National Youth Summit 2016: Continuing the Dialogue with Students

Los Angeles students participating live in the National Youth Summit panel discussion. All photos by Tracy Kumono.
Los Angeles students participating live in the National Youth Summit
panel discussion. All photos by Tracy Kumono.

 

On May 17, the Japanese American National Museum partnered with the Smithsonian National Museum of American History to host a National Youth Summit on Japanese American incarceration in World War II. Over 3,600 students and teachers from 36 states and three countries tuned in to the live webcast of the event! In case you missed it, the program is now archived and available to watch online.

In addition to the panel discussion here in JANM’s Tateuchi Democracy Forum and its webcast, we also hosted a simultaneous web chat where students enthusiastically checked in and asked some very thoughtful questions. There were so many questions that we were not able to answer all of them during the time allotted. Thanks to this blog, however, we now have a chance to follow up with our curious viewers and answer more of their questions.

JANM’s Curator of History, Dr. Lily Anne Welty Tamai, was on hand to answer questions about the Japanese American World War II incarceration.

Caroline asked: How were Japanese Americans treated differently from Jews during this time?

Dr. Tamai: The World War II experiences of the two groups were very different. Technically, both the Nazi and the American camps were concentration camps, meaning they were used “for the detention or imprisonment of aliens, members of ethnic minorities, or political opponents.” However, after the war, the term “concentration camp” became associated most strongly with the Nazis, who used their camps to systematically execute Jews and other minority groups. Although Japanese Americans were imprisoned without due process, the War Relocation Authority camps were NOT death camps—they met the prisoners’ basic needs for food and shelter and allowed them to work, go to school, and live with their families for the most part.

The DC Area asked: What happened to Japanese Americans who resisted incarceration?

Dr. Tamai: There were several acts of resistance against the incarceration, which led to arrests and four subsequent Supreme Court cases (Gordon Hirabayashi 1943, Minoru Yasui 1943, Fred Korematsu 1944, and Mitsuye Endo 1944) that questioned the constitutionality of various aspects of President Roosevelt’s Executive Order 9066. In the first three cases, government authorities misled the court by exaggerating the military’s estimates of the security risk posed by Japanese Americans. All convictions were overturned 40 years later thanks to the leadership of the Nisei and Sansei generations, who achieved historic court victories that paved the way for the Redress Movement. This in turn led to the passage of the Civil Liberties Act of 1988, which granted a formal apology and reparations to Japanese Americans.

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Caroline asked: Did any other Americans try to stand up for Japanese Americans’ rights?

Dr. Tamai: After the bombing of Pearl Harbor, the Japanese American community was perceived to be allied with Japan and thus, it was extremely unpopular to stand up for them. Several notable people did, however.

Clara Breed, a librarian in San Diego, wrote many letters to her former students who were incarcerated at Manzanar War Relocation Center. For more information, see Joanne Oppenheim, Dear Miss Breed: True Stories of the Japanese American Incarceration During World War II and a Librarian Who Made a Difference (Scholastic Nonfiction, 2006). There was also a Mexican-Irish teenager named Ralph Lazo who decided to show his support of his Japanese American friends by joining them at Manzanar during the war.

Ralph Carr, former governor of Colorado, welcomed Japanese Americans who wished to resettle in Colorado after the war—an unpopular move that cost him his bid for the US Senate. American Friends Service Committee (the Quakers) also gave public support to Japanese Americans who were resettling. San Francisco–based civil rights attorney Wayne Collins helped nearly 5,000 Japanese Americans reinstate their US citizenship after they had been coerced into renouncing it. He also served as defense attorney for Fred Korematsu, Mitsuye Endo, and Japanese Latin Americans who had been extradited from Latin America and imprisoned in US Department of Justice camps.

Anonymous asked: Why didn’t they send Japanese Americans back to Japan?

Dr. Tamai: By 1942, nearly two-thirds of the Japanese American community had been born in the US, making them US citizens. Although most had family members who were still in Japan, many had never even been there, and therefore going “back” was not an option. For the first-generation Japanese immigrants who made up one-third of the community, many had already established themselves in the US—they were legal residents; they owned businesses, farms, and homes; and their children were American citizens. The US government was not in a position to deport an entire ethnic community.

Bill Shishima
Bill Shishima

During the first part of the program, students heard from JANM volunteer William “Bill” Shishima, who talked about his childhood incarceration at Heart Mountain, Wyoming. The students responded very positively to his story and asked him a few more questions via the web chat.

NadeShot asked: What was it like saying goodbye to your friends and not knowing when you would be back?

Bill Shishima: It was very short and sweet. Basically, we just said goodbye and we didn’t know where we were going or for how long.

Cate asked: Did the formal US apology help you at all emotionally?

Shishima: Yes, I was shocked that the country said that they were sorry we were incarcerated during the war. It takes a great country to admit a wrong to their citizens. I donated my $20,000 reparation money to the Japanese American National Museum, which exists to tell the Japanese American incarceration story so that it will never happen again!

National Youth Summit presenters celebrate a successful event. L to R: Mariko Rooks, William "Bill" Shishima, Kane Tenorio, Lori Bannai, Karen Korematsu, Hussam Ayloush, David Ono, and G Yamazawa.
National Youth Summit presenters celebrate a successful event. L to R: Mariko Rooks, William “Bill” Shishima, Kane Tenorio, Lori Bannai, Karen Korematsu, Hussam Ayloush, David Ono, and G Yamazawa.

 

A huge thank you to everybody who participated in this year’s National Youth Summit! In closing, we’d like to leave you with a link to the rap song we played to kick off the program. It’s called “9066” and it’s by “Kamikaze” Kane Tenorio. You can listen to it here. You can also read about Kane and his family here. Enjoy!

Young LA Rap Artist to Kick Off the National Youth Summit on Japanese American Incarceration

Three generations of the Tenorio family: father Phil, grandmother Sue, grandson Kane, and grandfather Alex. All photos courtesy of Sue Sato-Tenorio.
Three generations of the Tenorio family: father Phil, grandmother Sue, grandson Kane, and grandfather Alex. All photos courtesy of Sue Sato-Tenorio.

 

Kane Yutaka Tenorio, a college student and rap artist also known as “Kamikaze Kane,” was born in East Los Angeles in 1997. A young man of mixed Latino, Japanese, Native American, and white ancestry, Kane enjoys a close relationship with his extended family, including his grandmother Sue Sato-Tenorio, an educator and longtime friend of JANM.

As a youth, Kane spent a lot of time at his family’s three historic Boyle Heights homes, where he was able to learn about their history firsthand. His great-great-grandmother on his father’s side was a physician who practiced out of her house. She was also diabetic; when she was incarcerated at Poston by the US government during World War II, she became very ill due to lack of care and medication. Kane’s grandma Sue was born at the camp, along with her older brother. Although the family was lucky enough to retrieve their homes when the war was over, they lost their thriving businesses and virtually everything else.

Sue's parents, Jack Yutaka and Clara Sato.
Sue’s parents, Jack Yutaka and Clara Sato.

The real impact of these stories was not lost on Kane, who was an active participant in family discussions as a child. As he grew older, he took up the study of music, eventually writing and recording original rap songs, which were inspired by his own experiences and world events. Today he performs his material, which frequently addresses race and social justice, in venues throughout Southern California.

This Tuesday, May 17, at 10 a.m. PDT, JANM is proud to host the latest edition of the Smithsonian’s National Youth Summit, which will focus on the incarceration of Japanese Americans during World War II. Kane’s rap song “9066,” will be played to kick off the summit, after which a panel of dynamic speakers will address the history and legacy of the incarceration. (For more information about the Summit, click here.)

Kane Yutaka Tenorio, aka "Kamikaze Kane"
Kane Yutaka Tenorio, aka “Kamikaze Kane”

 

Kane’s song is both a stirring protest against injustice and a loving tribute to the resiliency of his family, whose stories are woven throughout. In his grandma Sue’s words: “I am so proud that Kane has written this rap not only about my experience, but the collective experiences of thousands of Japanese Americans who were incarcerated in the United States of America. To me, his song is about the trajectory of injustice, and the terrible human consequences of our government’s illegal incarceration of people solely due to race.”

The museum’s Tateuchi Democracy Forum will host a full house of students and educators for this important edition of the National Youth Summit. Among the audience members will be three generations of the Tenorio family, including Kane and Sue. In addition, educators and their classrooms around the globe are invited to participate via a live webcast of the event; so far, the event has received registrations for more than 2,000 students from 42 states, the District of Columbia, France, and Canada.

It’s not too late to register your class for what will surely be a lively and engaging event. The Youth Summit website offers many useful educator resources, such as lesson plans and conversation kits, that can be downloaded. After the event concludes, the Smithsonian will archive it along with past Youth Summits on this webpage, where they are available for viewing at any time.

Sue and Alex Tenorio
Sue and Alex Tenorio

Inspiring Women and Girls of Color

Admission to JANM will be free to the public on Saturday, March 12, in celebration of the Smithsonian Institution’s annual Museum Day Live! event. This day is intended to encourage all people to explore our nation’s museums, cultural institutions, zoos, aquariums, parks, and libraries. This year, in recognition of Women’s History Month, the event has a special focus on reaching women and girls of color in underserved communities.

Mine with open newspaper, surrounded by anti-Japanese slogans, Berkeley, California, 1941
Mine with open newspaper, surrounded by anti-Japanese slogans, Berkeley, California, 1941. Gift of Mine Okubo Estate
(2007.62.14).

 

At JANM, we are very fortunate to have some significant pieces in our collection created by Japanese American women, such as the artist Miné Okubo (1912–2001), whose collection has been digitized and can be viewed on our museum’s website.

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Gift of Mine Okubo Estate (2007.62.147).

Okubo was a young woman during World War II. She and her family were removed from San Francisco to Tanforan Assembly Center, and then incarcerated in the concentration camp at Topaz, Utah, for the remainder of the war. Okubo was a keen observer; she made sketches and ink drawings that depicted what life was really like in camp.

Gift of Mine Okubo Estate (2007.62.181).
Gift of Mine Okubo Estate (2007.62.181).

In many ways, Okubo was ahead of her time. Her graphic novel, Citizen 13660 (1946), was the first published personal account of the camp experience. Through her pen and ink drawings, readers got an intimate view of what daily life became when Okubo, an American citizen by birth, was reduced to a number: 13660.

To learn more about Miné Okubo and her trailblazing life, we recommend viewing our online collection of her work, reading Citizen 13660, which can be purchased at the JANM Store and janmstore.com, and checking out the biographical volume Mine Okubo: Following Her Own Road, edited by Greg Robinson and Elena Tajima Creef.

Mine and Benji standing with their luggage, Berkeley, California, 1942
Mine and Benji standing with their luggage, Berkeley, California, 1942. Gift of Mine Okubo Estate (2007.62.23).

 

It’s a National Youth Summit webcast! Join us!

We are so excited about our upcoming participation in a National Youth Summit with the Smithsonian’s National Museum of American History and 10 other Smithsonian Affiliate organizations across the country.

On February 5, 2014 students from around the country will participate in a live webcast originating from The Old Capitol Museum in Jackson, Mississippi. The program will reflect on the 1964 youth-led effort for voting rights and education known as Freedom Summer and will include a panel of activists, experts, and scholars.

Tamio Wakayama Photo: Tracy Kumono
Tamio Wakayama
Photo: Tracy Kumono

Following the webcast, JANM will have our own on-site program. Tamio Wakayama, a Nisei Japanese Canadian who joined the American Civil Rights Movement as a member of the Student Nonviolent Coordinating Committee (SNCC), will share his experiences and the documentary photographs that he took from 1963 to 1964.

Now, here’s the great part: all youth and educators are invited to participate from their classrooms through the magic of the web! Teachers… this means you! Just take a look at this fantastic site for the program.

The Smithsonian has provided teaching resources and other tools for you and your students. You can pre-register and join in the conversation along with us and view the program streaming live from the Old Capitol Museum.

Register online now >>

 

I Want the Wide American Earth – Opening Party Photos

On Friday, September 13, the Japanese American National Museum threw an opening party to welcome our newest exhibition, I Want the Wide American Earth: An Asian Pacific American Story. Created by the Smithsonian Asian Pacific American Center, I Want the Wide American Earth explores the rich, and deep-rooted history of Asian Pacific Americans in the United States.

This event was open to the public and attracted hundreds of visitors, including locals, and travelers from different states. Free food from Aloha Cafe and drinks from Ito-en and the Mighty Boba Truck were served throughout the reception, while exciting performances filled the evening.

From previews of Our American Voice in the exhibition gallery presented in partnership with East West Players, to powerful numbers by YouTube stars, DANakaDAN + Crew Love, to the comical performances of The Fung Brothers, it was an evening of enlightenment, reflection, and entertainment.

The evening began by celebrating the opening of an exhibition, but it soon became a night to celebrate the history, accomplishments, and the exciting future of Asian Pacific Americans.

Check out these pictures from the opening party! (Click on the photos to see them larger)

Photos by: Tsuneo Takasugi, Richard Watanabe, and Richard Murakami.

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If you haven’t seen I Want the Wide American Earth yet, stop by the museum to view the exhibition before it closes on October 27th. If you didn’t get a chance to watch Our American Voice, East West Players will be performing every Saturday at 1:00PM throughout the run of the exhibition. For more information on the exhibition: janm.org/wide-american-earth

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marvels-monsters-signature-500pxMarvels & Monsters opening next week!

Don’t miss our next exhibition opening event! Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986 will be at JANM from October 12, 2013 – February 9, 2014, but we’ll be celebrating early on Thursday, October 10 from 6PM – 9:30PM. 

Traveling to JANM from the Asian/Pacific/American Institute at NYU, Marvels & Monsters will illustrate how evolving racial and cultural archetypes defined America’s perceptions of Asians through a selection of images from comic books representing four turbulent decades.

This preview reception will be hosted by the JANM Young Professionals Network and is free and open to the public! Get a sneak peek at the exhibition and check out readings of the winning short scenes from the “Marvels & Monsters: Unbound” Showcase!

For more information on the exhibition: janm.org/marvels-monsters

Back to School!

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Schools have started and JANM is back in session! Buses pull up each morning, filled with students and teachers coming to learn more about the Japanese American experience.

We are always thinking about ways in which these visitors—most of whom are not of Japanese descent—can better relate to the Japanese American experience. One of the ways we do this is to use the artifacts (the “stuff”) from JANM’s collection as a means to begin conversations about visitors’ diverse, yet intersecting, experiences.

So last Spring, we worked with a group of ninth graders from Los Angeles Unified School District’s King/Drew Magnet High School of Medicine and Science to see how artifacts connect to stories of immigration/migration. These students uncovered family histories to learn how their artifacts related to their families’ journeys.

Before coming to JANM for a school visit, students photographed their artifacts and wrote short narratives about journeys to Los Angeles from other states, other countries. The artifacts, like the artifacts in JANM’s collection, are indeed very precious and have some amazing stories to tell!

We hope that the sampling of the essays from the King/Drew students might also get you thinking about your own stories of immigration/migration.

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The students’ essays were created as part of a pilot project between King/Drew Magnet High School of Medicine and Science, the Japanese American National Museum, and the Smithsonian Institution’s Our American Journey Project. OAJ is a multi-year project that will examine international and internal migration centered on what we understand today to be the United States.

Photos by Gary Ono.

Visit the Japanese American National Museum for FREE on Museum Day!

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Bring yourself and a friend to the Japanese American National Museum for free! On Saturday, September 28th, JANM will be participating in the Smithsonian Magazine’s “Museum Day Live!” A ticket will provide free admission to one person, plus a guest.

In the spirit of Smithsonian Museums, who offer free admission everyday, Museum Day Live! is an annual event hosted by Smithsonian magazine in which participating museums across the country open their doors to anyone presenting a Museum Day Ticket… for free.

The Japanese American National Museum is a proud Smithsonian Affiliate Museum, and excited to be a part of Museum Day Live! When you come on Saturday, check out I Want the Wide American Earth: An Asian Pacific American Story, an exhibition of banners created by the Smithsonian Asian Pacific American Center, on view through October 27, 2013.

Here are some rules and guidelines to ensure an enjoyable and smooth museum visit:
–       Only an official Museum Day Live! ticket is eligible for free entry. Official tickets can be requested through the Museum Day Live! website: www.smithsonianmag.com/museumday/ticket/
–       One ticket per household, for two people.
–       A ticket will gain entry to only one of the participating museums, excluding parking and special events and exhibits.
–       If the museum reaches capacity, the museum has the right to limit the number of guests until space becomes available.

See you on Saturday!

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For Museum Day Live! FAQs:
www.smithsonianmag.com/museumday/Museum-Day-Faqs.html#ixzz2Z97wd51P

View the list of museums that are participating by using this link: www.smithsonianmag.com/museumday/venues/

For more information on the Smithsonian magazine: www.smithsonianmag.com/?ref=logo

Selecting Artifacts to Accompany “I Want the Wide American Earth”

So many artifacts to choose from!

One of our upcoming exhibitions, I Want the Wide American Earth: An Asian Pacific American Story, takes a sweeping look at how Asian Pacific Americans have shaped and been shaped by the course of our nation’s history through 30 banners of poignant text, photographs, and art.

To put a personal touch from JANM on the Smithsonian traveling exhibition, we chose to complement the banners with some items from the Museum’s extensive collections. Since we have over 60,000 unique artifacts, documents, and photos in our permanent collection, it was a tough choice!

As a summer intern, I was given the (amazing!) opportunity to select these artifacts. There were several qualifiers—the artifacts would have to be both relevant to its banner’s content and interesting, whether visually or content-wise. My first step was to read through the exhibition text to get a better sense of the exhibition as a whole, then to list them out along with a brief summary and relevant information (keywords, dates, people, etc.—anything that might help narrow down artifacts). I sent the document to our Collections Associate, who searched the collections database and returned a pretty extensive list of potential artifacts. From there, it was a matter of selecting one or two for each banner and then pulling them to take a look. We also collaborated with the Riverside Metropolitan Museum to loan a few items from their historic Chinatown collections.

I don’t want to give away too much (you’ll have to come to the show to see all of the artifacts), but you’ll be able to see a really striking article written in the 1940s by the chairman of the California Joint Immigration Committee. The article, after being submitted to a national magazine, was passed around by the Japanese American Citizens League’s Equality Committee as a reminder of the challenges faced.

What I find interesting about the article is the blatantly offensive language—featuring lines such as “Because of their unassimilability and the impossibility of competing with them due to their low standards of living, Japanese immigrants have never really been welcome in the United States.” Of course I was previously aware of such anti-Japanese sentiment (how could I not, after touring Common Ground: The Heart of Community), but seeing it literally spelled out for me made an abstract concept truly hit home.

See this artifact and more in I Want the Wide American Earth from September 14 ‐ October 27, 2013! Check the exhibition page for more details.

50th Anniversary of the Freedom Rides

Panelists (L to R): Robert Singleton, Helen Singleton, Sybil Jordan Hampton (moderator), Tamio Wakayama
Student with his artwork inspired by the Freedom Rides

I often take for granted how easy it is to follow breaking news. To find out what happened during a raid on a compound in Pakistan, I can turn on a 24-hours news channel or click on a few links to get caught up.

But 50 years ago the medium of television was new. And 50 years ago today, the first buses of Freedom Riders (and three reporters) left Washington, D.C. and headed South to test Boynton v. Virginia, the U.S. Supreme Court decision that had desegregated interstate travel. What followed changed the course of the United States history.

The Freedom Rides have been on our minds a lot this year. On February 9, 2011 the Smithsonian Institution’s National Museum of American History organized a Web cast and National Youth Summit that brought together Freedom Riders in D.C. and engaged five Smithsonian Affiliates from across the nation to discuss the meaning of the Freedom Rides and the role of young people in shaping America’s past and future.

Student with Dr. Robert Singleton

JANM was honored to have been selected as the West Coast venue for this program and streamed the Webcast to a live audience of students from LAUSD’s Civitas School of Leadership and Ribet Academy. Following the Webcast, Dr. Robert and Mrs. Helen Singleton, two Los Angeles-based Freedom Riders, and Mr. Tamio Wakayama, a Japanese Canadian member of SNCC, were on a panel moderated by Dr. Sybil Jordan Hampton, a member of JANM’s Board of Trustees and herself an important figure in the Civil Rights Movement. We were star struck!!!

This has gotten us thinking about how the Freedom Rides impacted Japanese Americans, and especially how it may have emboldened those in the Redress Movement. What were the Issei, Nisei, and Sansei who watched these images broadcast on national television (just as that medium was becoming commonplace) thinking and feeling as they watched the buses burning, the cruel racism, and brave individuals standing up for what was right?

What would you have been thinking if you had been watching those Freedom Riders make their way South under the “protection” of Boynton v. Virginia?

P.S. To learn more about the Freedom Rides, tune into your PBS station on May 16 and also we highly recommend The Children by David Halberstam. Learn more about new generation of young people who are about to retrace the path of the Freedom Riders. And, maybe you can catch a glimpse of the Singletons when Oprah Winfrey reunites the Freedom Riders on May 4.

Photographer: Tracy Kumono