Sus Ito and the Rescue of the Lost Battalion

This week, JANM opened Before They Were Heroes: Sus Ito’s World War II Images, the first exhibition in Sharing Our Stories, a new series drawn from JANM’s extensive permanent collection. The exhibition looks at WWII photographs taken by Susumu “Sus” Ito while on a tour of duty through Europe as a member of the 442nd Regimental Combat Team’s 522nd Field Artillery Battalion.

While Ito participated in such dramatic events as the rescue of the Lost Battalion and the liberation of a sub-camp of Dachau, the majority of the photographs capture the humble daily lives of a group of young Japanese American soldiers. In the essay below, JANM Curator of History Lily Anne Yumi Welty Tamai, PhD, takes an in-depth look at one of the images featured in the exhibition. Read on for a riveting account of the rescue of the Lost Battalion and its aftermath, as experienced by soldiers who lived through it.

Japanese American National Museum. Sus Ito Collection.
Japanese American National Museum.
Sus Ito Collection.

“We were in a number of dangerous situations. But the five days that I spent with ‘I’ Company and this mission, were really the most memorable. It was five days where I didn’t remember days from nights.” —Sus Ito, from JANM oral history interview, 2014.

In the last week of October 1944, after ten days of fighting to liberate Belmont, Biffontaine, and Bruyères in northeastern France, the segregated all-Japanese American 442nd Regimental Combat Team received new orders. Without rest or time to recuperate, they were sent on a mission to rescue the 1st Battalion of the 141st Infantry Regiment, made up of men from Texas. The soldiers of the 141st were trapped behind enemy lines and surrounded by German troops in eastern France with very little food, water, and medical supplies. Two other units had tried to rescue the so-called Lost Battalion without success; the Germans had a tremendous advantage in terms of position, and ambushed the American troops from their sniper nests.

There were no real roads in the mountains, just trails, and most were too narrow for large tanks. The forest was so dense in some areas that they had little to no visibility. Veteran George Oiye of the 442nd’s 522nd Field Artillery Battalion, “C” Battery, remembered the conditions: “The rain, snow, heavy clouds, dark fog, and the huge carpet of pine trees overhead made it hard to tell day from night.” It took six days of intense fighting to rescue the Lost Battalion. Out of the 800 Nisei soldiers who fought, around 600 suffered casualties in the process of rescuing 211 men.

“I saw so many wounded and dying fellow soldiers. There were friends holding their comrades in their arms. I ran into ‘I’ Company, which at that point only had four guys with a PFC (private first class)—Clarence Taba—in charge … the fighting had been that fierce.” —S. Don Shimazu, veteran of the 522nd Field Artillery Battalion, Headquarters Battery.

Japanese American National Museum. Sus Ito Collection.
Japanese American National Museum.
Sus Ito Collection.

 

General John Dahlquist had sent the Japanese American unit on this mission knowing the odds for success were slim. Years later, as told in the book Japanese American History (edited by Brian Niiya), U.S. Senator and 442nd veteran Daniel K. Inouye recalled: “I am absolutely certain that all of us were well aware that we were being used for the rescue because we were expendable.” Despite these circumstances, they all fought valiantly.

Sus Ito did not take many photographs during the actual rescue of the Lost Battalion. However, he did take one of Sgt. George Thompson (above) after the battle was over. Thompson was not even supposed to fight on the front lines, but he had begged Ito for an assignment so he could see what war was really like. Ito agreed, allowing George to carry an extra set of radio batteries for the unit.

Reflecting on this striking photograph, Ito said: “George Thompson didn’t put his hands in front of him because he was down, or because he hated the thought of war. He was just trying to hide. Maybe he was trying to erase some of the images of what the Lost Battalion mission was like.”

When remembering the mission to rescue the Lost Battalion, Ito said: “We were fighting against an enemy we could not see. To this day when I walk into a dark forest on a bright day—or even when I think about it—I get goose bumps.”

To hear more of these stories and learn more about our exhibition, be sure to catch Dr. Lily Anne Tamai’s Behind the Scenes Lecture on July 25. The program is free with museum admission, but RSVPs are recommended here.

Shiisaa: Okinawa’s Lion/Dog Guardian

An Okinawan shiisaa statue. Photo by troy_williams via Flickr.
An Okinawan shiisaa statue. Photo by troy_williams via Flickr.

 

The shiisaa (sometimes spelled shisa) is a traditional decorative icon of Okinawa. The shiisaa resembles a cross between a lion and a dog and usually appears in pairs. It is similar to the Chinese guardian lion or “foo dog,” which is commonly seen at the entryways of buildings in China. Like the Chinese lion, the shiisaa serves as a guardian or sentinel in Okinawan (Uchinanchu) culture.

The Uchinanchu people place the two shiisaas either on their roofs or at the gates to their homes. Doing this is believed to ward off bad spirits. Stories about the pair’s genders can vary, but most people believe that the one on the left is male because his mouth is closed to prevent bad spirits from entering the home, while the one on the right is female and has her mouth open to draw in good spirits and energy.

A shiisaa dance on Kukusai Street in Haebaru-cho, Okinawa. Photo by Kenneth Taylor Jr via Flickr.
A shiisaa dance on Kukusai Street in Haebaru-cho, Okinawa.
Photo by Kenneth Taylor Jr via Flickr.

 

The shiisaa also appears in Okinawan festival dances. Performed by two people wearing a costume that includes a prominent face and thick, shaggy yellow or brown fur, shiisaa dances are accompanied by traditional folk songs performed with a sanshin, the Uchinanchu cousin of the shamisen (traditional three-stringed Japanese instrument). Shiisaa dances are most commonly seen at Okinawa’s annual Shisa-mai (Lion Dance) Festival.

At JANM’s Free Family Day on July 11, held in conjunction with the opening of the new exhibition Sugar/Islands: Finding Okinawa in Hawai’i—the Art of Laura Kina and Emily Hanako Momohara, children can learn more about these charmed creatures at our two shiisaa-making craft stations. Other Okinawan-themed activities will include Okinawan lei-making, Okinawan pastry sampling, an Okinawan gift raffle, and performances by Okinawan musicians, dancers, and taiko drummers.

This post was written by Alexis Miyake, JANM’s 2015 media arts intern. Alexis is a fourth-generation Okinawan born and raised in Hawaii. She is currently an undergraduate at California Institute of the Arts (CalArts).

New Exhibition Touches on Okinawan History

At the Sekai Uchinaanchu Taikai (Okinawa Worldwide Festival), hosted every five years by the Okinawan government, people of Okinawan descent from all over the world come home for a week of activities and socializing. Photo by Allyson Nakamoto.
At the Sekai Uchinaanchu Taikai (Okinawa Worldwide Festival), hosted
every five years by the Okinawan government, people of Okinawan descent from all over the world come home for a week of activities and socializing.
Photo: Allyson Nakamoto.

 

On July 11, JANM will open a new exhibition, Sugar/Islands: Finding Okinawa in Hawai‘i—The Art of Laura Kina and Emily Hanako Momohara. The two artists in the exhibition examine their mixed-heritage roots in Okinawa and Hawai‘i, drawing heavily from ancestral histories. The opening day will coincide with a JANM Free Family Day, which will feature many crafts and activities inspired by Okinawan culture.

Although it is currently part of Japan, Okinawa for most of its history was an independent island kingdom called Ryukyu. Because of its location between the Pacific Ocean and the East China Sea, sailors, traders, scholars, and travelers from Southeast Asia, China, Korea, Japan, and beyond visited the Ryukyu Kingdom. Over time, elements of the languages, arts, and traditions from those countries found their way into the Ryukyuan culture, enriching it and making it even more distinct from its neighbors. In the Okinawan language (Uchinaaguchi), this mixing of cultural influences is called champuru.

A traditional shiisaa (lion/dog) stands guard in Okinawa. Photo: Allyson Nakamoto.
A traditional shiisaa (lion/dog) stands guard in Okinawa. Photo: Allyson Nakamoto.

In 1609, the kingdom was annexed by Japan. Trading continued under the banner of Japan, while the Ryukyuan court system, performing arts, literature, and crafts flourished. In 1879 however, Japan officially took over the kingdom and renamed it “Okinawa Prefecture,” dissolving the Ryukyuan monarchy. The Japanese government then attempted to eliminate Ryukyu’s native culture, replacing it with Japanese language, culture, and laws.

A variety of factors tied to changing social policy in Okinawa soon led to economic hardship and social unrest. At the same time, the Chinese Exclusion Act of 1882 created a need for more immigrant labor in the United States. In 1899, the first group of laborers left Okinawa for Hawai‘i. Emigration then began in earnest from Okinawa to Hawai‘i, to the mainland United States, and to South America.

It is the history of these immigrants that is explored in the art of Laura Kina and Emily Hanako Momohara. How did the former Ryukyuans make their lives in Hawai‘i? How did their culture continue to evolve in Hawai‘i, mixing with even more cultures? Despite all this champuru, there is still something that is distinctively and identifiably Okinawan.

“Life in Camp” Display Offers Insight into Food Services in World War II Camps

Henry Sugimoto, Our Mess Hall (1942), oil on canvas. Japanese American National Museum, Gift of Madeleine Sugimoto and Naomi Tagawa.
Henry Sugimoto, Our Mess Hall (1942), oil on canvas. Japanese American National Museum, Gift of Madeleine Sugimoto and Naomi Tagawa.

 

After a bustling final weekend, Hello! Exploring the Supercute World of Hello Kitty has come to an end. JANM is now in the process of de-installing that show in preparation for the next two exhibitions on our schedule—Sugar/Islands: Finding Okinawa in Hawai’i—The Art of Laura Kina and Emily Hanako Momohara, opening July 11, and Before They Were Heroes: Sus Ito’s World War II Images, opening July 14.

Common Ground: The Heart of Community, our core exhibition telling the Japanese American story, remains on view during this time. And if you happen to be in the museum on a Tuesday, Thursday (afternoon only), Saturday, or Sunday, you can also see a special temporary display in the Hirasaki National Resource Center. Building on the theme of “Life in Camp,” the display focuses on mess halls and food services in the concentration camps where 120,000 Japanese Americans were incarcerated during World War II.

Specially selected items from JANM’s extensive permanent collection comprise this exhibit. Featured is an evocative 1942 painting by Henry Sugimoto titled Our Mess Hall. A multigenerational group—an elderly woman, two mothers and their children, and a young man—is seen dining at a large table. The mothers try to feed their children, one of whom refuses his food, while the young man hungrily gulps down a bowl of rice. This close-cropped scene is punctuated by two signs prominently hung on the wall behind them—one reads “No second serving!” while the other reminds them “Milk for children and sick people only.”

The painting captures the busy, crowded feel of a mess hall, while reminding viewers that strict rations were in effect. This fact is reinforced by artifacts installed in a nearby display case, which include facsimiles of actual daily menus distributed in the camps, along with memos reducing rice allocations in response to serious shortages. Also included are a bowl and utensils salvaged from various camps.

In addition to the Sugimoto painting, the exhibit features a 1944 still life by Sadayuki Uno and a photograph of Japanese American farm workers at Manzanar camp, taken by Ansel Adams in 1942. Taken together, these artworks and artifacts offer an authentic look at the distribution and consumption of food in the WWII camps.

Enhance Your Visit with Guide by Cell

 

Martin Hsu stands next to his painting Hello Kitty Transcendence, on view now as part of Hello! Exploring the Supercute World of Hello Kitty at JANM.
Martin Hsu stands next to his painting Hello Kitty Transcendence, on view now as part of Hello! Exploring the Supercute World of Hello Kitty at JANM.

 

Hello! Exploring the Supercute World of Kitty has finally arrived at JANM, and people can’t stop talking about it. Check the museum’s Facebook page for links to the latest press coverage of the exhibition, including stunning photos from the exhibition’s first week. If you haven’t seen the show yet, be sure to buy your advance tickets online.

Eimi Takano sits in front of her plush sculpture, Ribbon Camp.
Eimi Takano sits in front of her plush sculpture, Ribbon Camp.

While in the gallery, you can enhance your experience of this multifaceted exhibition with our exclusive Guide by Cell audio tours, available free of charge (except those that may be associated with your cell phone plan). The tours feature curator Christine Yano and several of the exhibiting artists offering their unique perspectives on the exhibition. Simply look for the cell phone logo on selected labels in the exhibition and dial 213.455.2924 to access the tours. Follow the prompts and enter the numbers given on the labels.

Still thinking about the exhibition after your visit? Or, not in Los Angeles but still curious to learn more? The great thing about these tours is that they are accessible from anywhere. Just visit our Hello! Extras page to access the phone number and the complete list of prompts.

The Hello! audio tours are available through April 26, 2015.

 

Legends of Hello Kitty

This replica of the first-ever Hello Kitty product, a 1975 coin purse, will be on view at JANM as part of Hello! Exploring the Supercute World of Hello Kitty.
This replica of the first-ever Hello Kitty product, a 1975 coin purse, will be on view at JANM as part of Hello! Exploring the Supercute World of Hello Kitty.

There is more to Hello Kitty than cute stuff. An entire body of lore lies behind the origins and development of this global phenomenon and her parent company, Sanrio. These stories are familiar to devoted Sanrio enthusiasts, but if you are a relative newcomer to this world, read on to learn some fascinating, and surprising, tidbits.

1) Sanrio Started Out as a Silk Manufacturer
The globally known maker of cute products began its life as Yamanashi Silk Center Co., Ltd., founded in 1960 by Shintaro Tsuji. Its direction began to change due to the popularity of a simple rubber beach sandal decorated with a flower. Tsuji realized that the addition of a decorative element like a flower or strawberry could transform a simple dry good into a value-added, branded product. Sanrio—whose pleasant-sounding name was inspired by the Spanish words for “pure river”—was born soon thereafter.

In honor of Sanrio’s origins, Shibori Girl Glennis Dolce will lead a one-day, Hello Kitty-themed silk-dyeing workshop at JANM on Saturday, December 6.

2) The First Hello Kitty Product Sits in a Protective Vault in Japan
The Hello Kitty character first appeared on a small, clear vinyl coin purse in 1975. The purse was priced at less than a dollar. Although many replicas have been made over the years—including a recent makeup bag by Sephora that pays homage to the iconic piece—only one of the original purses is known to exist, and it is kept in a secure vault at Sanrio’s headquarters in Japan.

This fall, Hello Kitty fans will be able to view the legendary coin purse when Sanrio flies it in for display at the first-ever official Hello Kitty Con, taking place at The Geffen Contemporary at MOCA October 30 through November 2. In addition, a replica of the original purse (pictured above) is included in JANM’s Hello! Exploring the Supercute World of Hello Kitty exhibition.

3) How Sanrio Started Giving Out Small Gifts with Purchases
During a busy holiday season in 1975, a Sanrio store clerk was wrapping a purchase for a customer when she discovered that she was out of bows. Quickly improvising, she decided to use a small bell that she picked off the store’s Christmas tree. The customer was so delighted with this little bonus that he left the store with a big smile on his face. Happy with this result, the clerk started adding bells to all wrapped gifts. When Sanrio founder Shintaro Tsuji heard about this, he made it the company’s policy to give out a small gift with every store purchase.

You can learn more about Sanrio’s “Small Gift, Big Smile” philosophy at a panel discussion with Sanrio representatives on Thursday evening, November 20.

Enjoyed these stories? More fun discoveries are coming your way beginning October 11, when JANM opens Hello! Exploring the Supercute World of Hello Kitty. View 40 years of Hello Kitty artifacts, 40 contemporary artworks inspired by Hello Kitty, Hello Kitty outfits worn by Lady Gaga and Katy Perry, and much more. Timed entry tickets are available now!

Hello Kitty Takes Over JANM


MariAnne is ready to welcome Hello Kitty fans to JANM!
MariAnne is ready to welcome Hello Kitty fans to JANM!

Here’s a behind-the-scenes look at what’s become of the JANM staff as we labor to bring you Hello! Exploring the Supercute World of Hello Kitty. We’ve had Hello Kitty on our minds for quite some time and perhaps now, more than ever, we’re all starting to feel a bit “supercute.”

Hello Kitty desk décor, fashion, and flair are EVERYWHERE in our museum. There’s no denying that this group of hard-working professionals has caught a highly contagious case of Hello Kitty fever. We’re sure you will too when Hello! opens to the public on October 11, only four days from now!

Reserve your timed entry tickets now using our online system! We look forward to seeing you all decked out in your own Hello Kitty finery. In the meantime, we’re getting back to work—there’s still a lot to do!


Liz shares a desk with Hello Kitty while planning a full schedule of public programs for the museum.
Liz shares a desk with Hello Kitty while planning a full schedule of public programs for the museum.


Hello Kitty has managed to squeeze in to Production Manager Vicky’s busy desk. Look closely at the pen in hand!
Hello Kitty has managed to squeeze in to Communications Production Manager Vicky’s busy desk. Look closely at the pen in hand!


Lily even has a Hello Kitty clock to keep track of all those hours spent on curatorial research.
Lily even has a Hello Kitty clock to keep track of all those hours spent on curatorial research.


Leslie, Director of Marketing, demonstrates Sanrio's "small gift big smile" philosophy.
Leslie, Director of Marketing and Communications, demonstrates Sanrio’s “small gift big smile” philosophy.


That looks like Communications Writer Carol, but we can't be sure.
That looks like Communications Writer Carol, but we can’t be sure.


Even John, Director of Media Arts, can’t resist showing off a little Hello Kitty cheer on his JANM lanyard.
Even John, Director of Media Arts, can’t resist showing off a little Hello Kitty cheer on his JANM lanyard.


With Hello Kitty phone and key in hand at all times, Maggie has been working hard to make sure all the Hello Kitty art and artifacts make it to the museum safely.
With Hello Kitty phone and key in hand at all times, Maggie has been working hard to make sure all the Hello Kitty art and artifacts make it to the museum safely.


Want your own exclusive Hello Kitty gear? Store Associates Yvette and Alyctra are ready to help you with all your Hello Kitty x JANM purchases!
Want your own exclusive Hello Kitty gear? Store Associates Yvette and Alyctra are ready to help you with all your Hello Kitty x JANM purchases!

SNEAK PEEK: Hello! Exploring the Supercute World of Hello Kitty

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JANM staff members have been working overtime to put together Hello! Exploring the Supercute World of Hello Kitty. The 40th-anniversary exhibition will be the biggest U.S. showcase for the popular cute icon to date, with 40 works of contemporary art and over 500 Hello Kitty artifacts.

Many details of the show are top secret until the grand public unveiling on October 11, but with Sanrio’s permission, we are sharing these exclusive sneak peek photos with our loyal readers.

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Archivist Lauren Zuchowski measures the first-ever Hello Kitty phone, made in 1976. An object’s dimensions and condition have to be noted for the museum’s records before it goes on display.

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Collections Manager Maggie Wetherbee holds up a vintage Hello Kitty calculator, also from 1976. It still works!

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Sanrio has produced many Hello Kitty kitchen appliances over the years, often sized for younger cooks and diners. This Hello Kitty waffle iron makes kid-size Hello Kitty waffles in four friendly shapes.

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A Hello Kitty blueberry soda is a perfect fit for this Hello Kitty mini-fridge from 2007. Both products were made and sold in Japan.

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Here’s the first Hello Kitty artwork to be installed! Artist Nicole Maloney looks on and offers direction as a team of handlers assemble her sculptural installation, Hello Kitty All Stacked Up!, in the Weingart Foyer.

You can see these pieces and much more in person when Hello! opens on October 11. Remember, Hello! is a specially ticketed exhibition and we strongly recommend that you buy/reserve your tickets in advance by clicking here. JANM members get in FREE!

Stay tuned to our blog for more Hello Kitty news and tidbits over the next few weeks!

A Behind the Scenes Look at “Perseverance: Japanese Tattoo Tradition in a Modern World”

National Museum Collections and Exhibitions Staff are busy preparing for the opening of the upcoming exhibition Perseverance: Japanese Tattoo Tradition in a Modern World which opens this weekend on March 8!

Here is a peek behind the covered doors.

As the photographs are hung
As the photographs are hung
A Dragon lurks behind the photographs
A Dragon lurks behind the photographs
The wall art was painted by hand
The wall art was painted by hand
Hanging the photographs
Hanging the photographs

Join us this Saturday for the opening day. Many of the artists will be here to present live tattooing, lectures, and a book signing of the exhibition catalogue.

For information about the exhibition and related public programs, visit: janm.org/perseverance

Perseverance – Live Tattooing and Lectures on Saturday, March 8th

JANM-Perseverance-banner-horiken-title
Tattoo by Yokohama Horiken. Lettering by Chaz Bojorquez. Photo by Kip Fulbeck.

 

JANM’s highly anticipated exhibition, Perseverance: Japanese Tattoo Tradition in a Modern World will be opening to the public this Saturday, March 8th!

Perseverance is a groundbreaking exhibition and the first of its kind, as it will explore Japanese tattooing as an art form by acknowledging its roots in ukiyo-e (woodblock) prints. This exhibition will also examine current practices and offshoots of Japanese tattooing in the U.S. and Japan.

GroupShotPerseverance features the work of seven internationally acclaimed tattoo artists, Horitaka, Horitomo, Chris Horishiki Brand, Miyazo, Shige, Junii, and Yokohama Horiken, along with tattoo works by selected others. Through the display of a variety of photographs, including life-sized pictures of full body tattoos, these artists will cover a broad spectrum of the current world of Japanese tattooing.

JANM-Perseverance-Horikiku
Tattoo by Horikiku. Photo by Kip Fulbeck.

Many exciting things are planned for the public opening of Perseverance! Join us from 1 p.m. to 5 p.m. for an event that will feature Live Tattoo Demonstrations by Horitomo, Miyazo, Shige, and Yokohama Horiken including tattooing by both machine and tebori—traditional Japanese tattooing by hand.

Saturday’s public opening will also pack in the afternoon with lectures given by curator Horitaka (Takahiro Kitamura), exhibition designer and photographer Kip Fulbeck, and a number of the artists featured in the exhibition—Junko Junii Shimada, Chris Horishiki Brand, Jill Horiyuki Halpin, and Chaz Bojorquez. The program will also include a live tattoo model unveiling.

These back-to-back lectures will begin at 1 p.m., and the last lecture will be given at 4:30 p.m. Don’t miss this opportunity to listen to artists and contributors talk about their work in the exhibition and the importance of the art of tattoo in their life!

JANM-Perseverance-Miyazo
Tattoo by Miyazo. Photo by Kip Fulbeck.

Saturday’s opening will conclude with a signing of the exhibition catalogue with all of the attending artists. The catalogue, along with a variety of custom merchandise produced for the exhibition, will be available for sale at the Museum Store. Get your copy of the exhibition catalogue signed by these amazing artists!

For a full schedule and additional information, please visit the Perseverance exhibition page.

* * * * *

The programs are free with museum admission. Purchase admission at the front desk of the Museum on event day. No pre-payment accepted. Last entrance to the National Museum will be at 5 p.m.

Lectures will take place in the Tateuchi Democracy Forum in the National Center for the Preservation of Democracy (glass building across the Courtyard from main building). Admission required for entry. Seating will be on a first come, first served basis, until maximum capacity is reached. Seating is limited so please arrive early!