CALL FOR ENTRIES: “Marvels & Monsters: Unbound” monologue/short scene showcase—DEADLINE: September 15

ALIENS, KAMIKAZES, AND GURUS—OH MY!

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Write an original monologue or short performance piece for a chance to be included in JANM’s October 10 “MARVELS & MONSTERS” SHOWCASE!

Throughout our nation’s history, Asians have been depicted as a set of distorted archetypes—the eternal foreigner, the sexless nerd, the brutal thug, the mystical wise man, the suicidal fanatic, the perpetual victim, the exotic seductress, and the conniving mastermind.

Now we’re looking for you to help shatter those images—with short original works of your own.

To commemorate the Japanese American National Museum’s West Coast premiere of MARVELS & MONSTERS: Unmasking Asian Images in U.S. Comics, 1942-1986, we’re looking for you to submit monologues or short performance works that rethink, subvert, deconstruct, or satirize the eight Asian pop-culture archetypes depicted in this exhibition, which draws from science fiction author William F. Wu’s extensive collection of comic books featuring Asian and Asian American characters—widely considered to be the largest in the world.

The archetypes are:

    THE ALIEN: The perpetual foreigner; the enigmatic, inscrutable, unassimilable outsider in our midst. His customs are peculiar, his beliefs heathen, his agenda secret; never fully understood, and so never fully trusted, he is best regarded from a distance with a mix of curiosity, revulsion and fear.
    THE BRAIN: The hyperintelligent mind without a body; sexless, heartless, friendless, a self-hating prodigy more comfortable interacting with machines than people. The math nerd and mad scientist, the otaku and outcast: He may rule the world, but will he ever get the girl?
    THE BRUTE: The gangster, the thug, the minion, the martial arts master—the Brute may be a staggering physical specimen, but he is a nameless and voiceless one; his is not to wonder why—his is merely to do, and more often than not, die, without complaint or commemoration. Stoic in his suffering, silent in his rage, he is infinitely interchangeable, eternally anonymous, limited in language to gestures of deference and the vocabulary of violence.
    THE GURU: The mystical wise one, whose inscrutable ways disguise the ancient, awesome truths he holds within his soul. Aged and wizened, he speaks in vague riddles and impenetrable allegories, appearing at first glance to be mad, senescent, or both. Yet to the right individual, the apprentice who is destined to inherit the Guru’s secrets, he is a gatekeeper to limitless power.
    THE KAMIKAZE: Human missiles screaming a lingering cry of “Banzai!!!!” as they plummet toward enemy forces; insurgents wired with explosives, eager to martyr themselves to earn vengeance and a reward in Heaven; nameless soldiers scrambling over the corpses of their fellows only to be mowed down in turn. The Kamikaze has many faces, but all are mindlessly self-sacrificing, zealously loyal, feverishly patriotic, and utterly dismissive of the value of human life.
    THE LOTUS BLOSSOM: The long-suffering wife, the left-behind lover; the hostage, the victim, the betrayed and forgotten. The Lotus Blossom is patient in her doomed love and passive to her predestined fate—which is to be abused, abased, exploited, and ultimately destroyed by or sacrificed for the man she loves and serves.
    THE TEMPTRESS: The exotic seductress, who uses her feminine wiles and sexual prowess to enthrall and ultimately, betray—lush of body, false of heart, her mocking laughter and the sharp rake of her clawed fingers may well be the last thing you’ll ever experience.
    THE MANIPULATOR: The evil controller, the shadowy mastermind, the megalomaniacal puppeteer seeking conquest through nefarious intrigue; brilliant, yes, but twisted by an insatiable lust for wealth, power, and control—hoping, perhaps, that world domination might fill the dark and hollow void of his soul.

Eight winning pieces will be selected by a jury that includes exhibition curator Jeff Yang; winning authors will receive widespread public acclaim and admiration, a $100 honorarium, and the opportunity to present their pieces as staged readings at JANM’s “Marvels & Monsters: Unbound” Short Works Showcase on October 10, 2013.

Unleash your creative potential. Submit your entries today!

Entries must be emailed to mm@janm.org as file attachments (.DOC, .TXT, or .RTF filetypes accepted; email above if alternate filetype is preferred). You will receive an emailed confirmation of your submission.

RULES:

1. Entries must be received by no later than 5PM PT on September 15, 2013 to be considered. Winners will be notified by 5PM PT on September 18.

2. The competition is open to all individuals, amateur or professional.

3. Entries should be no more than five minutes long in total.

4. All types and genres of work that can be performed live are eligible, including musical and solo performance pieces. Any instruments, props, or media utilized in a presentation must be provided by and are the sole responsibility of the submitter.

5. Works will be judged on their originality and quality, as well as their complementarity with other selected works and their relevance to the ideas and images depicted in the exhibition.

6. Winning submitters will be responsible for casting, staging, and directing their own presentations. JANM will provide space for one dress rehearsal before the showcase.

7. Authors retain all rights to their submissions. However, by submitting, authors agree to present their work at JANM on October 10, and to allow presentations to be taped for possible inclusion in the Marvels & Monsters exhibition and in documentary and video materials related to the exhibition.

SAVE THE DATE! Marvels & Monsters opens October 12!

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Yellow Claw #1 (Atlas Comics, 1956) Credit: Yellow Claw #1 (October 1956), Marjean Magazine Corp. [Atlas].
With Comic-Con long over and summer superhero movie season coming to an end, are you looking for another pop culture fix? If so, search no more—Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986 opens October 12, 2013 at JANM!

Through a selection of images from comic books representing four turbulent decades, Marvels & Monsters: Unmasking Asian Images in U.S. Comics, 1942-1986 assembles a team of xenophobic archetypes to illustrate the roots of Asian misrepresentation in pop culture. Curated by Jeff Yang, Marvels & Monsters places these genre-spanning archetypes—the Guru, the Brain, the Temptress, the Manipulator, the Alien, the Kamikaze, the Brute, and the Lotus Blossom—into a historical framework and then follows up with a discourse between current Asian American creators.

View the most striking examples of these archetypes alongside contemporary Asian American graphic novels and interactive installations through February 9, 2014. This exhibition is a collaboration between the A/P/A Institute at NYU and the NYU Fales Library & Special Collections.

For more information about the exhibition, visit: janm.org/marvels-monsters

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Don’t miss out on two FREE events to mark the opening of Marvels & Monsters!

Preview Reception
Thursday, October 10th • 6PM – 9:30PM
FREE & open to the public!
Join us for a special preview of Marvels & Monsters: Unmasking Asian Images in U.S. Comics with curator Jeff Yang. Hosted by the JANM Young Professionals Network.

Target FREE Family Saturdays: Zap! Pow! Bam!
Saturday, October 12th • 11AM – 4PM
Free all day!
Celebrate the opening of Marvels & Monsters at our comics-themed Target Day. Check janm.org/target for the schedule.

A Conversation with Lela Lee
Saturday, October 19th • 2PM
Lela Lee, author and artist of the comic book series Angry Little Girls will discuss her comics and their impact on Asian Americans and beyond. There will be an exclusive, members-only Meet & Greet with Lela at 1PM—stay tuned for details!

4th Annual Japanese Heritage Night at the NY Mets Citi Field

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If you’re in the New York area, the New York Mets will be having their 4th Annual Japanese Heritage Night on Wednesday, August 28. The Mets will be playing the Philadelphia Phillies.

There will be a special Japanese Heritage Night pre-game show that begins at 6:30pm featuring the Japanese Folk Dance Institute, the Japanese Men’s Choir, taiko and fue master Kaoru Watanabe, and Spirit Award presentations to important members of our community.

Look for fun Japanese activities and games throughout the evening at the special Japanese Heritage Night tables!

A portion of the proceeds of all ticket sales made through the special JHN ticket window at mets.com/japan will be given to the Japanese-American Association’s, JAA Committee on Aging Issues which is an umbrella organization comprised of various New York City area institutions and health care professionals that are involved in caring for senior citizens in the Japanese and Japanese-American Community.

Buy tickets for seating in one the specially designated Japanese Heritage Night sections available at mets.com/japan.

Seats in three price categories will be grouped together:
• Baseline Box Silver $63
• Pepsi Porch $37
• Promenade Reserved $23

Blocks of seats must be purchased in the same transaction. Organizations that sell more than 25 tickets can have their name displayed on the Mets scoreboard.

Visit the Facebook page at: Japanese Heritage Night at Citi Field 2013 for updates and images from past JHN events.

The Japanese American National Museum is pleased to support this event as a Participating Organization. JANM President/CEO Greg Kimura will be attending, so if you see him, say “Hi!”

Highlights from Natsumatsuri

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One of our special visitors...she's been coming to JANM events for over seven years!
One of our special visitors. She’s been coming to JANM events for over seven years!

Wow! We had such an incredible time at this year’s Natsumatsuri Family Festival on August 10, 2013. Nearly 4,000 guests came to enjoy a day full of cultural performances, demonstrations, activities, and crafts. A big thank you to everyone who made it out (and extra kudos to those who came from as far away as Bakersfield and Frazier Park—that’s a whole lot of driving!).

Take a look through this event recap and see if you can spot yourself!

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Screenprinting kaeru origami and taiko totes!

This year, we added a few new perks to thank our Members and Courtyard Kids. Museum members were able to use special “fast pass” lines for some of our most popular activities, including the yukata dress-up and the screenprinted tote bags. Members also got prime seats at our Aratani Central Hall performances and demonstrations. To all of our members who came out for Natsumatsuri, thanks again for your support!

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Japanese mariachi Roger del Norte, performs for the crowd.

Speaking of Central Hall events, we had a day jam-packed with great performances! Roger del Norte and Lupita Infante stole the show with a Japanese-Spanish mariachi duet, accompanied by the band MEXICAPAN. It was standing room only for Roger and Lupita, and the crowds didn’t let up for the L.A. Matsuri Taiko performance that finished up the day.

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JANM President/CEO G.W. Kimura with the visiting courts.

Long before that, we kicked the day off with a visit from the Nikkei courts of San Francisco, Honolulu, and Seattle. The queens and princesses came by for a meet n’ greet with JANM President/CEO G.W. Kimura, followed by a tour of our Common Ground: The Heart of Community exhibition from our knowledgeable docents.

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A visitor and his mom work on their wacky paper hat.

As you probably noticed, this year’s Natsumatsuri was all about celebrating summer with some old and new traditions! From learning to play taiko drums with volunteer Hal Keimi to listening to Rev. Bill Briones of Los Angeles Hompa Hongwanji Buddhist Temple explain the history of Obon in both Japan and the United States, we went back to the roots of traditional Japanese festivals. (The wacky paper hats craft is a much-loved tradition of our own!)

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What’s your fortune? One visitor is about to find out!

We’re big believers in interactive activities fun at JANM. This year, we invited visitors to make self-portraits and fans upstairs, while we once again hosted the “What Are You?” photo activity and omikuji fortunetelling downstairs. Traditional Obon dancing lessons and airbrush tattoos were also big hits.

What was your favorite part of the day? See below for more photos!

Thanks to our wonderful volunteer photographers for documenting the day: Russell Kitagawa, Nobuyuki Okada, Richard Watanabe, Tsuneo Takasugi, Shoji Tokumasa, Richard Murakami, June Aoki, Caroline Jung, and Daryl Kobayashi.

Shizu Saldamando Artist Talk & Workshop on August 24

CARM’S CREW (2009) Shizu Saldamando Gold leaf and oil on wood. Jo Willems and Karen O’Brien. Photograph by Michael Underwood. © Shizu Saldamando
CARM’S CREW (2009) by Shizu Saldamando
Gold leaf and oil on wood. Jo Willems and Karen O’Brien. Photograph by Michael Underwood. © Shizu Saldamando

 

Interested in an afternoon spent learning with a fantastic Los Angeles contemporary artist? Join us on Saturday, August 24, at 2:00pm (free with Museum admission) to see the world of Shizu Saldamando through her own eyes with an artist talk and portrait workshop. Shizu is known for her unique portraits that draw inspiration from her Asian and Mexican heritage.

During the talk, Shizu will discuss her series Stay Gold, currently hanging as part of the Portraiture Now: Asian American Portraits of Encounter exhibition on view at JANM through September 22, 2013. Her drawings and paintings begin as snapshots taken with a cheap point-and-shoot and are then stripped of context and redrawn. Through portraits of her often-unsuspecting friends—taken at parties and informal gatherings—Shizu gives the viewer an insider’s glimpse into a youthful world of freedom and shifting, malleable identity.

In addition to her contribution to Portraiture Now, Shizu has recently worked on Art Intersections: Asian-Latino Pop-Up Museum, hosted by the Smithsonian in downtown Silver Springs, MD. As a curator for the second day of the pop-up—working alongside Eric Nakamura of Giant Robot (another familiar face at JANM)—Shizu projected artwork representing the Asian-Latino connection onto public surfaces.

Learn more about Shizu in this KCET article and video.

Conference Recap—Bainbridge Island Bus Tour

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A big thank you to everyone who came to Seattle for the 2013 National Conference over the 4th of July weekend! We had a great time and learned a ton, and we hoped you did too.

One big hit from the Conference was the tour of Bainbridge Island. The first generation of Japanese Americans came to the island in 1883 and settled down, opening businesses (including the Suyematsu farm, the oldest continually working farm on the island) and starting families. They remained on Bainbridge until the Japanese American forced removal and incarceration during World War II. In 1942, Bainbridge residents were among the first to be taken to the concentration camps. Today, the island is the home of the Bainbridge Island Japanese American Exclusion Memorial, which opened in 2011.

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Group photo on the ferry ride over. It was a little windy…
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Lilly Kodama points out a photo of herself from the 1942 forced removal.
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Listening to a presentation at the Suyematsu and Bentryn Family Farms.

 

 

 

 

 

 

Read more about one Japanese American family’s history on Bainbridge Island in Wayne Nakata’s Discover Nikkei article, Honoring my Issei and Nisei Ancestors. Nakata shared his story at the tour’s Sonoji Sakai Intermediate School luncheon.

Here are some photos from the bus tour of five key Island landmarks—the Exclusion Memorial, Bainbridge Gardens, Suyematsu Farm, Woodward Middle School, and Sonoji Sakai Intermediate School. Find more photos on our Facebook page.

See if you can spot yourself or a friend!

Photos by: Tracy Kumono, Bob Moriguchi, June Aoki, Midori Uyeda & Richard Murakami

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Visiting Woodward MS for a welcome & presentation.
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Paul Takemoto and family pose in front of the Exclusion Memorial.
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Memorial committee president Clarence Moriwaki presents.
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Visitors examining the Memorial.
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Walking down the path at the Suyematsu and Bentryn Family farms.
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Touring the original farm house on the Suyematsu Farm.

 

 

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Tour-goers picking out a sweet treat to bring home!
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June Aoki pauses to photograph  plants at Bainbridge Gardens.
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Visitors admire the greenery at Bainbridge Gardens.
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The group listens to speakers at the Sonoji Sakai school luncheon.
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Kay Nakao shares a memory at the Sakai school luncheon.
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Visitors admire posters on the walls at the Sakai school.

 

 

 

Commemorating 25 Years of the Civil Liberties Act

Gift of Norman Y. Mineta, Japanese American National Museum (96.370.16A)Gift of Norman Y. Mineta, Japanese American National Museum (96.370.16A)

There is a lot happening at JANM today, but we first wanted to take some time to remember that August 10, 1988 is the day that President Reagan signed the Civil Liberties Act. This Act offered an apology and granted redress and reparations to the over 110,000 people of Japanese descent who were incarcerated during World War II.

The signing of the Civil Liberties Act was the result of a lot of hard work from many, many individuals and groups around the nation. The government’s formal acknowledgement of the unjust incarceration remains a major milestone in the history of not just the Japanese American community, but within the history of the United States.

To reflect upon this event, last month JANM hosted a national conference in Seattle themed, Speaking Up! Democracy, Justice, Dignity. A modified version of one of the panel sessions that took place in Seattle will also be happening today in Little Tokyo! If you have a chance, please drop by the DISKovery Center this afternoon to see selected video clips related to the Civil Liberties Act, including the powerful testimonials from the Commission on Wartime Relocation and Interment of Civilians (CWRIC) hearings that took place in Los Angeles. These free screenings are being put together by Nikkei for Civil Rights and Redress and a full schedule is available here.

Hope that you’re able to take a moment today to reflect on the Civil Liberties Act and the impact that it (and World War II) had on the lives of so many. And thank you to all of those who—in ways big and small—worked to ensure that the United States is taking steps to becoming “a more perfect union.”

 

P.S. We are slowly making our way through the many photos from the conference and will be sharing more online soon!

Congratulations! “Best Museum Café” – Chado Tea Room

When is the last time that you stopped by for lunch or a little afternoon pick-me-up in the Chado Tea Room? Dubbed Best Museum Café by Los Angeles Magazine (August 2013), Chado is a hidden gem here at JANM. Los Angeles Magazine recommends the smoked-tea egg salad and the warm scones, but you can’t go wrong with the Waldorf or St. Pierre salads. At just $8 – $11 for a salad, you can’t find a better place for a bit of elegance and civility in the middle of your day.

Perhaps you haven’t been here since your friend’s shower or birthday party? If it was outside on the garden patio and your group shared freshly brewed tea (there’s 300 varieties from which to choose), cakes, and tea sandwiches, then it was sure to have been an afternoon to remember.

Come drop by Tuesday – Sunday, 11 a.m. – 6 p.m. for that light lunch or perfect cup of tea. Couple it with a long or quick visit to JANM and nourish both your body and soul. If you’re a current member, make sure to show your JANM membership card for a 10% discount!

If you are looking to make a day of it and immerse yourself in tea culture, be sure to attend the upcoming Los Angeles International Tea Festival (September 28-29, 2013) held here at JANM and organized by Chado. Exhibitors will offer tastings, talks, shows, and ceremonies. Tickets are on sale ($15) at teafestivalla.com, with proceeds benefiting JANM and its mission.

Come savor the best of LA – at the “Best Museum Café” and at the Japanese American National Museum.

Chado_JANM_Inside2Chado Downtown
Inside the Terasaki Garden Café at the Japanese American National Museum
100 N. Central Avenue, Los Angeles, CA 90012
Hours: 11:00am – 6:00 pm, Tuesday – Sunday
For Catering, Afternoon Tea or Party Reservations,
Please Call: (213) 258-2531
www.chadotea.com

Japanese American National Museum
100 N. Central Avenue, Los Angeles, CA, 90012
Hours: 11:00 am – 5:00 pm, Tuesday – Sunday
Phone: (213) 625-0414
www.janm.org

I Want the Wide American Earth Opening Party

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Japanese American laborers at Tule Lake War Relocation Center, Tule Lake, California.
Photo credit: Library of Congress

Opening Party
Friday, September 13
6:30PM-10PM

FREE!

Whether you rep the 626, can’t get enough of boba, or just really love Asian Pacific American history, come out to the opening party for I Want the Wide American Earth: An Asian Pacific American Story!

The opening party will have loads of great entertainment and treats. YouTube comedy and music stars The Fung Brothers and DANakaDAN will be performing live, along with music from DJ Tony. We will also be debuting a new two-person show, Our American Voice. The show, presented in partnership with East West Players, explores diverse stories of Asian Pacific Americans. And if you get peckish between performances, head on over to the Mighty Boba Truck for a delicious drink!

Through a Smithsonian traveling display of 30 banners of poignant text, photographs, and art, I Want the Wide American Earth takes a sweeping look at how Asian Pacific Americans have shaped and been shaped by the course of our nation’s history.

Check out the exhibition page for more info.

 

(Video from: The Fung Brothers)

Thanks to the Smithsonian and exhibition sponsor W.K. Kellogg Foundation; public programs sponsors: MetLife Foundation, Department of Cultural Affairs, City of Los Angeles, and Los Angeles County Arts Commission; and media sponsors: Angry Asian Man, KSCI-TV LA-18, and The Rafu Shimpo.