Autumn is here and that means JANM’s October 8th Target Free Family Saturday is right around the corner! We took a little break in September to give everyone a chance to focus on the new school year. (Hope the year is off to a great start for all of our student friends out there!) Now we’re ready for more fun with October’s “Up in the Air” theme. Join us for kite making, a balloon artist, origami butterflies, and a tasty activity with Kidding Around in the Kitchen. I can’t wait! A complete schedule for the day can be found here. Hope you can come!
Here’s a sample of one of the activities that we will be doing. For now, this friendly balloon creature sits by himself in my at my desk but he’s looking forward to making more friends on October 8th!
Amy Hill will be at the museum this weekend for 3 performances of her show, “LOST AND FOUND, Life as I (K)NEW It.”
October 1 @ 7 pm
October 2 @ 2 pm & 7 pm
Amy Hill explores how her life has evolved since her daughter became a part of her family. She talks about adoption, single motherhood, multiracial/transracial identity mash-ups and her continuing struggles to figure it all out in a humorous and honest way. Far from her days of flying solo, she has moved into a not so solo world: her daughter may or may not make an appearance.
On Sunday, September 18, the museum hosted a special sneak preview of the upcoming exhibition, Folding Paper: The Infinite Possibilites of Origami for our Upper Level Members.
Meher McArthur, curator for the exhibition that will be opening at JANM in March 2012, gave a wonderful presentation about the history of origami in Japan, but also revealed a tradition of paper folding in Europe that surprised many in the audience.
Museum staff are collaborating with Meher on this exciting exhibition that will look at not just the origins and growth of paper folding, but also present an incredible selection of origami works from a diverse array of “folders” around the world. Not only do they represent countries like Japan, the U.S., France, Belgium, and Vietnam, they are diverse in their backgrounds as well. Some are artists and educators, while a large contingent are from math & science backgrounds.
In addition to the mind-blowing contemporary pieces, the exhibition will also include a section on the influence of origami on science, medicine, fashion, and architecture. A very special section will focus especially on the role of origami cranes as a symbol of global unity and world peace.
This exhibition is being produced to travel by International Arts and Artists, but the Museum is a co-developer and will be the originating venue. Our own origami expert, volunteer Ruthie Kitagawa, is helping to create examples of some of the traditional pieces. It will open at JANM on March 10, 2012 and will travel for 3 years.
Inspired by the documentary, Between the Folds, Meher is putting together an exhibition that will delight and inform kids, educators, mathematicians, artists, and everyone in between.
If you are interested in supporting this exhibition, call Sarah Carle at 213.830.5670 for information about sponsorship opportunities.
P.S. Meher will be guest-blogging here on our FIRST & CENTRAL JANM blog! Check back for updates from her and more behind-the-scenes sneak-peeks!
Shibori Girl taught another incredible shibori workshop at the Museum this past Saturday. The workshop was close to full and students of all levels had a fantastic time experimenting with their shibori and indigo dyeing projects. Glennis, who is Shibori Girl, just returned from a month-long trip in Japan where she attended the annual Arimatsu Shibori Festival and brought samples of gorgeous vintage and contemporary shibori samples for everyone to covet.
Stitching the Tombo Design
For this workshop, the goal was to create a tombo (dragonfly) image on indigo using basic shibori stitching techniques. Seemed like a daunting project at first but it turned out to be a very simple task and the results were impressive. I’m sure it was a breeze only because of Glennis’ expert step-by-step instructions. After mastering the tombo project, students were able to experiment with different techniques for the rest of the workshop. The three hours zoomed by and students were still scrambling to squeeze in yet one more project into the dye vat.
To illustrate how much this group of students enjoyed the workshop: There was a loud collective groan when Public Program Manager, Koji Sakai said that there wasn’t another shibori workshop scheduled until 2012. “That’s too long a wait!” There was grumbling. So now there is talk about have a two-day shibori workshop next year. What do you think? Any past workshop attendees out there reading this blog? Weigh in and email Koji your thoughts about the two-day workshop at ksakai@janm.org or post your comments on this blog.
If you have ever been tempted to take any of the shibori classes the Museum offers, please, just jump in and sign up when you see the next one being offered. You will not be disappointed – Glennis is a generous and knowledgeable instructor who leads an excellent workshop which gets you back in touch with that inner-artist in you and leaves you craving to create more and more shibori pieces. Warning: Shibori and indigo are extremely addictive.
Next Saturday, on September 24th at 2pm, Dr. ShiPu Wang will be at the Museum to talk about his book, Becoming American? The Art and Identity Crisis of Yasuo Kuniyoshi.
Yasuo Kuniyoshi was one of the preeminent 20th century American artists. He was active in New York as a teacher and in both artist circles and Japanese American organizations from pre-war until his death in 1953. At the time, he was an internationally known painter and graphic artist, but sadly is not well known now, particularly in the Japanese American community.
Becoming American? is the first scholarly book in over two decades to offer a critical evaluation of the pivotal art of Yasuo Kuniyoshi.
We asked one of our volunteer writers to interview Dr. Wang about the book for our Discover Nikkei website:
Just one more reminder about the Allen Say event this weekend. Don’t want any fans to miss the opportunity to see some original artwork and to hear Allen speak about this special book. There’s also a great review (one of the many this book has received) on this web site. You have to go to “D” and search for the title Drawing From Memory to access the review.
This is my favorite photo from the book. Sensei Noro Shinpei looks like a cowboy even though he’s wearing a kimono. You can sense the excitement and promise in the wistful young Allen.
Congratulations to Karen Nakawatase of Fountain Valley, CA, winner of the 2011 Lexus Opportunity Drawing! Nakawatase was the recipient of a new Lexus RX450h hybrid, courtesy of Toyota Motor Sales, U.S.A., Inc. Her winning ticket was drawn on April 16, 2011, at the Japanese American National Museum’s annual Gala Dinner & Silent Auction in Los Angeles. Nakawatase (left) is pictured here with Tammie Kanda of Toyota (right).
Thank you to everyone who supported the drawing, which raised more than $120,000 in donations to support diversity education programs at the Japanese American National Museum.
I was excited to see today’s Groupon discounts for our very own Chado Tea Room! There are three options:
For $10, you get two tickets to the first annual Los Angeles Tea Festival on August 13 and 14 (a $20 value).
For $30, you get afternoon tea for two people and $25 worth of loose-leaf tea (a $61 value).
For $48, you get afternoon tea for four people and $25 worth of loose-leaf tea (a $97 value).
Have you been to our Chado Tea Room? It is a wonderfully civilized place to have Afternoon Tea. A hidden gem. I love it!
Well, I just wanted to point out these fabulous deals, especially the discounted tickets to the Tea Fest in conjunction with our Saturday, Aug 13 Summer Festival — our most popular event of the year! — just in case there are a few rare JANM blog readers out there who do not get the Groupon alerts. The Chado Groupon is available until the end of day Saturday July 30th!
I have received a couple of inquiries as to the origin of the title for the Year of the Labbit show, so I thought perhaps an explanation was in order. I was not trying to confuse, confound, or humiliate anyone for not being able to pronounce Ls and Rs (like my mother planned to when she wanted to name me Laura so neither my Chinese nor Japanese grandparents would be able to say my name correctly –Lola, Rora,..)
The blank toy that was used for the show was an already existing product created by Kid Robot and the artist Frank Kozik. I wondered about the name since the toy had absolutely no reflection of any Asian influences. I assumed it was a combination of the Latin based word for “rabbit” which in French at least is “lapin” and “rabbit”, and left it at that. There were never any indications that this was aimed at an Asian audience, it never came with Asian themed accessories, and wasn’t questioned until I decided to use it for the blank canvas for this show, at this Museum, and called the show the Year of the Labbit.
I contacted the artist to ask him how the Labbit got its name. Frank told me that his first version of this toy was a mean-looking rabbit with a cigarette in its mouth and a scar on its forehead. I had seen this in his artwork as a “Smorkin’ Labbit”, and indeed several toy versions were made with variations of rabbits and other inanimate objects (like watermelons, hamburgers, etc. all smoking cigarettes.) Frank said that he sent his Smokin’ Rabbit design to Asia for final production. When he received his first shipment of packaged product, someone in Asia had changed everything to “Smorkin’ Labbit”! Rather than scrap the whole project and return everything for a re-do, he decided to let serendipity to play into his product and kept the name as is.
The version of Kozik’s toy we are using is called the Happy Labbit and is a little more family friendly and cute. But basically I chose it because its shape offered the most surface area for artists to paint on.