Our volunteers are amazing. They continually inspire us with their dedication and enthusiasm. They are even willing to step outside their comfort zones if it means helping the museum to share the important stories of the Japanese American experience.
Since last summer, staff at our Watase Media Arts Center along with interns and volunteers have been working on a series of digital shorts that record many of our docents and other volunteers. The videos share the volunteer’s personal stories related to artifacts from our core Common Ground: The Heart of Community exhibition.
We’re collecting them together for easy access on our Discover Nikkei website. There are already 15 of the videos online, with more being added almost weekly.
Check out the volunteer videos on Discover Nikkei:
The 21st Century Museum: Significant artifacts selected by Japanese American National Museum Volunteers http://5dn.org/janm-vols
Volunteers featured so far: Bob Uragami, Babe Karasawa, Yae Aihara, Richard Murakami, Yoko Horimoto, Jim Tanaka, Tohru Isobe, Mas Yamashita, Robert Moriguchi, Kathryn Madara, Kent Hori, May Porter, Eileen Sakamoto, Lee Hayashi, and Roy Sakamoto.
Parkview High School (Little Rock) Student Mural, 2005. Photo by Richard M. Murakami.
It’s football season and the team that I follow is the University of Arkansas. No, I didn’t go to school there, but I am a huge fan. (Shall we call the hogs now?)
Why Arkansas?
Oddly enough, because Arkansas was the site for two government-run WWII concentration camps that unlawfully held 16,000 Japanese Americans. It was a virtually unknown story in the state for six decades. But thanks to a partnership between the University of Arkansas at Little Rock, the Winthrop Rockefeller Foundation, and JANM, a multi-year project called Life Interrupted: The Japanese American Experience in World War II Arkansas culminated in 2004 with a number of exhibitions, educational programs, and a national conference. We hope that we might have collectively learned a little bit more about the Japanese American experience in the state, and specifically more about Rohwer and Jerome. Definitely, JANM staff and volunteers learned lots from Arkansans of all ages.
Detail of quilt created by elementary school students at Little Rock’s Gibbs Magnet School of International Studies and Foreign Languages, 2004. Photo by Richard M. Murakami.
You might be interested in a seven minute video of Arkansas students talking about what they learned. While you’re watching it, keep in mind that we arrived at these schools with a video camera and very little warning: major kudos go to these poised young people and their outstanding teachers!
Speaking of which, UALR’s Web site has all of the project’s teacher-created curriculum available for download–for free.
JANM, in 2005, followed up on the Life Interrupted project with an exhibition of murals made at Rohwer High School, Lasting Beauty: Miss Jamison and the Student Muralists. The murals on display here were just the tip of the iceberg of JANM’s holdings from the collection of student artwork and other camp-related memorabilia donated by former Rohwer art teacher, Mabel Rose Jamison Vogel–known to her students as Miss Jamison. This exhibition also proudly featured a new student mural, pictured at the top of this blog post. This beautiful mural was created by the students (shown below) at Little Rock’s Parkview High School as a modern-day response to the WWII-era murals. Painters of all ages pitched in to help, too.
Parkview HS students with their mural at JANM. Photo by Richard M. Murakami.
And now we are excited to announce that more Rohwer artwork and memorabilia are on exhibit! The Butler Center for Arkansas Studies–the institution that holds the other part of the Vogel Collection–has created an exhibition called The Art of Living: Japanese American Creative Experience at Rohwer. We hope you can get to Little Rock before November 26 to see it!
Have you ever wondered what happens to the artifacts you see hanging on walls or sitting in cases in a museum after an exhibition is over?
Here’s a little peek at our collections and production units’ staff at work deinstalling Momo Nagano’s “American Families” tapestry in the Taul & Sachiko Watanabe Gallery after the closing of the exhibition, American Tapestry: 25 Stories from the Collection.
The tapestry is back on its shelf in our climate controlled collections storage. You can see the hygrothermograph on the shelf above to monitor temperature and humidity.
So, that was just one object out of 25 stories presented in the exhibition. Others had special mounts, supports or cases with accompanying text panels. In Norman Mineta’s archival collection alone there were 31 boxes displayed on shelves enclosed within 3 cases. After all the objects are removed, or in the case of the “American Families” tapestry as objects are deinstalled, Collections staff write a condition report on the artifact which is updated in our collections management database. The artifact is rehoused and returned to storage or, if it is a loan, to loaning institution or individual, which is a whole other ball of wax.
Yamashita Twins at Japanese Hospital of Los Angeles, California, August 1959, Photograph by Toyo Miyatake Studio, Gift of the Alan Miyatake Family (96.267.689)
Jero (Jerome Charles White Jr.)
Jero is a Hapa (Japanese/African-American) from Pittsburg, PA. His close relationship with his grandmother inspired his dream of becoming an enka singer in Japan, highlighted by his appearance on the Kohaku Uta Gassen in 2008
