custom dance bids for guests. After Frank led a beginner swing dance lesson for all ages, the Fabulous Esquires played popular tunes from the 1940s like “Don’t Fence Me In,” “Moonlight Serenade,” and “Chattanooga Choo Choo” (which Berk sang in Japanese). Together, the conversation and dance offered all generations the opportunity to connect through music, movement, and immersive history.
Don’t Fence Me Inis now on view through October 1, 2023. Swing by JANM to see it for yourself this summer and shop the exhibition’s collection at the JANM Store!
On December 21, 2022, longtime JANM Volunteer Frank Kikuchi passed away in his sleep.
Born in Seattle on October 21, 1924, he was incarcerated at the Manzanar concentration camp. After the war, Frank relocated to the Los Angeles neighborhood of Boyle Heights and started a family with his wife Tama. They had five children together and were married for 56 years until Tama died in 2004.
Frank started his own market called F and H Market and volunteered at JANM as a docent. When he was not busy giving tours and educating others about the history of Japanese Americans, he loved spending time with his children and going fishing.
In observance of the anniversary of the Civil Liberties Act of 1988, JANM will be closed on Wednesday, August 10, 2022.
On August 10, 1988, President Ronald Reagan issued a formal presidential apology and symbolic payment of financial reparations to surviving Japanese Americans who were incarcerated during World War II. Although many of the first generation Issei had already passed away and did not receive the apology, which occurred more than 40 years later, the Civil Liberties Act of 1988 was the first and only time that the US government publicly apologized for a mistake acknowledging that the exclusion, forced removal, and mass incarceration was due to a failure of political leadership, war hysteria, and racism.
JANMhonors this anniversary to acknowledge the unconstitutional, mass incarceration of 120,000 Japanese Americans in remote US concentration camps without due process or evidence of wrongdoing 80 years ago. While recognizing the apology,JANM is also well aware that other past mistakes by the US government against Blacks and indigenous communities deserve recognition and reparations.
To learn more about the Civil Liberties Act of 1988, explore these online educational resources from JANM:
Photo: President Reagan signs the Civil Liberties Act of 1988 on August 10, 1988. From left to right, he is flanked by Senator Matsunaga of Hawaii, Representative Mineta of California, Representative Saiki of Hawaii, Senator Wilson of California, Representative Young of Alaska, Representative Matsui of California, Representative Lowery of California, and Harry Kajihara, president of the Japanese American Citizens League. Photo courtesy of The Ronald Reagan Library and National Archives and Records Administration.
Kyary Pamyu Pamyu, the Japanese pop singer and kawaii model, toured Little Tokyo in downtown Los Angeles to support small businesses that were deeply affected by the pandemic.
Her tour included brief stops at JANM, Anime Jungle, Bunkado, Café Dulce, Fugetsu-do, Honda Plaza, Koyasan Buddhist Temple, the Metro station platform, and Okayama Kobo. Her visit was part of her Local Power Japan project, an initiative that included 30 stops to towns and cities throughout Japan to boost local tourism and make her performances more accessible to fans.
Kyary Pamyu Pamyu and Masako Miki discuss the World War II incarceration of Japanese Americans in Common Ground: The Heart of Community.Kyary Pamyu Pamyu in front of The Interactive StoryFile of Lawson Iichiro Sakai. Photo by Helen Yoshida.
Kyary Pamyu Pamyu also received a set of gifts or omiyage from the JANM Store that were selected and presented by Alexa Nishimoto, the marketing associate for JANM and self-proclaimed super fan of the musician. Kyary Pamyu Pamyu enjoyed the exhibitions and encouraged visitors to learn how the history of Japanese Americans continues to affect future generations.
“The work JANM does is so important for future generations to see,” said Kyary Pamyu Pamyu. “It is important for people to learn about this history.”
Alexa Nishimoto presents Kyary Pamyu Pamyu with gifts from the JANM Store. Photo by Helen Yoshida.
Bunkado, Café Dulce, Fugetsu-do, and Okayama Kobo will offer Kyary Pamyu Pamyu-themed food throughout May 2022 at the discretion of store management. Café Dulce and Fugetsu-do are offering Kyary Pamyu Pamyu-themed donuts and mochi. Bunkado is selling Kyary Pamyu Pamyu-themed shirts through the end of this month.
Alexa Nishimoto with the Kyary Pamyu Pamyu-themed pastry at Okayama Kobo. Photo courtesy Alexa Nishimoto.
Kyary Pamyu Pamyu’s April visit to Little Tokyo and merchandise dovetails with Asian American and Pacific Islander Heritage Month during May 2022. And what better way to celebrate Heritage Month than with a visit to JANM?
Visit JANM to explore our exhibitions to learn about the Japanese American experience!
This summer, Getty Marrow undergraduate interns from JANM, La Plaza de Cultura y Artes, and the Italian American Museum of Los Angeles collaborated to create a collections-based project tasked with answering the question:
How have immigrants and subsequent generations shaped what it means to be American?
The initial goal of the project was to highlight the agency of immigrants in shaping American identity. However, the interns’ submissions suggested that the answer to this specific question would not fully encapsulate the American experience of immigrants and their descendants. As a result, each intern approached this question from a different perspective and highlighted an artifact that touched upon different facets of the American experience and identity. In this post, Mercedes Solaberrieta and Jose Quirarte explore the historic vulnerability of American immigrants to systematic and de facto discrimination in the United States by highlighting the experiences of two immigrants during World War II.
Interns Mercedes Solaberrieta of the Italian American Museum of Los Angeles and Jose Quirarte of JANM selected items that highlight the complexity of the American immigrant experience by demonstrating the vulnerability and discrimination that many immigrants to the United States have faced due to their ethnicity or country of origin. Mercedes selected a 1940s parole document of an Italian immigrant named Filippo Fordellone and Jose highlighted a 1942 diary entry of Gihachi Yamashita, a Japanese immigrant.
Due to America’s involvement in World War II fighting against the Axis Powers, which included Japan and Italy, both of these immigrant men were considered enemy aliens and stripped of their civil liberties because of war hysteria and racial prejudice. Both Yamashita and Fordellone were unjustly arrested by the FBI after the attacks on Pearl Harbor and imprisoned at Fort Missoula, Montana without due process. Additionally, Fordellone and Yamashita were impacted by Executive Order 9066 and the subsequent strict curfews and travel restrictions placed upon individuals of Japanese and Italian descent. Fordellone and Yamashita were both vulnerable as immigrants, recognized as enemy aliens due to their country of origin, unjustly arrested, and imprisoned far from their homes. Although the experiences of Fordellone and Yamashita are unique to context of WWII, their stories still demonstrate the greater historic relationship between vulnerability and discrimination that has largely characterized the American experience for immigrant populations.
Filippo Fordellone’s Parole Document
Contributed by: Mercedes Solaberrieta, Italian American Museum of Los Angeles
Filippo Fordellone’s Parole Document, U.S. Department of Justice, 1943. From the collection of the Italian American Museum of Los Angeles.
Fordellone was among the Italian Americans interned during World War II. Today the words “Italian” and “Italian American” are often associated with one of the nation’s favorite cuisines, high fashion, and family-centered cultures. This was not always the case. The United States has had a long history of anti-Italianism, including discriminatory laws, and hostility directed at Italian Americans reached another peak during World War II.
Born in Italy in 1890, Filippo Fordellone immigrated to the United States in 1926. He became a prominent radio broadcaster and was well known in the Italian American community. When Italy joined the Axis powers and the United States involvement in World War II became increasingly imminent, the U.S. government began compiling a list of Italians (as well as Germans and Japanese) living in the United States and its territories that it considered threats to American security. Following the nation’s entry into World War II, the U.S. government declared 600,000 Italian residents of the United States who had not yet become American citizens “enemy aliens.” President Roosevelt issued Presidential Proclamations 2525, 2526, and 2527, which authorized the United States to detain potentially dangerous “enemy aliens.” He also signed Executive Order 9066, which authorized the removal of persons from specified areas in the interest of national security.
In the case of the so-called Italian enemy aliens, many had lived in the United States for years and had children and grandchildren serving in the U.S. military. They were elderly and had been unable to pass the citizenship exam because of their limited literacy. Enemy aliens were required to register with the U.S. government and carry identification cards. They were subject to curfews and travel restrictions, and many were forced to evacuate their homes and surrender property. Some Italian “enemy aliens” were arrested and sent to internment camps. In the end, thousands of German nationals would also be interned and over 120,000 Japanese and Japanese Americans, many of whom were U.S. citizens, were forcibly relocated and incarcerated.
Although Fordellone had committed no crime, he was deemed a threat because as a prominent journalist, he was capable of influencing others. This was the case with many of the Italian Americans interned or threatened with internment, including baseball great Joe DiMaggio’s father. The FBI arrested Fordellone shortly after the bombing of Pearl Harbor and transported him to an internment camp in Fort Missoula, Montana, where he remained for 14 months. Most arrestees were never informed of the charges against them or allowed legal counsel. While Fordellone was imprisoned, his wife Alessandra was left alone to care for their three children without any financial support, as the couple’s assets were frozen. For most of her husband’s confinement she had no idea as to where he was being held.
Fordellone’s parole document, which was executed in May of 1943, dictated the terms of his conditional release. Notice that it does not contain any mention of a conviction for any crime. Fordellone’s only crime was being Italian.
Although the civil liberty violations Italian Americans experienced during World War II were not as severe or widespread as the trauma and injustices inflicted on the Japanese and Japanese American community, the experience nonetheless left the Italian American community scarred. Many stopped speaking the Italian language and distanced themselves from their culture and heritage in an effort to appear more “American.”
Fordellone’s experience reflects the process through which Italian Americans gained acceptance in the United States. Italians were often seen as despised immigrants and “others” whose loyalty was subsequently called into question during World War II before eventually achieving acceptance as white ethnics. Today, Italian Americans are mostly considered to be “white,” but the process was not straightforward.
Photograph of Fillipo Fordellone, from the collection of the Italian American Museum of Los Angeles.
January 22, 1942, Diary Entry Written by Gihachi Yamashita
Contributed by: Jose Quirarte, Japanese American National Museum
Diary of Gihachi Yamashita, Missoula Justice Department Camp, 1942-45. Gift of the Gihachi and Tsugio Yamashita Family (94.166.1), Japanese American National Museum.
Gihachi Yamashita documented his experience the day after the Pearl Harbor attacks in his personal diary, writing: “this is a day I will never be able to forget.” On December 8, 1941, at around 1:30 a.m., Yamashita was “shaken awake” and arrested by FBI agents. Yamashita was one of the many Japanese Americans who was targeted and arrested immediately after the attack on Pearl Harbor due to a faulty presumption that the Japanese living on the West Coast of the U.S. were dangerous. Many of those who were arrested were already being monitored before the war because of the U.S. government’s false belief that they were potentially dangerous due to their connections to Japanese institutions. Most of the Japanese Americans who were unjustly arrested after the Pearl Harbor attacks were well-respected or important contributing members of their communities.
Following his arrest, Yamashita was imprisoned and moved around to a variety of concentration camps operated by the Department of Justice (DOJ). Meanwhile, his wife and two daughters were forced to sell their property and move to the Santa Anita temporary detention center due to Executive Order 9066, which forced the removal of Japanese Americans from the West Coast into concentration camps. Yamashita’s wife and two daughters stayed at Santa Anita until being transferred to the Rohwer concentration camp in Arkansas. Yamashita’s diary entry tells the harrowing story of his arrest and removal to Fort Missoula, a Department of Justice internment camp in Missoula, Montana, but it also revealed how being excluded from the definition of “an American” led to losing his right to due process, and more generally, his “unalienable rights.”
Yamashita wrote about his experience of being arrested and taken in for questioning by the FBI in his personal diary. He noted that while he was imprisoned, his wife and daughter visited him twice and a guard watched over their conversation (which had to be in English). Yamashita detailed the entirety of his forced removal and wrote that on December 8th he was initially detained at Lincoln Heights Jail for four days, from December 12th to the 22nd he was imprisoned at a county jail, and on the afternoon of the 22nd was held at the Tuna Canyon Camp in Los Angeles for two days before he arrived at Fort Missoula on December 28th. Yamashita concluded his entry by writing about the brutal living conditions of the camp, noting that he and the other Japanese prisoners weren’t given an opportunity to prepare for the Montana winter and were forced to endure the freezing temperatures of Missoula without any winter gear.
Yamashita’s diary entry demonstrates how Japanese immigrants during WWII were stripped of their due process rights because of xenophobia and racism. Yamashita’s unjust arrest, removal, and incarceration was partially a product of Japanese immigrants being “otherized” by American anti-Japanese and anti-immigrant sentiment for most of the 20th century. In the early to mid 20th century, Japanese immigrants faced immense anti-Japanese sentiment in California from political labor groups, individuals, and legislation: California’s Alien Land Law of 1913 restricted “aliens” from owning land; the Gentlemen’s Agreement and the 1924 Immigration Act restricted Japanese entry into the United States; and the 1940 Alien Registration Act forced all “aliens” above the age of 14 to register and be fingerprinted. All of these contributed to the “otherization” of Japanese immigrants and their children, and implied a flawed presumption that they could not truly be “real Americans” in the 20th century. The anti-Japanese and anti-immigrant rhetoric came to a peak after the attacks on Pearl Harbor spurred irrational distrust towards Japanese Americans and other immigrant groups in America.
Identification for Gihachi Yamashita for the Department of Justice Camp at Santa Fe, New Mexico, 1944. Gift of the Gihachi and Tsugio Yamashita Family (94.166.247).
Yamashita, and many other Japanese immigrants who were living in the U.S., had to face the constant barrier of anti-immigrant rhetoric and unjust legislation that deemed them to be “un-American” or unassimilable. Yamashita’s diary entry reveals his experience of being unjustly arrested in his own home, detained without cause, and imprisoned in a concentration camp due to his race. His experience exemplifies the real-life consequences of being excluded from the arbitrary definition of “an American.” Although Yamashita’s experience is unique to the context of WWII, his experience is just one example of that signifies that American immigrants have historically been susceptible to being excluded from the definition of “an American,” and as a result, have seen instances where they have been stripped of their unalienable rights.
Fordellone and Yamashita’s stories reveal common themes of vulnerability, systemic inequality, discrimination, and “otherization” that America’s immigrant populations have been subjected to throughout the country’s history. Although historic instances of “otherization” and discrimination do not solely define the American immigrant experience, it has played a significant factor in the way immigrant populations have been received and treated. The stories of Fordellone and Yamashita tell only a small story in the long history of discrimination that Japanese and Italian immigrants have faced in the United States. WWII was not the catalyst for discrimination, but rather, it acted as an immense amplifier of the discrimination. In the early 20th century, both of Japanese and Italian immigrants were already facing immense racist and xenophobic sentiment and legislation that “otherized” and targeted them. However, during WWII, war hysteria amplified preexisting racist and xenophobic sentiment which resulted in the targeting of Japanese and Italian immigrants, and the loss of their civil liberties. Although the details and extent of their incarceration experiences are different, both Fordellone and Yamashita experienced the trauma and injustices American immigrants have historically faced because of their vulnerability to systematic discrimination and anti-immigrant prejudice in America.
If you would like to learn more about Gihachi Yamashita’s story, check-out JANM’s, “Enemy Mail: An American Story of Wartime Separation,” which is dedicated to telling his and his family’s story of incarceration during WWII through artifacts in JANM’s Yamashita Collection. If you would like to learn more about Filippo Fordellone or see other objects pertaining to Fordellone you may visit the Italian American Museum of Los Angeles’s online collection webpage.
On May 27, 1943, Kiku Nakamichi was crowned Queen of Denson at a coronation ball, which was part of a weekend carnival at the Jerome concentration camp.
Kiku was presented with a wooden, heart-shaped plaque painted red, green, and gold. It had been crafted by staff at the wood shop where she worked as a secretary. Four months later, when Kiku and her husband departed Jerome, wood shop staff and friends added signatures and farewell messages to the back of the plaque.
Captured in a photograph from the night of the coronation, Kiku is flanked by her two attendants Mary Ikeguchi and Bessie Nakashima, where she is seeing holding the plaque. According to the camp newspaper, Denson Tribune, “William O. Melton, assistant Project director, who crowned the queen had the first dance with Queen Kiku following the coronation.”
Although events throughout all of the camps were common, including coronations and carnivals, each one offered a unique opportunity for incarcerated Japanese Americans to participate in activities seemingly at dramatic odds with their forced surroundings.
The plaque was passed on to Kiku’s daughter, Cindi Ishigaki, who donated it to JANM’s permanent collection this past January.
Excerpt from Topaz Saturday Times, Vol. II No. 13, January 16, 1943.
Food Fancies, by Evelyn Kimura, was a column in the Topaz Saturday Times about all things food. In the wake of forced incarceration, Japanese Americans used what little resources they had to make some of their favorite meals. According to Kimura, the key to at-home cooking was simplicity. (And don’t use up all the coal for everyone in the barracks.)
Camp cooking is a legacy that has been passed down to many of us through the generations. Growing up, I knew that shoyu hotdogs and rice meant that Mom was tired. While we spend our current hours social-distancing and rationing food, we can call upon the lessons from those who came before us.
Homemade noodles, courtesy of Mrs. J Yanagizawa of 14-1-A
Ingredients: 1 1/2 cups of flour 1 egg Fresh vegetables of your choice 1 can bouillon or broth
Instructions:
Mix flour and egg (or you can substitute water). Let stand all day until hard.
Roll flat and cut into strips.
Then begin soup mixture by boiling fresh vegetables of your choice.
Add 1 can of bouillon (broth) to vegetables and allow to simmer for 20 minutes.
Boil soup and noodles for another 15 minutes.
If ready made noodles are being used, boil them before adding to the soup.
We plan to share more camp recipes, so check back for more. We hope you try out this recipe. And please let us know if you do!
Thanks to Emily Anderson who came across this recipe while searching through the World War II camp newspapers on the Densho Digital Repository as part of her research for an upcoming JANM exhibition. The full issue can be found here (Densho, Courtesy of the family of Itaru and Shizuko Ina).
Larry Ogino, Untitled, ca. 1942. JANM, Gift in Memory of Larry Akira Ogino (2020.20.1)
Every three months, staff at the Japanese American National Museum meet to discuss donation offers of artifacts for the museum’s permanent collection. One collection that arrived at the museum recently was from the family of Larry Akira Ogino.
Kathy Bishop and her siblings recently offered to JANM a collection of watercolor paintings created by their father, Larry Akira Ogino, during his time at the WRA concentration camp at Poston. The five vibrant watercolors accepted into JANM’s permanent collection capture life and scenery at Poston, with some of the works evoking the style of other watercolor artists in Poston and other camps, such as Gene Sogioka.
Larry was born in 1919 in San Francisco, California. During his youth, the family owned and operated a fruit and vegetable farm in the Los Gatos and Campbell neighborhoods adjacent to San Jose. Prior to incarceration, Larry was an art student at San Jose State College. Larry, his mother, and three brothers were sent directly to Poston. Their father joined them after a year at the Santa Fe Department of Justice camp. Larry left camp in June 1943 for employment in Chicago, and later volunteered to join the 442nd Regimental Combat Team. He served as a medic in Europe during his tour of duty.
Once out of the service, Larry was sponsored by a family friend and was able to continue his studies at the Studio School of Art in Chicago. During this time, he painted landscapes in watercolor, but also experimented with oils and acrylics. He was hired as a technical illustrator and worked for several different companies in the Midwest before finally returning to San Jose, where he was employed at FMC Corporation until his retirement. Until his death in 2000, Larry continued to paint—some animals (including cougars, foxes, dogs, cats, and birds), but mostly landscapes.
With over 100,000 artifacts, JANM’s Collections Management and Access staff work to preserve and document the experiences of Japanese Americans like Larry Akira Ogino. If you are interested in donating, making an appointment to view your family’s past donations, or learning more about objects in JANM’s permanent collection, please email collections@janm.org.
Larry Ogino, Untitled, ca. 1943. JANM, Gift in Memory of Larry Akira Ogino (2020.20.2)Larry Ogino, Untitled, ca. 1943. JANM, Gift in Memory of Larry Akira Ogino (2020.20.3)Larry Ogino, Untitled, ca. 1943. JANM, Gift in Memory of Larry Akira Ogino (2020.20.4)Larry Ogino, Untitled, ca. 1943. JANM, Gift in Memory of Larry Akira Ogino (2020.20.5)
Signing of the Civil Liberties Act of 1988 by President Ronald Reagan, 1988. Japanese American National Museum. Gift of Norman Y. Mineta.
On Saturday, February 17, JANM will present the 2018 Day of Remembrance in partnership with Go for Broke National Education Center, Japanese American Citizens League-Pacific Southwest District, the Manzanar Committee, Nikkei for Civil Rights and Redress, Nikkei Progressives, OCA-Greater Los Angeles, and Progressive Asian Network for Action (PANA). This year’s theme is “The Civil Liberties Act of 1988: The Victory and the Unfinished Business.”
In addition to marking the 76th anniversary of the signing of Executive Order 9066, an act that led to the forced evacuation and mass incarceration of 120,000 persons of Japanese ancestry during World War II, this year’s Day of Remembrance also commemorates the 30th anniversary of the signing of the Civil Liberties Act of 1988, the legislation that provided a formal apology from the US government and monetary reparations to survivors of the incarceration. Years in the making, this landmark legislation went a long way toward providing vindication and closure for the Japanese American community. Over 82,500 survivors received the President’s apology and the token monetary compensation provided by the CLA.
Today, however, we again find ourselves living in a climate of fear and scapegoating, in which several different immigrant populations have become vulnerable to unfair targeting. At this year’s event, we hope to strengthen our collective voice as we strive to prevent a repeat of what happened to Japanese Americans 76 years ago. Featured speakers will include Alan Nishio, community activist and founding member of National Coalition for Redress/Reparations (now Nikkei for Civil Rights and Redress), who will speak about the importance of the Civil Liberties Act, what it did not accomplish, and its ongoing relevance today. The DOR program will also continue its tradition of paying tribute to the Issei and Nisei generations.
Admission to this event and to the museum are both pay-what-you-wish on this day. Last year’s event drew standing-room-only crowds, so RSVPs for this year’s Day of Remembrance are strongly encouraged. For updates on the day’s program, please visit janm.org or the Facebook event page.
