Tag: asian american film

The Importance of Justin Lin and Other Asian American Cultural Pioneers

Koji Steven Sakai 1 Comment

Next week, Big Trouble in Little Tokyo welcomes director Justin Lin to the museum for a tenth-anniversary screening of The Fast and the Furious: Tokyo Drift, followed by a panel discussion. Below, JANM Vice President of Programs Koji Steven Sakai reflects on Lin’s influence.

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When I was growing up in the 1980s and ’90s, there were zero Asian Americans on television, in movies, or in music. Okay, that’s not completely true, but it isn’t that far off. In fact, I remember playing G.I. Joe and turning one of the bad Asian ninjas (Storm Shadow) into one of the good guys.

Later, when I was thinking about becoming a screenwriter, I wasn’t sure it was possible since there wasn’t really anyone in the film and television world that I could point to and say, “That’s who I want to be like.” I didn’t believe it was actually a viable career, because if it was, why weren’t there more Asian Americans doing it?

It was around this time that three things happened in the world of Asian American pop culture. The Mountain Brothers, the first Asian American hip hop group signed to a major label, released their first album, Self: Volume 1, in 1999. They weren’t just a gimmick either; their album was an instant classic. Then, in 2001, Chinese American rapper MC Jin won seven freestyle battles in a row on BET’s Freestyle Friday. I tuned in at the end of every week to watch him, mesmerized by his skill. Finally, in 2002, Better Luck Tomorrow, the first feature film by Taiwanese American director Justin Lin, came out. It was one of the first Asian American movies bought by a major company.

Tokyo Drift smallAll three of these pivotal moments made me think I could make a career in the arts. But since I’m a screenwriter and producer, Justin’s accomplishment was especially meaningful to me. For once, there was someone I could emulate.

Justin has gone on to become one of the most successful Asian American filmmakers working today. And even with his success, he continues to support the Asian Pacific American community through his blog/YouTube channel YOMYOMF (You Offend Me You Offend My Family) and by always casting Asian Americans in major roles.

He has been an inspiration to me, and I would argue that he has also inspired an entire generation of Asian American filmmakers. For all of these reasons, I am honored to bring Justin Lin to JANM’s Tateuchi Democracy Forum, where he will participate in a panel discussion following a 10th-anniversary screening of The Fast and the Furious: Tokyo Drift, the first of four films he directed in the highly popular Fast and Furious franchise. This event, which is part of JANM’s Big Trouble in Little Tokyo series, will take place on Thursday, February 4, at 7 p.m.

Today, there are many more Asian Americans who are visible in popular culture. But I would argue that they all owe a gesture of thanks to pioneers like the Mountain Brothers, MC Jin, and Justin Lin, who helped make things a whole lot easier for those who came after them.

For more information about the screening or to buy tickets, click here.

Koji Steven Sakai is the Vice President of Programs at the Japanese American National Museum, where he has worked for over 12 years. In addition to his work at the museum, he has written five feature films that have been produced. Most recently, his debut novel, Romeo and Juliet vs. Zombies, was released by Luthando Coeur.

BIG TROUBLE IN LITTLE TOKYO: New Film Series at JANM Spotlights Asian American Film

Koji Steven Sakai 1 Comment

BTILT_splatter+bumpers

JANM’s Vice President of Programs, Koji Sakai, announces the launch of an exciting new Asian American film series at the museum.

During the last quarter of 2014, JANM’s Tateuchi Democracy Forum was the site of two sold-out screenings and panel discussions celebrating the thirtieth anniversary of the iconic film The Karate Kid and the tenth anniversary of Alice Wu’s romantic comedy, Saving Face. In December, it also hosted a well-attended screening of Tadashi Nakamura’s feature-length documentary, Jake Shimabukuro: Life on Four Strings, followed by an intimate talk and a live ukulele performance by Shimabukuro.

Now, in an effort to continue screening Asian American films, I am proud to announce a new bi-monthly film series called Big Trouble in Little Tokyo. To organize this series, JANM is partnering with Visual Communications, one of the premier Asian American media organizations; Angry Asian Man, one of the first and most influential Asian American blogs; and First Pond Entertainment, a consultation and distribution service for independent films that focuses on socially-driven documentaries and narratives that feature underrepresented communities in front of and behind the camera.

Starting next week, we will screen a film on the second Wednesday of every other month under the Big Trouble in Little Tokyo banner. The series will feature big Hollywood productions as well as small independent films, from the distant past and the more recent present, and will often include post-screening discussions with actors, directors, and others involved in the making of the movie. It will celebrate some important anniversaries, and most importantly, it will provide a venue for more Asian American films to be seen and appreciated.

TheJoyLuckClub Our first screening, taking place on Wednesday evening, February 11, will be The Joy Luck Club (1993), the film adaptation of Amy Tan’s bestselling novel, directed by Wayne Wang. Wang and stars Rosalind Chao and Tamlyn Tomita will be in attendance for a Q&A following the screening. On April 8, we will screen Big Trouble in Little China (1986), the cult film directed by John Carpenter that inspired the title of this film series. Post-screening panelists will include actors George Cheung and Gerald Okamura.

On May 13, we will have a very special screening in honor of Asian Pacific American Heritage Month: The Curse of Quon Gwon: When the Far East Mingles with the West (1916–17), a silent black-and-white film directed by Marion Wong. The Curse of Quon Gwon is the earliest known film directed by an Asian American, and one of the earliest directed by a woman. The evening will include a talk with filmmaker Arthur Dong, who preserved two reels of the historic film, which was later restored by the Academy Film Archive. Parts of the film are still missing.

As an Asian American filmmaker, one of the things that saddens me is the lack of opportunities and places to screen our films. That’s why as a JANM staff member and part of its programming team for more than five years, it has always been important to me to ensure that the museum can be such a place. JANM has hosted dozens of film festivals, from the Los Angeles Asian Pacific Film Festival to Outfest, and hundreds of screenings. Now we have a series to call our own. For complete details on upcoming screenings, please visit our Big Trouble event page.