How the JANM Store Selects and Develops Its Products

Spirit Stones, available at the JANM Store.

In April of this year, the JANM Store was the proud recipient of a 2017 Museum Store Association (MSA) Recognition Award for Product Development. Maria Kwong, JANM’s Director of Retail Enterprises and a current MSA board member, wrote a long essay on how she came to develop the award-winning products, an edited portion of which we published in May. We now present another excerpt from the same essay, which offers more in-depth insights into how products come to be selected and developed for the JANM Store.

Being the director of a museum store with our particular mission statement—to promote understanding and appreciation of America’s ethnic and cultural diversity by sharing the Japanese American experience—has always made product development challenging. Contrary to what many vendors and buyers imagine, Japanese products do not make up most of our inventory. We are a museum that explores Japanese American culture, history, and community.

During the early days of the JANM Store, the rule was to not buy any products that were perceived as “too Japanese.” This rule served two purposes. First, it put the emphasis on the hybrid culture of Japanese Americans. Second, it removed the appearance of competing with local neighborhood merchants, many of whom do specialize in products imported from Japan. Explaining all of this to vendors was often met with perplexed head scratching.

What we wanted was to offer memorable items that would firmly imprint what we were about on the visitor’s memory—items that would remind people of the history they had seen through our exhibitions. Finding such objects became the mission of the store. What kind of products could we offer that would bring back the stories depicted in Common Ground: The Heart of Community, our core exhibition covering 130 years of Japanese American history, from the early days of the Issei pioneers to the present day?

On the left, mystery stones that were found at Heart Mountain concentration camp and donated to JANM’s collection; on the right, the keepsake products they inspired at the JANM Store.

Our first custom products were inspired by a 55-gallon metal drum full of rocks that was found at the site of the Heart Mountain concentration camp. Each one had been carefully painted with a single Japanese kanji character. These rocks were initially dubbed “the Heart Mountain mystery rocks,” but it was later determined that they formed Buddhist sutras when placed around the cemetery at Heart Mountain.

Around that time, “affirmation stones” were becoming popular. We found a vendor who offered to make custom stones for us—not painted, but carved, making for a more permanent object. We selected a few of the kanji from the Heart Mountain stones and had them reproduced by a local calligrapher. It was a daunting project, producing six designs in quantities and prices that would work for both the store and the vendor. And when we announced that we were going to sell rocks in the store, more than a few eyebrows were raised. Apparently no one remembered when Pet Rocks were popular!

That was 18 years ago. Today, our stones are still selling, and we have expanded our line to include Heart Mountain Mystery Rocks, Spirit Stones, and Kaeru Stones. Our stones feature characters that were used at Heart Mountain as well as popular Japanese American sayings and whimsical images of JANM’s mascot, the frog (kaeru), which symbolizes the concept of “return” in Japanese culture.

Other products we have developed over the years include a koinobori (carp kite) painting kit; a plush frog toy that doubles as a secret container; a plush daruma beanbag; a kaeru zipper pouch by M.P. Barcelona; and a series of custom tea blends that are named after the different generations of Japanese Americans. Developed in collaboration with neighboring business Chado Tea Room, the tea blends include Issei, a roasted hojicha blended with coconut in honor of the first Japanese immigrants who settled in Hawaii, and Nisei, a genmaicha with citrusy bergamot tones to honor the second generation that largely settled on the West Coast.

Today the JANM Store is virtually exploding with uniquely Japanese American products, many of which are collaborations with local vendors, as well as a great collection of Japanese American history and culture books and products related to our current exhibitions. Intriguing new items are added all the time—like this tasty Japanese salsa from Colorado—so be sure to stop by often for an authentic adventure in Japanese Americana.

JANM Store Wins Product Development Award

The JANM Store was recently the proud recipient of a 2017 Museum Store Association (MSA) Recognition Award for Product Development. The award recognized the Instructions to All Persons product line, which includes a tote bag and a t-shirt. Inspired by the Civilian Exclusion Orders posted during World War II to inform persons of Japanese ancestry of their impending forced removal and incarceration, these products perfectly embody the museum’s mission to promote understanding and appreciation of America’s ethnic and cultural diversity by sharing the Japanese American experience.

Maria Kwong, JANM’s Director of Retail Enterprises and a current MSA board member, accepted the award at the MSA Conference & Expo in April. She has also written an essay about how she came to develop these products. Below is an edited excerpt.

The Civilian Exclusion Order, with its bold headline reading “Instructions to All Persons of Japanese Ancestry,” has become a symbol of a defining moment in Japanese American history: the World War II incarceration without due process of 120,000 persons of Japanese ancestry. The first product we developed around this historic document was in response to requests for a souvenir magnet. Rather than using a photograph of the museum, we decided to take the Civilian Exclusion Order and reduce it down to a standard refrigerator magnet. Made by Found Image Press, it is now our most popular magnet.

The next product was inspired by the text of the document, which contains the instructions that are so often repeated by camp survivors remembering their experiences—you could take “only what you could carry.” We put the full instructions on one side of a tote bag and the iconic headline on the other. To explain the history behind these words, we created a special informational tag that resembled the ID tags that the prisoners were forced to wear on their journeys to the camps.

The tote bag was launched at a convention in Seattle, with some trepidation as to what kind of reception it would get. But we soon spotted people walking around with their totes and engaging in conversations with curious passersby. The bag was a conversation starter—a chance to talk about the story that is at the core of the Japanese American National Museum.

The t-shirt was initially developed to complement the exhibition Instructions to All Persons: Reflections on Executive Order 9066, on view at JANM through August 13. Plans for the exhibition, which commemorates the 75th anniversary of the signing of the executive order that paved the way for the mass incarceration of Japanese Americans, were in place two years in advance. However, a funny thing happened in the meantime: the election of Donald Trump to the office of President of the United States.

Xenophobia was on the rise and with it, a renewed passion for civil rights activism. The times were resonating with our mission and we started feeling that a more active voice needed to be raised, not just a cautionary tale. With that in mind, production was moved up on the t-shirt and new words were added to the iconic headline—a call to action “to all persons who believe in civil rights.” By the time Instructions to All Persons opened in February, the t-shirt was showing up on social media and at marches and protests around the country.

From the very beginning of my association with MSA, I have taken the lessons of product development to heart: do your best to present your museum’s mission in products that will resonate and become a catalyst for learning and transforming the world.

Japanese Salsa Now Available at the JANM Store

Staff members at JANM have been particularly excited lately about a new product being sold at the JANM Store: Karami, a unique salsa developed over 100 years ago by Japanese American immigrants in Colorado. In addition to being extremely tasty, the salsa (whose name means “beautiful heat”) offers a window onto a little-known piece of Japanese American history.

According to Karami’s website, the salsa came into being around the turn of the 19th century, after some enterprising Japanese immigrants settled in Colorado with their families. Finding themselves far inland without access to the ocean-based food staples of their native land, they were forced to be inventive with the resources they had. After sampling a variety of local vegetables, they found that the spicy green chile pepper made for the most viable substitute for seaweed. They mixed the green chiles with soy sauce and used it as a topping on rice, fish, chicken, and meats.

Generations of Japanese Americans who grew up in Colorado were known to keep a jar of the homemade mixture on their kitchen table. Every family had their own variation on the recipe. It was Jason Takaki’s family recipe that formed the basis of the product now known as Karami Japanese Salsa; with the help of his partner Kei Izawa, Takaki was able to turn his salsa into a viable business. For a detailed account of their journey, check out this Daily Camera article. For an early review of the salsa, see Gil Asakawa’s 2013 article on JANM’s DiscoverNikkei.org. For even more delicious historical details on Colorado’s Japanese salsa, check out this article on the Great Flavors website.

This writer sampled the product and was instantly hooked. Karami Japanese Salsa possesses a smooth, silky quality that I’ve never experienced in other salsas. An initial pleasingly sweet flavor soon gives way to a memorable kick that packs a low, slow-burning heat. I had it with tortilla chips and polished off half a jar before I knew it. Maria Kwong, JANM’s Director of Retail Enterprises and the person responsible for bringing us this salsa, tells me it’s great on hot dogs. Jason Takaki himself likes it best on fried rice.

A jar of Karami sells for $8 in our store; check it out the next time you’re at the museum. Please note this product is not available online.

UPDATE, June 6, 2017: Due to popular demand, the JANM Store is now selling the salsa online. However, it sold out within ten minutes of being announced in our monthly store email! To stay up-to-date on store offerings, subscribe to the store email here.

The Great Unknown Captures a Spectrum of Japanese American History

The Great Unknown: Japanese American Sketches is a collection of biographical portraits of extraordinary figures in Japanese American history—men and women who made remarkable contributions in the arts, literature, law, sports, and other fields.

Recovering and celebrating the stories of noteworthy Issei and Nisei and their supporters, the book highlights the diverse experiences and substantial cultural, political, and intellectual contributions of Japanese Americans throughout the country and over multiple decades. Included in these pages are Ayako Ishigaki, Issei feminist and peace activist; Milton Ozaki, mystery writer; Bill Hosokawa, journalist; Wat Misaka, basketball star; Gyo Fujikawa, children’s book artist and author; and Ina Sugihara, interracial activist, to name just a few examples.

JANM’s Discover Nikkei project recently published a two-part feature on the book and its author. Written by Edward Yoshida, the feature reviews the book at length, as well as the author’s current activities. Robinson is a professor of history at Université du Québec à Montréal. The Great Unknown is a compilation of his columns for Nichi Bei Times and Nichi Bei Weekly, along with selections from other publications.

As Yoshida notes, the collection stands out for the breadth of its content; not only does the author present material from a broad span of Japanese American history, he also manages to draw out little-known nuggets of information about such major figures as Eleanor Roosevelt and Alan Cranston, both of whom were allies to Japanese Americans. In addition, the book explores the substantial support offered to the Japanese American community by prominent African American writers and activists, including Paul Robeson, Erna P. Harris, Layle Lane, Loren Miller, and Hugh Macbeth. To read Yoshida’s article, click here.

This Saturday, February 25, at 2 p.m., Greg Robinson will appear at JANM for a discussion about his book. The program is free with museum admission; click here to RSVP. Members are also invited to an exclusive meet-and-greet one hour prior to the discussion; email memberevents@janm.org or call 213.830.5646 to RSVP. You may purchase the book at the JANM Store or janmstore.com.

Serve the People Documents a Radical APIA History

L to R: Karen Ishizuka, Mike Murase, Warren Furutani, Qris Yamashita, traci kato-kiriyama. All photos by Vicky Murakami-Tsuda.
L to R: Karen Ishizuka, Mike Murase, Warren Furutani, Qris Yamashita, traci kato-kiriyama. All photos by Vicky Murakami-Tsuda.

 

While the histories of political activism within the African American and Latino communities are well known, the history of Asian and Pacific Islander American (APIA) activism remains invisible to many. JANM exists partly to correct this underrerepresentation. And a new book, for which JANM hosted a signing and panel discussion on June 18, marks a significant contribution to the existing literature on APIA political history.

Serve the People: Making Asian America in the Long Sixties traces the history of the Asian American civil rights movement, beginning in the early part of the 20th century, focusing strongly on the pivotal decades of the 1960s and ’70s, and continuing to the present day. Drawing on more than 120 first-person interviews with key players and witnesses, the book aims to be the movement’s definitive history. Serve the People was written by Karen L. Ishizuka, a noted scholar and pioneer in the anthropological study of home movies. Ishizuka was also a longtime JANM staff member and co-founder of what is now the Frank H. Watase Media Arts Center; she was recently honored at JANM’s 2016 Gala Dinner.

Karen Ishizuka introduces the book and the panel.
Karen Ishizuka introduces the book and the panel.

 

On Saturday, Ishizuka led a panel discussion that featured longtime Asian American activists based in Los Angeles. The audience was treated to a series of brief but rousing talks from each panelist. Mike Murase, Director of Service Programs for the Little Tokyo Service Center and co-founder of the UCLA Asian American Studies Center as well as the radical APIA newspaper Gidra, evoked what it was like to be on the ground during the formation of the movement in the sixties.

Qris Yamashit gives a slide presentation of her graphic design work.
Qris Yamashit gives a slide presentation of her graphic design work.

 

Qris Yamashita, a graphic designer and artist whose unique graphic style helped to form a visual identity for the APIA movement, gave a slide presentation of her work and explained the sources of her imagery. traci kato-kiriyama, an artist, educator, community organizer, and co-founder of Tuesday Night Project, a free public program dedicated to presenting AAPI artists and community organizations, decided to read from the book as a way of paying respect to her forebears.

Warren T. Furutani, a California State Assembly member who is currently in the running for State Senator, gave perhaps the most spirited talk, as he called for continued radicalism in the face of increasing public bigotry. While he spoke, a photograph was projected overhead that showed Furutani shouting down Assemblyman Don Wagner on the Assembly floor in 2011 for the latter’s offensive remarks against Italian Americans. Please enjoy our exclusive video of Furutani’s panel talk above.

To learn more about Serve the People, read our Discover Nikkei article. To purchase your own copy of the book, visit the JANM Store.

Guess Who Killed the Origamist and Win a Signed Copy of Naomi Hirahara’s New Novel

sayonara-slam-175Naomi Hirahara is an acclaimed writer who is best known for her award-winning mystery novels. The popular and long-running Mas Arai series features an aging, widowed Japanese American gardener from Altadena who solves mysteries in his spare time.

In Summer of the Big Bachi, the first Mas Arai mystery published in 2004, Mas reaches a crossroads in his life and has to deal with unresolved secrets from his past. The novel was praised not only for being a riveting mystery, but for accurately capturing the nuances of Japanese American life.

Sayonara Slam, the highly anticipated sixth book in the Mas Arai series, will be published in May. Set at Dodger Stadium during the Japan vs. Korea World Baseball Classic, the novel challenges its stoic protagonist with yet another multi-layered whodunit. Who is that strange woman throwing knuckleball pitches to warm up the Japanese team? Who sent thugs to threaten Mas and accuse him of treason? What was in the deleted files on the murdered sportswriter’s computer, and did they hold secrets that led to his death?

Want to win a signed copy of Hirahara’s new novel? Simply visit our Discover Nikkei website, where we are publishing an exclusive, original, serialized story by Hirahara called Death of an Origamist. Start with Chapter 1 and read through to the recently posted Chapter 9, at the end of which you will see our contest announcement. Guess who the killer is, and post your answer in the comments section of Chapter 9. Hirahara will randomly select the winner from those who guess correctly. It’s a win-win situation: you get a shot at winning a free signed book while reading a free, original murder mystery by an award-winning author!

Guesses must be posted in the comments section of Chapter 9 in order to be entered in the contest. You must state the murderer’s name, and you must submit your guess no later than Tuesday, May 3, 2016, at midnight PDT. The winner will be announced when Chapter 11 is published. The winner will be contacted via the email address used to register/comment on the Discover Nikkei site. If no response is received within 10 days, another winner will be selected. Please note that only residents of the 50 United States and the District of Columbia are eligible to enter this contest.

Naomi Hirahara
Naomi Hirahara

On Saturday, May 21, at 2 p.m., join us for an author discussion with Naomi Hirahara, in which she will read from and discuss Sayonara Slam. JANM members also have the opportunity to attend an intimate pre-event meet-and-greet with Hirahara at 1 p.m. Space is limited; RSVP by May 16 to memberevents@janm.org or 213.830.5646.

Select books by Naomi Hirahara are available for purchase at janmstore.com.

Inspiring Women and Girls of Color

Admission to JANM will be free to the public on Saturday, March 12, in celebration of the Smithsonian Institution’s annual Museum Day Live! event. This day is intended to encourage all people to explore our nation’s museums, cultural institutions, zoos, aquariums, parks, and libraries. This year, in recognition of Women’s History Month, the event has a special focus on reaching women and girls of color in underserved communities.

Mine with open newspaper, surrounded by anti-Japanese slogans, Berkeley, California, 1941
Mine with open newspaper, surrounded by anti-Japanese slogans, Berkeley, California, 1941. Gift of Mine Okubo Estate
(2007.62.14).

 

At JANM, we are very fortunate to have some significant pieces in our collection created by Japanese American women, such as the artist Miné Okubo (1912–2001), whose collection has been digitized and can be viewed on our museum’s website.

janm_2007.62.147_a
Gift of Mine Okubo Estate (2007.62.147).

Okubo was a young woman during World War II. She and her family were removed from San Francisco to Tanforan Assembly Center, and then incarcerated in the concentration camp at Topaz, Utah, for the remainder of the war. Okubo was a keen observer; she made sketches and ink drawings that depicted what life was really like in camp.

Gift of Mine Okubo Estate (2007.62.181).
Gift of Mine Okubo Estate (2007.62.181).

In many ways, Okubo was ahead of her time. Her graphic novel, Citizen 13660 (1946), was the first published personal account of the camp experience. Through her pen and ink drawings, readers got an intimate view of what daily life became when Okubo, an American citizen by birth, was reduced to a number: 13660.

To learn more about Miné Okubo and her trailblazing life, we recommend viewing our online collection of her work, reading Citizen 13660, which can be purchased at the JANM Store and janmstore.com, and checking out the biographical volume Mine Okubo: Following Her Own Road, edited by Greg Robinson and Elena Tajima Creef.

Mine and Benji standing with their luggage, Berkeley, California, 1942
Mine and Benji standing with their luggage, Berkeley, California, 1942. Gift of Mine Okubo Estate (2007.62.23).

 

The Hoshida Family’s WWII Incarceration Story, Told Through Words and Images

George Hoshida, Kilauea Military Detention Camp, 1942, ink and watercolor on paper. Japanese American National Museum. Gift of June Hoshida Honma, Sandra Hoshida, and Carole Hoshida Kanada.
George Hoshida, Kilauea Military Detention Camp, 1942, ink and watercolor on paper.
Japanese American National Museum. Gift of June Hoshida Honma, Sandra Hoshida, and Carole Hoshida Kanada.

 

Not long after the Japanese bombed Pearl Harbor in 1941, George Hoshida was arrested by FBI agents. Having immigrated from Japan with his family in 1912, when he was only four years old, Hoshida had made a life for himself in Hilo, Hawai‘i. He had married a Hawai‘i–born Japanese American woman named Tamae and gotten a job at the Hilo Electric Company; he had also become active in several Japanese American community organizations, including a Buddhist group and a judo association. It was Hoshida’s position in the community and his perceived influence on others that led authorities to deem him a threat.

Hoshida was forcibly separated from his wife and four daughters as he was sent to a succession of special Justice Department camps, reserved for community leaders like himself: Kilauea Military Camp on the Big Island, Sand Island on Oahu, and a variety of camps in Texas, Nevada, and New Mexico. After a year of separation, Tamae, who was handicapped, found it too difficult to raise the children without George. She made the decision to give up their home and, on the recommendation of government officials, moved with three of their daughters to the Jerome War Relocation Center in Arkansas, where George could be transferred.

George Hoshida, Inside Our Apartment, Looking Towards Door, Jerome Relocation Center, 1944, ink on paper. Japanese American National Museum. Gift of June Hoshida Honma, Sandra Hoshida, and Carole Hoshida Kanada.
George Hoshida, Inside Our Apartment, Looking Towards Door, Jerome Relocation Center, 1944, ink on paper. Japanese American National Museum. Gift of June Hoshida Honma, Sandra Hoshida, and Carole Hoshida Kanada.

 

Arriving there after an arduous journey, the family would have to wait another year before George’s transfer process could be completed. Tragically, the eldest daughter, who had to be left behind in a facility in Oahu due to a handicap, died while the rest of the family was incarcerated.

During this challenging time, Hoshida and his wife wrote letters to each other every day. Hoshida also kept a detailed journal and made numerous sketches, drawings, and watercolors depicting what he saw around him. These letters, journal entries, and artworks are now considered a rare record of life in the Justice Department camps; the depictions of the Kilauea camp are the only ones known to exist. In 1997, the bulk of these artifacts were donated to JANM, where they now reside in the permanent collection. Many of the items can be viewed online through JANM’s George Hoshida Collection page as well as a special online exhibition website called The Life and Work of George Hoshida: A Japanese American’s Journey.

George Hoshida, Shoji Fujishima and Haruto Morikawa, 1944, ink on paper. Japanese American National Museum. Gift of June Hoshida Honma, Sandra Hoshida, and Carole Hoshida Kanada.
George Hoshida, Shoji Fujishima and Haruto Morikawa, 1944, ink on paper.
Japanese American National Museum. Gift of June Hoshida Honma, Sandra Hoshida, and Carole Hoshida Kanada.

 

Earlier this year, a new book was published that tells the Hoshida family’s story through a curated selection of Hoshida’s journal entries, memoir excerpts, letters, and artworks. Edited by Heidi Kim and supplemented with historical background information, Taken from the Paradise Isle: The Hoshida Family Story provides “an intimate account of the anger, resignation, philosophy, optimism, and love with which the Hoshida family endured their separation and incarceration during World War II.”

The hardcover edition of the book is already sold out; the JANM Store and janmstore.com are currently waiting on an order of the paperback edition. The book should be restocked in time for an author discussion event on January 9, in which Heidi Kim will read from and discuss the book. To read more about the Hoshida family’s story, check out this Discover Nikkei article.

Set Your New Year’s Resolutions with the Help of Daruma Dolls

Want a Daruma doll to help you set some 2015 goals? Join us for Oshogatsu on January 4th, where you can make one!
Want a Daruma doll to help you set some 2015 goals? Join us for Oshogatsu on January 4th, where you can make one!

 

The new year is almost upon us! What better time to set some goals and start hoping for a 2015 that is filled with good fortune and wishes come true?

In Japan, the Daruma doll is a traditional figure that helps people with their new year hopes. When a Daruma doll is new, it just has two white circles for eyes. The doll’s owner must make a wish or set a goal while drawing in one of the pupils. When the wish comes true or the goal is accomplished, the owner can fill in the second pupil, giving the doll a complete set of eyes.

Plenty of Darumas to be had in the Museum Store.
There are plenty of Darumas to choose from at the JANM Store.

 

This Daruma, situated in the JANM lobby, helps attract money to support the museum's programs.
This Daruma, placed in the JANM lobby, helps attract money to support the museum’s programs.

The Daruma doll was inspired by the Indian priest Bodhidharma, who founded Zen Buddhism in the 6th century BC. According to one version of the story, Bodhidharma sat in silent meditation for nine years without moving or blinking his eyes. This lack of movement caused him to lose the use of his arms and legs, which is why Daruma dolls don’t have limbs. Despite this fact, the dedicated priest continued to travel through China to spread his teachings; thus, the Daruma is seen as a symbol of determination and perseverance. If you try to push a Daruma over, he will spring right back up!

Perhaps you’ve seen Daruma dolls before. If not, all you have to do is take a look around Little Tokyo and chances are good that you will spot a Daruma or two… or more! The JANM Store is stocked full of Darumas just waiting for their new owners’ wishes and goals. You can even make your own by joining us for the Oshogatsu Family Festival on January 4, where I will be leading a Daruma doll-making craft table.

As you look around the exhibition Hello! Exploring the Supercute World of Hello Kitty, be sure to keep an eye out for this little Hello Kitty Daruma!
When you visit the exhibition Hello! Exploring the Supercute World of Hello Kitty, be sure to keep an eye out for this little Hello Kitty Daruma!

 

Even socks can be found in the Museum store.
These clever Daruma socks put good luck on your feet.

 

Can you spot Hello Kitty bobblehead's little Daruma friend?
Our Hello Kitty x JANM bobblehead even has a little Daruma friend to keep her company.

 

Take Advantage of Member Appreciation Days This Weekend

Thanksgiving weekend is upon us! And with it, the busiest shopping days of the year.

If you’re a JANM member, why not avoid the crowds at the mall and spend some quality time at one of Southern California’s outstanding museums instead? During Member Appreciation Days, Friday Nov. 28 through Sunday Nov. 30, you can enjoy FREE admission and a 20% store discount at 20 participating institutions, including JANM, the Craft and Folk Art Museum, the California Science Center, and the San Diego Museum of Art, among others. Don’t miss this chance to check out some excellent museums for FREE, and get your holiday shopping done at the same time!

Don’t feel like leaving the comfort of your own home? You get the same 20% discount if you shop at janmstore.com. Below are a few new products, hand-selected by our store managers, that would make great gifts for loved ones.

HK-Exhibition-cat-700cropped

Hello! Exploring the Supercute World of Hello Kitty exhibition catalog, featuring extensive color photographs, essays by the curators, and a bonus sticker sheet with exclusive Hello Kitty x JANM kokeshi-inspired art.

Kiku_tote_bag._jpg

Beautiful chrysanthemum tote bag by Yancha, with two inner pockets, a magnetic snap closure, and stain-resistant vinyl finish. Matching cosmetic bag also available!

cute_oni_nerd

Cute nerd wooden oni pendant, featuring a laser-cut image of a Japanese demon. The oni is generally held responsible for negative things in Japanese folklore, but here it’s been turned into an adorable nerd emblem. Skinny nerd version also available!

Visit our Holiday M.A.D.ness page for complete details and a list of participating institutions. To become a member or renew your membership, visit our membership page. Happy Thanksgiving and happy shopping!