My Summer as a JANM Intern

JANM’s 2017 summer interns spending time in Little Tokyo.
L to R: Mia Kato, Karina Kawana, Leighton Okada, and Ridge Hirano.

Mia Kato interned this past summer with JANM’s facility maintenance and rentals department. She offers the following account of her experience.

When I first started interning at the Japanese American National Museum, I thought I would be doing such typical intern tasks as getting coffee, making photocopies, and stapling documents together. Little did I know that my summer was going to be filled with different tasks every day—from designing a website to tasting sushi at a hotel.

I was pretty nervous in the beginning. Learning where everything was and how to use it was very overwhelming at first. Not to mention, remembering everyone’s names was a challenge—thank goodness for name cards! When I was presented with a desk in the facilities office and a building access badge, I felt official. Having sat in classrooms all of my life, the work setting felt a lot different to me. I felt like a real grownup for once and it was great.

Over the last couple of months at JANM I learned a lot. I initially came here because I needed to complete a 400-hour course credit requirement for school. As I put in these hours however, I was exposed to many different aspects of museum operations, including visitor services, public programs, and facility maintenance and rentals. These different departments taught me a lot of things and I am so thankful for the people who took me under their wing.

In visitor services, I experienced what it was like to be the first person to represent the museum. To be able to answer the numerous questions that always came in, I had to expand my knowledge about the museum, Japanese American history, and Little Tokyo. Being in the front of the museum also brought me closer to the visitors that came in, because I got to learn their stories and their personal connections to Japanese American history.

When I worked in public programs, I was amazed to learn how many little details go into each event. I learned to think outside of the box and to look at not only the bigger picture but the smaller details. This department helped me understand a lot more about my hospitality administration major and everything that it takes to organize an event.

Facility maintenance and rentals was the primary department that I was assigned to. At first, I was a little wary about being in this department because I did not know what kind of work it would entail. To my surprise, this was not your average 9-5 job; every day was a different adventure. My supervisors were amazing and always included me in the various activities that went on throughout the day. I was able to go on walkthroughs, join food vendor tastings, and even climbed to the roof of the building at one point.

Together, our department worked on marketing and advertising facility rentals for the museum. We worked on a new website, a brochure, and a rentals packet. They taught me the process of organizing event rentals, which requires a lot of paperwork and attention to detail. I also got to work on my correspondence and communication skills.

Overall, I had a wonderful experience at JANM. I came in very hesitant and nervous, but I am leaving with new skills and experiences that I never in my life thought would happen. Each department taught me something a little different that I will be able to apply to my studies at school and in the future, at work. I appreciate everything that I got to do this summer through JANM and I hope that the next group of interns will have as much fun as I did.

Mia Kato is studying hospitality administration at Boston University.

A Getty Intern’s Tale

Applications for the Getty Multicultural Undergraduate Summer Internships at the Japanese American National Museum are due on April 27! If you are considering applying, read on for one former intern’s story of how the experience changed her life.

A communications major, an art major, and an English major walk into a bar…

2011 Getty interns Yuiko Sugino, Alexa Kim, and Alyctra Matsushita, in front of a wall drawing by Stan Sakai.
2011 Getty interns Yuiko Sugino, Alexa Kim, and Alyctra Matsushita, in front of a wall drawing by Stan Sakai.

What sounds like the beginning of a bad joke was my college reality. Living in a house of Humanities and Social Science majors, my roommates and I spent four years worrying not just about term papers and printer cards, but also about student loans and postgraduate careers. As optimistic freshmen, we joked that upon graduation we would all live in cardboard box mansions, as that would be all we could afford. But as graduation loomed nearer, we said it more frequently through gritted teeth.

Then, in my junior year I learned about the Getty Multicultural Undergraduate Internship, available at the Japanese American National Museum as well as numerous other museums throughout Southern California. It sounded promising on all counts. I was attending UC Santa Barbara, and returning to Los Angeles for a cool internship sounded much better than the alternative of slopping meals at my student job in the campus dining commons. I also liked the idea of putting “Getty Intern” in big, bold letters on a résumé that boasted little more than my previously mentioned cafeteria duties. And perhaps most important of all, it was PAID!

After eagerly filling out the application, getting my letters of recommendation, and sacrificing a lamb or two, I learned that I was chosen to be JANM’s 2011 Media Arts Intern. Although excited, I was also a little wary and hoped I wouldn’t be a glorified coffee runner, coming home with fingers bloodied by paper cuts and blackened from fixing toner cartridge jams. But I figured at the very least, I’d have ten weeks in Little Tokyo surrounded by all the mochi ice cream I could get my hands on.

I can still remember my first day, five years ago. I was immediately introduced to the two other Getty interns, who were assigned to the curatorial and production departments. We all squished together on a pale leather sofa in a bright room called the Takei Lounge, nervously awaiting further instructions and making awkward small talk. Then, after a quick orientation, we dove into our jobs as museum interns.

Alyctra Matsushita, right, with Discover Nikkei interns Maya Kochiyama and Krista Chavez. Photo courtesy of discovernikkei.org.
Alyctra Matsushita, right, with Discover Nikkei interns Maya Kochiyama
and Krista Chavez. Photo courtesy of discovernikkei.org.

 

As cliché as it sounds, the ten weeks in Media Arts flew by as I learned many new skills. I spent Saturdays filming public programs, meeting speakers that included baseball players and sports executives, hearing poetry readings, and learning the history of kamaboko (fish cake)—with samples! I got a VIP invitation to the Japanese Consul General’s home. I was suddenly able to grab a camera, shoot some videotape, and use Final Cut Pro to edit my own film. I learned basic Photoshop, and could create a real DVD with all the bells and whistles. Yet, as résumé-ready as these skills were, it was the experience and the interactions with people at the museum that were most life-changing.

I met staff and volunteers who had passion for the same things that I had passion for—brilliant people who cared about Japanese American history and culture, who understood the beauty of books and the knowledge they held. I met academics whose texts I had studied. I met people who could (and had) designed exhibitions from the ground up. One of my fellow Getty interns learned about the mysteries that could be unearthed in a pile of artifacts with a pair of white gloves, while the other experimented with wall vinyls and paints, learning how to make research come to life.

During a summer 2011 public program, Frank Kawana demonstrates how to make kamaboko (Japanese fish cake) by hand.
During a summer 2011 public program, Frank Kawana demonstrates
how to make kamaboko (Japanese fish cake) by hand.

 

In those ten quick weeks, I gained a new skill set, a few extra pounds from all the mochi ice cream and snacks, and most importantly, the knowledge that there is a brick-and-mortar set of walls that houses (and pays!) people who care about the same things I care about. When I left, I still didn’t quite know what I wanted to do with my postgraduate life, but I had a much stronger idea of where I might like to be.

In 2014, when I got a call from my amazing Media Arts supervisor about a temporary position in the museum store, I jumped at the opportunity to get my foot back in the door. Since then, I’ve managed to turn that temp gig into a full-time job, taking on a combination of Development, JANM Store, and Visitor Services duties. I’ve connected and reconnected with dozens of wonderful people, met the great George Takei (friend of the museum and the namesake of the lounge where I met my fellow interns back on that first day), and found a real home in this little JANM family.

For details on the available internships and how to apply, visit our Jobs page.

I Want the Wide American Earth’s promotional video is released!

JANM's 2013 interns celebrate the end of a great summer internship!
JANM’s 2013 interns celebrate the end of a great summer internship!

Every summer the Getty Foundation organizes a Multicultural Undergraduate Internship program in Los Angeles that aims to encourage greater diversity in the professions related to museums and the visual arts. This year JANM hired three interns—Kelly in Media Arts, Cindi in Production, and myself, Esther, in the Curatorial department.

For the majority of the summer we worked separately, but for the last few weeks, we worked together to produce a final collaboration project which would culminate in a promotional video for the exhibition, I Want the Wide American Earth: An Asian Pacific American Story.

Media Arts intern, Kelly, searches for artifacts on JANM's database.
Media Arts intern, Kelly, searches for artifacts on JANM’s database.

As the exhibition  takes a sweeping look at how Asian Pacific Americans have shaped and been shaped by the course of U.S. history, we decided to interview Asian Pacific Americans of different ethnicities, backgrounds, and occupations on a variety of topics. Our central question was “What do you want from your America?”. We also asked each interviewee to finish the sentence “I am…”. We got a wide array of answers that allows any viewer to appreciate the cultural, historical, and social diversity among Asian Pacific Americans.

Cindi and Esther are guided through JANM's artifacts by Collections  Manager, Maggie Wetherbee.
The interns are guided through the Collections Department by JANM’s Collections Manager, Maggie Wetherbee.

For footage we used photographs from the exhibition itself, and made stops around Downtown Los Angeles’ Little Tokyo and Chinatown. We also visited our own Collections Department at JANM to photograph artifacts and photographs that were relevant to the exhibition. It was an exciting day because we saw how expansive our Collections Department is, and we got to personally handle artifacts!

A shot from Wong Fu Productions'  "10 Year Anniversary" clip.
A shot from Wong Fu Productions’ “10 Year Anniversary” clip.

We were also granted permission from Youtube stars including, fitness instructor Cassey Ho from Blogilates, singers David Choi and Clara C, and Wong Fu Productions for our preview clip. Although we did not use all of these clips for our final video, we were able to get exciting experience communicating with professionals, and were able compile more than enough footage so that we had many options while editing our video.

Check out our final video to see who’s footage and interviews made it into our collaboration project!

Curatorial intern, Esther carefully handling a "Justice for Vincent Chin" pin from the 80s.
Curatorial intern, Esther, carefully handling a “Justice for Vincent Chin” pin from the ’80s.

 

It was a time-consuming project, but it was also a great experience because we were able to collaborate with each other, appreciate each of our talents, and examine how different departments come together to produce a project. For us, this experience reinforced the fact that museums, including JANM, are not made up of individuals working separately, but rather, individuals working and collaborating together to produce something great!

 

Cindi, JANM's 2013 production intern, designing a event flyer.
Cindi, JANM’s 2013 production intern, designing an event flyer.

If you haven’t seen it already, I Want the Wide American Earth is on display at JANM until October 27th. Also, be sure to catch Our American Voice—a special two-person show starring Traci Kato-Kiriyama, and Johnny Kwon (also the narrators of our final video), exploring six diverse stories of Asian Pacific Americans. This special performance was produced in partnership with East West Players, and will be performed at 1pm in the exhibition gallery every Saturday for the duration of the exhibition.

Photos by: Kelly Gates, and Esther Shin.

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For more information on I Want the Wide American Earth: An Asian Pacific American Story, visit: janm.org/wide-american-earth.