Japanese tea ceremony demonstration led by Masayo Sebata
On Saturday, September 28, the Los Angeles International Tea Festival returned to JANM for its 3rd year! This year’s Tea Festival was even more successful than in previous years, boasting an extended 24 participating tea vendors, more exciting workshops, and an extension into the Courtyard.
JANM also had a free Japanese tea ceremony demonstration in conjunction with the festival, presented as part of the Tateuchi Public Programs Series.
The Japanese tea ceremony is called chanoyu or sado in Japanese. The ceremony was presented on behalf of Chado Tea Room and Hamano Shachu from Urasenke. The group performed a choreographed ritual of preparing and serving tea together with traditional Japanese sweets.
The tea ceremony demonstration involved five participants—Chieko-san, the narrator who guided the audience through each step of the ceremony, assistant Mrs. Kawata, hostess Mrs. Masayo Sebata, and two guests.
The tea ceremony began with a brief history of the Japanese tea ceremony, and the importance of tea in Japanese culture. After the introduction, Chieko-san narrated the proceedings of a traditional Japanese tea ceremony as it was being performed on stage. The tea ceremony was concluded by a Q&A session, where the group answered a variety of questions relating to the Japanese tea ceremony. The Tateuchi Democracy Forum enjoyed a full house that evening, where an enthusiastic audience was able to view a beautiful tea ceremony performance, and learn more about the Japanese tea tradition.
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Check out these photos from the 3rd Annual Los Angeles International Tea Festival at JANM and the tea ceremony demonstration!
Chado’s lovely display of their wide variety of teas.The tea festival is packed with indoor vendors!Visitors excitedly make stops from booth to booth.A group of tea-enthusiasts sample a cup of hot tea.Chado gives an enlightening introduction to tea.An eager audience awaits the next tea vendor presentation.Two guests, dressed is beautiful fall kimonos, help demonstrate the ritual of a traditional Japanese tea ceremony.Mrs. Sebata cleans off the chashaku (tea scoop) with a chakin (red silk scarf).“Every action in a Japanese tea ceremony is intentionally calculated,” Chieko-san explains as the hostess instructs one of her guests to begin eating her traditional Japanese sweets.Mrs. Sebata uses her chakin (red silk scarf) to meticulously wipe off a chawan (tea bowl).The hostess carefully pours hot water into the mizusashi (water jug).The assistant gracefully carries a bowl of hot chrysanthemum tea to the guests.The sensei (teacher), hostess, and narrator answer a variety of questions relating to the Japanese tea ceremony from the audience.
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Photos by Tsuneo Takasugi, R.M. Murakami, and John Esaki.
On Saturday, October 26, 2013 at 2:00PM, JANM will present a special screening of The Untold Story: Internment of Japanese Americans in Hawai`i. Produced by the Japanese Cultural Center of Hawai`i, The Untold Story is the first full-length documentary to chronicle the internment experience of Japanese Americans in Hawai`i.
Within 48 hours of Japan’s attack on Pearl Harbor, Hawai`i authorities arrested several hundred local residents—targeting Buddhist priests, Japanese language-school officials, newspaper editors, and business and community leaders. In total, more than 2,000 men and women of Japanese ancestry were arrested, detained, and interned at 13 different confinement sites located in Hawai`i. There was no evidence of espionage or sabotage, and no charges were ever filed against them. The Untold Story chronicles their story through oral histories, documents, interviews, and reenactments.
“While people have heard of places like Manzanar and Tule Lake, the sites where Japanese Americans were incarcerated on the mainland, few people are familiar with places like Honouliuli, Kalaheo Stockade, or that Japanese Americans were held at the Kilauea Military Camp during WWII,” said Carole Hayashino, president and executive director of the Japanese Cultural Center of Hawai`i.
“Our film, The Untold Story, helps to ensure that the experience of over 2,000 persons of Japanese ancestry in Hawai`i who were picked up and imprisoned simply because of their ancestry is not forgotten.”
Don’t miss this special film screening and the Q&A session with the filmmakers afterwards!
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Visit the Discover Nikkei website for an insightful behind-the-scenes article on The Untold Story written by the director, Ryan Kawamoto:
Meet Lela Lee, author and artist of the web comic book series Angry Little Girls, at the Japanese American National Museum!
Lela Lee, cultural phenom and entrepreneur, was just an undergraduate at UC Berkeley when she decided to let off some steam by creating the character of Kim, a no-nonsense, surly, and vocal Asian American female.
Through her characters of Kim, Deborah, Maria, Wanda, Xyla, Pat, and Bruce, Lela delivers biting comebacks from the mouths of those who are usually on the receiving end of sexist or racist comments.
Meet the author who skewers pop culture and stereotypes in all her books, short films, comic book series, and merchandise. Take advantage of your chance to hear her in person.
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EXCLUSIVE FOR JANM MEMBERS ONLY!
Meet and Greet with Lela Lee
Saturday, October 19th • 1 PM
Intimate dessert reception with Lela Lee for JANM members. Please RSVP at specialevents@janm.org or 213.830.5657.
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FREE & OPEN TO THE PUBLIC
A Conversation with Lela Lee
Saturday, October 19th • 2 PM
The author and artist will discuss her comics. Free with paid Museum admission.
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Kim, the original Angry Asian Girl, is available in a plush doll!
Need a gift for a special angry girl?
Lela Lee’s Angry Little Girls books are available through our award-winning Museum Store—Angry Little Girls, Still Angry Little Girls, Angry Little Girls in Love, and Fairy Tales for Angry Little Girls are sure to strike a humorous chord!
These programs are presented in conjunction with Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986 on view at JANM through February 9, 2014. For more information about this exhibition and related public programs, visit janm.org/marvels-monsters.
Join us for a special Carlos Bulosan centenary celebration at JANM!
“The Writer is Also a Citizen,” is a FREE event, and will take place on Sunday, October 27, 2013 at 2PM in the Tateuchi Democracy Forum.
Carlos Bulosan (1913-1956) was a poet, novelist, essayist, fiction writer, and labor organizer who left the Philippines at age 17 to look for work in the U.S. What he found was racism, low-paying jobs, and a brilliant and unexpected literary career.
In conjunction with the closing of the exhibition, I Want the Wide American Earth: An Asian Pacific American Story, whose title is taken from one of Bulosan’s poems, five Filipino-American writers—including poet Barbara Jane Reyes (Diwata, For the City That Nearly Broke Me) and playwright and novelist Noël Alumit (Letters to Montgomery Clift)—will read from Bulosan’s diverse body of work and from their own in celebration of the centenary of this seminal writer, worker, and citizen. Also featuring Rachelle Cruz, Giovanni Ortega, and Chris Santiago.
Carlos Bulosan
Don’t miss this celebration of Carlos Bulosan’s legacy, and the closing of the exhibition,I Want the Wide American Earth.
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If you haven’t seen the exhibition already, I Want the Wide American will close on October 27, 2013, so be sure to catch it before then!
Also, if you haven’t had a chance to watch Our American Voice, the special two-person performance presented in collaboration with East West Players, the final two performances will be on Saturday, October 19 & Saturday, October 26 at 1PM. One of the six stories included is an excerpt from ALLOSby Giovanni Ortega which presents the story of Carlos Bulosan.
In this play, Hannah receives a FedEx box with two things: a 100% bona-fide-heart’s-desire-level wish and a suicide note. Hannah tracks the package back to Seoul, where her grandmother recently jumped from the roof of her retirement home onto the wrong side of the Demilitarized Zone. They’ll need North Korea’s permission to retrieve the body, but Kim Jong Il just kicked the bucket, and things in the DMZ are even stranger then they seem.
If Hannah and the Dread Gazebo sounds like your kind of show, don’t miss this FREE reading at 7:30PM on Thursday, October 17th!
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About the Playwright: Jiehae Park is a playwright and performer in NYC. She is the 2013-14 Princess Grace Playwriting Fellow, as well as a current Dramatists Guild Fellow and member of the Soho Rep Writer-Director Lab. Her second full-length, HANNAH AND THE DREAD GAZEBO, won the 2013 Leah Ryan Prize for Emerging Women Writers and was developed at the Bay Area Playwrights Festival and Ojai Playwrights Conference. The script was also a finalist for the O’Neill Playwrights Conference and Abingdon’s Chris Wolk Award. Her first play (and undergraduate thesis), HAPPY MOON DAY, HOLLY WOO, was a finalist for the Wolk Award and placed third in the East West Players/Irvine Foundation’s GOT LAUGHS competition. She served two years as co-artistic director of title3, a Los Angeles company dedicated to new works by women, and has been a mentor for the O’Neill’s Young Playwrights Festival. Proud member: Ma Yi Writers Lab, AEA, SAG-AFTRA. As a performer: NYTW, La Jolla Playhouse, Collection of Shiny Objects, Studio Theatre 2ndStage (DC), Young Playwrights Theatre (DC), REDCAT (LA). MFA (acting), UCSD/La Jolla Playhouse and BA (general theater shenanigans), Amherst College.
About the Director: Jennifer Chang‘s recent work includes Lady Windermere’s Fan (LA Weekly Pick of the Week), Edith Can Shoot Things and Hit Them (Ovation Nomination: Best Ensemble), and will be directing Fortinbras by Lee Blessing at the USC School of Dramatic Arts in the Spring of 2014. She is a founding member and Co-Artistic Director for the award-winning Chalk Repertory Theatre (Ovation Award, Best of LA 2013 – LA Weekly). As an actor, she has been on stages across the US, from our local EWP and South Coast Rep to theatres in New York City, Minneapolis, Philadelphia etc. She has appeared in numerous national commercials, Indie Films, and TV shows like Two and a Half Men, Parenthood, NCIS:LA, Terminator: Sarah Connor Chronicles, amongst others. Jennifer Chang received her BFA from NYU’s Tisch School of the Arts and her MFA from the UCSD/La Jolla Playhouse program.
Jennifer Chang is also the director for Our American Voice, the special two-person show exploring six diverse stories of Asian Pacific Americans. Performed within the I Want the Wide American Earth: An Asian Pacific American Story exhibition gallery space, it is presented in partnership with East West Players. Free with Museum admission.
Only 2 more chances to see this show: Saturday, October 19 & Saturday, October 26. Both begin at 1pm and are approximately 45 minutes.
What happens when a Museum changes exhibitions? Why is the area cordoned off so we can’t see what is going on inside? Common questions posed by National Museum visitors when they meet the Collections Management team and realize we are part of the select group that is behind the blacked out door during exhibition changes.
Here are a few images to help you glimpse behind the door!
(click to see the full images)
Exhibitions arrive in large wooden crates. We receive them, open and inventory them, and prepare them for the gallery.
Artifacts are unpacked carefully after they acclimate to the Museum. Collections Staff do detailed reports as to their condition and take photographs before they can be exhibited.
Artifacts are selected and installed carefully in the exhibition cases. Here, a Collections Staff member is installing a Li’l Neebo cartoon from America’s concentration camps.
Special mounts are created for individual artifacts before installation.
Every inch is measured and artifact secured
And staff never stop to take a break and mess around with the props…
Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986
October 12, 2013 – February 9, 2014
Through a selection of images from comic books representing four turbulent decades, Marvels & Monsters illustrates how evolving racial and cultural archetypes defined America’s perceptions of Asians. For more information >>
JANM’s 2013 interns celebrate the end of a great summer internship!
Every summer the Getty Foundation organizes a Multicultural Undergraduate Internship program in Los Angeles that aims to encourage greater diversity in the professions related to museums and the visual arts. This year JANM hired three interns—Kelly in Media Arts, Cindi in Production, and myself, Esther, in the Curatorial department.
For the majority of the summer we worked separately, but for the last few weeks, we worked together to produce a final collaboration project which would culminate in a promotional video for the exhibition, I Want the Wide American Earth: An Asian Pacific American Story.
Media Arts intern, Kelly, searches for artifacts on JANM’s database.
As the exhibition takes a sweeping look at how Asian Pacific Americans have shaped and been shaped by the course of U.S. history, we decided to interview Asian Pacific Americans of different ethnicities, backgrounds, and occupations on a variety of topics. Our central question was “What do you want from your America?”. We also asked each interviewee to finish the sentence “I am…”. We got a wide array of answers that allows any viewer to appreciate the cultural, historical, and social diversity among Asian Pacific Americans.
The interns are guided through the Collections Department by JANM’s Collections Manager, Maggie Wetherbee.
For footage we used photographs from the exhibition itself, and made stops around Downtown Los Angeles’ Little Tokyo and Chinatown. We also visited our own Collections Department at JANM to photograph artifacts and photographs that were relevant to the exhibition. It was an exciting day because we saw how expansive our Collections Department is, and we got to personally handle artifacts!
A shot from Wong Fu Productions’ “10 Year Anniversary” clip.
We were also granted permission from Youtube stars including, fitness instructor Cassey Ho from Blogilates, singers David Choi and Clara C, and Wong Fu Productions for our preview clip. Although we did not use all of these clips for our final video, we were able to get exciting experience communicating with professionals, and were able compile more than enough footage so that we had many options while editing our video.
Check out our final video to see who’s footage and interviews made it into our collaboration project!
Curatorial intern, Esther, carefully handling a “Justice for Vincent Chin” pin from the ’80s.
It was a time-consuming project, but it was also a great experience because we were able to collaborate with each other, appreciate each of our talents, and examine how different departments come together to produce a project. For us, this experience reinforced the fact that museums, including JANM, are not made up of individuals working separately, but rather, individuals working and collaborating together to produce something great!
Cindi, JANM’s 2013 production intern, designing an event flyer.
If you haven’t seen it already, I Want the Wide American Earth is on display at JANM until October 27th. Also, be sure to catch Our American Voice—a special two-person show starring Traci Kato-Kiriyama, and Johnny Kwon (also the narrators of our final video), exploring six diverse stories of Asian Pacific Americans. This special performance was produced in partnership with East West Players, and will be performed at 1pm in the exhibition gallery every Saturday for the duration of the exhibition.
Photos by: Kelly Gates, and Esther Shin.
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For more information on I Want the Wide American Earth: An Asian Pacific American Story, visit: janm.org/wide-american-earth.
Comics from the William Wu Collection at the Fales Library at NYU. Collections staff are preparing them for display.
In preparation for the opening of Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986, Collections staff received 38 special collections comic books from the Fales Library at NYU. The comics have arrived!
Comics featured include a Green Hornet from 1944, Yellow Claw from 1956, Wonder Woman from 1956, Justice League of America from 1967, Iron Man from 1969, Captain America from 1970, Batman from 1972, and many, many more!
The comics were carried by Art Handlers from New York to Los Angeles.
Don’t miss out on the exhibition opening on Thursday, October 10th at 6 p.m. or the FREE fun-filled Target FREE Family Saturdays event on Saturday, October 12th from 11 a.m.-4 p.m.
Young Nisei soldier who entered the Army before the war and his mother pose in their strawberry field in Northern California shortly before incarceration. Image credit: National Archives
The Nisei soldiers who fought in World War II embodied a particular set of values, passed down from generation to generation. Giri—sense of duty. Gambare—perseverance. And of course, go for broke—give it your all.
Go For Broke chronicles the resilience and bravery of these young men both on and off the battlefield. Japanese American soldiers fought in eight brutal campaigns across Europe, receiving thousands of medals for heroism even while suffering an astronomical casualty rate. Thousands more joined the Military Intelligence Service and operated throughout the Pacific Theater as language and intelligence specialists. Yet their battles were not finished when the war ended. The Nisei veterans returned to fight pervasive racism back home—and proved just as successful in this arena. With their help, hundreds of anti-Asian laws were struck down.
First displayed at the Ellis Island Immigration Museum in New York, Go For Broke shows how instrumental these soldiers were in the Japanese American fight for justice both overseas and at home. The photographs in this exhibition are supplemented by a special Guide by Cell audio tour, with narration by curator Eric Saul and Nisei veterans.
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To celebrate the opening of this exhibition, we invite all JANM Members for a special preview of the exhibition before it opens to the public.
Member Preview Sunday, November 10th • 2-4PM
Members are invited to join us for an exclusive preview of Go For Broke with curator Eric Saul. To RSVP, contact specialevents@janm.org or 213.625-0414 ext. 2222 by Wednesday, November 6.
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Join us also for this special public program on December 7th presented in partnership with the Go For Broke National Educational Center:
The Military Intelligence Service (M.I.S.) in Occupied Japan Saturday, December 7th • 2PM
M.I.S. veterans, Edwin Nakasone, Bruce Kaji, and Hitoshi Sameshima, will discuss their roles in the rebuilding of Japan after the end of World War II. The MIS was a US military unit mostly comprised of Japanese American Nisei who provided translation, interpretation, and interrogation services during World War II. Presented as part of the Tateuchi Public Program Series.
Comic from the Tulean Dispatch. This First Person Narrative of Americas Concentration Camps is highlighted in Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986
As the incoming Collections Manager at the Japanese American National Museum, I am amazed by the sheer depth of artifacts and artworks that comprise the Japanese American experience. Having admired the institution’s mission and values from an outside perspective, I am happy to become part of the thriving community that is “behind the house” in the collections at JANM.
It is the goal of the Collections Management and Access Unit (CMA) to preserve the collections for future generations and to utilize them to their fullest potential as ambassadors and storytellers for the Museum—for the collections are the cornerstone of the Museum. One wonderful way to achieve this potential is to use our temporary exhibitions as an entryway into exploring our own collections.
We are excited to have the opportunity to share some of JANM’s collection alongside the traveling exhibition, Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986, which comes to us from the NYU Fales Library & Special Collections. CMA and Education Staff realized the potential of pairing our collection of historical artifacts to enhance the exhibition in an unexpected way.
Chris Ishii’s Li’l Neebo (Little Nisei Boy) reading a Superman comic inside his book. Ishii, who once was an artist for Disney, started Li’l Neebo while at the Santa Anita Pacemaker newspaper, and continued at the Granada Pioneer. His first person narratives provide a glimpse into America’s Concentration Camps.
It is interesting to contemplate the idea that artist Chris Ishii never imagined Li’l Neebo sharing gallery space with Wonder Woman! A Miss Breed letter and Mine Okubo drawing in conversation with each other about the shared theme of comic books… who would’ve guessed?
Marvels & Monsters illustrates Asians and Asian Americans through racial and cultural archetypes and when paired with first person Japanese American narratives of concentration camp life told through comics, a differing perspective is shared. Through the cartoons of artist Chris Ishii’s Li’l Neebo and George Akimoto’s Lil Dan’l, artwork by Mine Okubo, and letters from young inmates to librarian Clara Breed, Museum visitors will glimpse how comics were used to express emotion and to retain a sense of normalcy in a less than ideal situation. These images, juxtaposed with the stereotypical Asian themes in U.S. comics, provide a place for reflection on the impact and power of storytelling through comics and the way in which this popular medium has shaped perceptions of history.
It is through collaborations such as these that the importance of the collections at JANM, through the stories and first person experiences of the Issei and Nisei generation, are linked to contemporary society.
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Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986 will be on display at the Japanese American National Museum from October 12, 2013 – February 9, 2014. For more information about the exhibition and related public programs, visit: janm.org/marvels-monsters
Margaret Zachow Wetherbee is the new Collections Manager at the Japanese American National Museum.
