This image from the Mine Okubo Collection in our archives shows a family gathered around a cast iron stove to celebrate their first Christmas in camp. It is one of the drawings by artist Mine Okubo used for her book Citizen 13660 which shares life inside the Tanforan Assembly Center and Topaz concentration camp during World War II.
It reminds us that in tough times, it’s still important to come together and celebrate with family & friends. Kodomo no tame ni. For the sake of our children, we must continue on.
Wishing you & your loved ones a Happy & Healthy Holidays!
An older Japanese American gentleman stands in front of a museum display case. Behind him is an enlarged photograph of a group of Japanese picture brides (a sort of predecessor to the mail order bride) newly arrived in the United States, looking a little lost and apprehensive. Mr. Hayashi, a volunteer at the Japanese American National Museum (JANM), is explaining how he uses the photograph as a didactic tool during school tours, but he is also talking about its personal significance—his own grandmother was a picture bride.
The brides share a display case with several other objects. One of these, a document in the lower corner of the frame, reads: Keep California White. Mr. Hayashi is commenting that despite his grandmother’s ambiguous fate as the bride in an arranged marriage, the partnership was considered successful and resulted in 36 grandchildren and great grandchildren. Mr. Hayashi is, in fact, a testament to his family’s success in the face of a myriad of trials that women like the ones in the picture must have faced so many years ago. He is Nikkei, a descendent of Japanese migrants, and there are 2.6 to 3 million others with stories like his across the globe.
A global storytelling community
Allowing people to discover stories like the one Mr. Hayashi tells in the video described above is what the Japanese American National Museum in Los Angeles hopes to achieve through its Discover Nikkei website, an interactive multimedia website launched in 2005. Discover Nikkei was conceived as a community-building tool on a grand scale that allows users to keep up with activities at the museum, and also permits access to a part of JANM’s collections, through the Nikkei Album feature.
Through the website, Nikkei all over the world are able to communicate, connect, and share, with a particular emphasis on the U.S., Canada, Central and South America, where a large number of Japanese emigrants have settled. Altogether, Discover Nikkei presents three main areas that allow Nikkei and people interested in the Japanese diaspora to build a global network together: Stories, Community, and Resources. This wealth of primary-source material available through the Discover Nikkei website in the form of archival home videos, articles, and video profiles combine to mount a concerted effort to privilege the community’s voice over a classic museum discourse.
In the “Stories” section of Discover Nikkei, the Nikkei Album feature allows users to create collections of images and/or film, much like Flickr or Pintrest type websites. To get an idea of the diversity of voices accessible through the albums, some albums include a Japanese farming and arts community in Brazil, Baptist churches in Japan, and an origami crane-making lesson in Peru. Of the three, the last album is written in Spanish, one of the four languages in which Discover Nikkei is available; the others being English, Japanese, and Portuguese.
The Museum as Participant
Although a significant part of the Nikkei Album section of the website features user-generated content, JANM contributes heavily by uploading a variety of content through a museum account. An example is the picture bride video, featuring Mr. Hayashi. This video forms part of a series entitled The 21st Century Museum: Significant artifacts selected by Japanese American National Museum Volunteers. The objects chosen for the videos by volunteer guides are from an ongoing exhibition, Common Ground: The Heart of Community, about Japanese American history. In addition to exhibitions-related content the museum also uploads material related to events and celebrations in the Los Angeles community, and articles published in a museum member’s print magazine.
The museum as participant is a major premise for the Discover Nikkei website, and manifests itself both in the “low profile” JANM presents on the website, as well as in the importance it places on community members’ involvement and collaboration. Aside from website users, the website gets a large part of its content through international correspondents who range from cultural institutions to individuals who contribute articles in the Journal section of the “Stories” page and post events on the main page. A subtle museum presence displaces focus from the “experts” to the community and allows the website to take on a real, marketplace-type feeling, where stories are related, not dictated by an institution.
Nikkei History in the First Person
The JANM account in the “Nikkei Album” section also gives self-service access to a portion of the museum’s permanent collection, made up of over 80,000 artifacts, objects, photographs, and artworks. The available documents are from the Watase Media Arts Center and include an important collection of home movie footage—more than 330 film clips totaling over six hours—filmed between the 1920s and 1960s, and digitally transferred for online access. Each film clip is described and annotated on the janm.org website in the Collections, Home Movies section.
The home movies touch on a wide variety of subjects and themes in the lives of American Nikkei, including work, play, home, and family life. Some extraordinary footage is also consultable, dating from the period of internment of Japanese Americans at several camps across the country from 1942 until the end of World War II, including that of Heart Mountain in Wyoming. The clips depict daily life at the camps from the point of view of the internees themselves, and are a grim reminder of the extent to which certain communities have had to grapple with a “Keep California White” mentality.
Nikkei Today
Although the Nikkei experience translates well through images, text is also an important component of the Discover Nikkei website. Through the “Stories” “Journal” rubric, we meet Norm Masaji Ibuki, a Canadian Nikkei struggling to come to terms with his government’s non-action in the face of recent devastating events in Tohoku, Japan, where he once lived. Since the earthquake hit on March 11th, 2011 Norm has been keeping tabs via email and telephone on an old friend, Tomo and his family, stranded not far from the earthquake epicenter. “The Great Tohoku Disaster” series allows readers to listen in on a conversation that is as fascinating as it is terrible, as we progress from not knowing the family’s whereabouts, to learning that they are in Tokyo trying to find a way back to Canada, leaving house, belongings, and friends behind.
A focus on oral history is emphasized through videos in the form of interviews produced by JANM. A young Enka singer born in the United States of African-American and Japanese heritage but living in Japan, a Canadian woman incarcerated during WWII, a Taiko musician, an Argentinean woman trying to reconcile a Western identity with Japanese roots. These are only a few of the engaging personalities Discover Nikkei introduces users to through the “Stories”, “Interview” section.
The over 100 available videos feature a diverse array of Nikkei living in Japan and abroad, sharing their life experiences and what they have learned from them. Each video is meticulously transcribed, then translated into all four languages available on the website. The library of stories we are privy to through the Interview section provide audiences with first person accounts of the Nikkei experience, much like the images in the home movies from the collection also available through the site.
Tools for empowerment
Issei, Nisei, Sansei… These terms and many others are peppered throughout the Discover Nikkei website. They are words used to denote how far removed a person is from their Japanese heritage by generation, and they provide a kind of reference for those who are initiated to the lingo. At the time this article was first published, the “Nima of the month,” or featured Discover Nikkei member, is a Sansei, a third generation Japanese, born in the U.S. His wife is Yonsei, fourth generation Japanese American. The user clearly expresses himself well in English, but does he speak Japanese? Does he even feel it is necessary to speak the language in order to feel a connection to his Japanese heritage? These are the types of identity issues explored in a number of the user-written articles accessible in the “Nima-kai” rubric of the “Community” section. Here users can also post photographs and events, in a way that is similar to Facebook. A “Taiko Groups” rubric has recently been added to the Discover Nikkei website.
A critical step in the preservation of cultural heritage is the acquisition of necessary knowledge and skills. The “Resources” section of Discover Nikkei attempts to provide users with just enough guidance to encourage participation. This how-to section has detailed instructions for beginning a genealogical research project, including tips on conducting interviews, conservation basics, and even a bit of information on starting a personal collection of artifacts. These could potentially be the tools to inspire a user to create a Nikkei Album with a few of their own home movies, start a blog about Nikkei communities in countries other than the ones already featured, or maybe even dust off those old family kimonos in the attic. Discover Nikkei users participate in a variety of ways, defining and affirming the term Nikkei in an active way with the help of the website interface.
Apart from inspiring users to affirm their cultural identity, Discover Nikkei is also a remarkable example for museums that may be looking to relate to their audiences in a different, more egalitarian way. JANM’s idea was one that started small and gained momentum as the project advanced stage by stage, allowing for more complexity only after a solid framework had been put into place. JANM staff observed that one of the most important elements of website development was ease of content management. For JANM this meant that in order for content to remain relevant as the website progressed, room had to be made for constant revisions by regular staff members, as opposed to specialized IT staff. Avoiding proprietary software to cut down on costs and compatibility issues has also been a key development issue.
Through the Discover Nikkei website, JANM provides access to a rich collection of documents and artifacts that encourage Nikkei to take pride in their cultural patrimony, and to place a high value in sharing and communicating with others at a local and global level. By focusing on primary source materials and community-generated content, the museum places an emphasis on providing a forum for discussion and discovery rather than contributing expertise via a classic museum discourse. This approach, visible through the Discover Nikkei website, allows for a transfer of authority to take place, positioning in the foreground a community that has much to offer in the way of cultural tradition and values.
With special thanks to John Esaki, Director of the Frank Watase Media Arts Center, Japanese American National Museum, whose advice and comments during this collaboration were essential.
A Los Angeles native, Cynthia G. Valdez is currently working to complete a Master’s in Art History at the University of Neuchâtel, Switzerland. Cynthia has written about art for various publications in France and abroad, including ArtSlant, The Paris Times, The Mag L.A., and Whitehot Magazine for Contemporary Art. When not accumulating stamps in her passport, she enjoys knitting, experimental music and answering emails at yomemoi(at)gmail.com. She microblogs here and here.
Here’s a 1955 photograph from the Museum’s archives! It’s a publicity photo promoting the Hollywood JACL’s Halloween dance that was taken by the Toyo Miyatake Studio for The Rafu Shimpo. The women pictured are president Miwa Yamamoto and Hatsie Matoba.
The photo is one of over 9,500 negatives and photographs that are part of the Toyo Miyatake Studio/Rafu Shimpo Collection at the Museum. A selection of 1,131 photos are available online.
Miné Okubo (1912-2001) was all those things and more. We also venture to call her a documentarian and anthropologist for the way she captured life while incarcerated in the Tanforan Assembly Center in San Bruno, CA and Topaz, UT camp during World War II. Along with over 120,000 other Japanese and Japanese Americans, Okubo was confined behind barbed wire simply because of the way she looked. She took the opportunity to observe and record her experiences as shared in her seminal book Citizen 13660: “…I had the opportunity to study the human race from the cradle to the grave, and to see what happens to people when reduced to one status and condition.”
Due to a generous grant awarded to the National Museum by the National Endowment for the Humanities, we spent two years conserving, mounting, scanning and cataloging all of Okubo’s original drawings from Citizen 13660 in order to share her insight and talents with a larger audience.
Saturday, October 27, 2012
9:00 a.m. – 5:00 p.m.
Doheny Memorial Library
USC University Park Campus
Los Angeles history comes alive at the 7th-annual Los Angeles Archives Bazaar. Organized by L.A. as Subject and presented by the USC Libraries, the annual event celebrates the diversity of Southern California’s history. For scholarly researchers, journalists, history buffs, and those simply interested in exploring the stories of Los Angeles, discovery awaits everyone at the Archives Bazaar. This event is free and open to the public.
The Archives Bazaar draws its strength from the breadth and variety of its participants’ collections. Large institutions such as the Autry National Center of the American West and the Natural History Museum of Los Angeles County will be represented at the bazaar along with smaller organizations and private collections whose materials fill the gaps left in the city’s official history. Other participating organizations include the ONE National Gay and Lesbian Archives, the California African American Museum, El Pueblo de Los Angeles Historical Monument, and the Japanese American National Museum. In all, more than 70 archives are expected to be represented.
The USC Libraries serve as the host institution for L.A. as Subject, an alliance of libraries, museums, and other archival and cultural organizations. The relationship complements the USC libraries’ strong Regional History Collection and is a natural outgrowth of the libraries’ efforts to preserve and expand access to the primary sources of L.A. history.
I am happy to announce that we have completed the Local History Digital Resources Project (LHDRP) to digitize the Afton Dill Nance Papers and the images are now online!
In 2011, the National Museum was awarded the LHDRP grant to digitize this special collection of letters. Nance, who was a teacher in Palos Verdes during the outbreak of WWII, saved letters from her students, parents, and individuals who shared their thoughts of leaving Palos Verdes, their incarceration and their adjustment of life after camp.
Please check the Online Archives of California (OAC) and Calisphere websites to view this collection:
I was going through JANM’s on-line collections and came across this image of baseball in camp. Look closely and you can see the iconic Heart Mountain looming in the background, behind the barracks. And in the foreground, did you notice the hats worn by the spectators? With this photo, I can just about hear, smell, and feel summer…
You can browse through the Mori Shimada Collection to see other pictures of life in Heart Mountain. And, in case you haven’t heard, if you want a chance to “feel” summer, there will be a multi-generational pilgrimage to Heart Mountain this August 10-11. Check Heart Mountain’s Web site for details!
We published a wonderful series of five articles by Dean Ryuta Adachi on our DiscoverNikkei.org site about various artifacts from JANM’s permanent collection. Dean is a PhD candidate in American History at Claremont Graduate University and is an active volunteer at the Japanese American Museum of San Jose. I “met” him through the Discover Nikkei Twitter account several years ago and have kept in touch. When he found out that he would be down in Los Angeles last fall to be a lecturer of Asian American Studies at Harvey Mudd College, he offered to come in as a volunteer during his spare time.
Dean worked with Programs, Discover Nikkei, and Collections staff to go through some of the little-known collections in our archives, and then share about them through Discover Nikkei. Here are links to the five articles in the “Producing Japanese American History: An exploration through the JANM archives” series. They include images of various artifacts from the collections.
Part 1 – History is Made: Namyo Bessho
Did you know that there was an Issei in the US Navy during the Spanish-American War?
John Nitta played a significant role in the establishment of the chick sexing industry in the United States, but as Dean looked past the many awards in his collection, he found “plenty of unrelated hidden gems.”
Part 3 – History is Ignored: Estelle Ishigo
Estelle Ishigo was a Caucasian artist who went with her Nisei husband to Heart Mountain in Wyoming during World War II. She authored the book Lone Heart Mountain which included the drawings she did while in camp. She was the subject of Steven Okazaki’s Academy Award winning film Days of Waiting (1990). Yet, most of what we know is about her art. Dean’s exploration of JANM’s collection revealed artifacts that shared aspects about her personal life, and especially her deep love for her husband Arthur.
You may recognize the radio in part 4 from the American Tapestry exhibition. It is a beautiful shortwave radio, with a mysterious past that will most likely never be known. Left with Ramon “Mac” MacWilliamson by a Japanese American friend during World War II, he and his daughter always hoped to be able to return it the original owners after the war. After the story was posted on Discover Nikkei, Joyce MacWilliamson, the person who donated the radio to the museum, posted a comment, “Thank you for keeping hope alive that the rightful owner or his family will be found.”
Part 5 – History is Found: Sumi and Masao Shigezane
The final part of the series ended with a surprising connection to a UCLA student’s project on Discover Nikkei. His search through JANM’s archives started with James G. Lindley, project director of the Amache camp during WWII, and led to the Shigezane family.
I’d like to thank Dean for his work on unearthing and sharing these amazing stories. Many thanks also to Patricia Wakida who initiated this project, Yoko Nishimura for working so hard to get the stories online, and to JANM’s collections staff (Nikki Chang, Tomi Yoshikawa, Jane Nakasako, and Yoko Shimojo) for all their help in providing access and working with Dean during his time at JANM. Our CMA staff are the unsung heroes that work really hard behind-the-scenes at JANM!
Visitors to the museum often remark that what made their experience so special was getting to hear and talk to our volunteer docents. They share stories with our visitors that bring the artifacts in our Common Ground: The Heart of Community to life.
An ongoing project at the museum has been for our staff & interns in the Watase Media Arts Center, curatorial, and education units to work with some of our volunteers to develop 30 second (approximately) short videos talking about their favorite artifacts from Common Ground. The project is part of an ongoing effort to examine and re-envision the role the Museum and our volunteers will play in the 21st Century.
This is a wonderful project to record and share the stories especially of some of our older long-time Nisei volunteers while they’re still active at the museum.
We’re now up to 25 volunteer videos online. The most common artifact selected is the Heart Mountain barracks which makes an appearance in 3 videos. Although most are World War II-related, several are about pre-war Issei and Nisei life. While many are very poignant, some are humorous, like Marion Wada’s selection of a Hershey’s chocolate tin which recalls fond memories of childhood prior to WWII.
For those connected with the museum or have gone on tours here, you’ll recognize a lot of very familiar and dear faces. I’ve included a few of the more recent videos here, but you can view all of the videos from our Discover Nikkei website or on YouTube. Which ones are your favorites?
We’d like to thank the participating volunteers for sharing their personal stories: Ike Hatchimonji, Charlene Takahashi, Icy Hasama, Marion Wada, Mary Karatsu, Hitoshi Sameshima, Bill Shishima, Nancee Iketani, Ben Tonooka, Pat Ishida, Bob Uragami, Babe Karasawa, Yae Aihara, Richard Murakami, Yoko Horimoto, Jim Tanaka, Tohru Isobe, Mas Yamashita, Robert Moriguchi, Kathryn Madara, Kent Hori, May Porter, Eileen Sakamoto, Lee Hayashi, and Roy Sakamoto.
Funding for the Nisei Oral History project was provided by grants from the National Park Service and the California State Library through the California Civil Liberties Public Education Program.
Support for volunteer programming was generously provided, in part, by Toyota Motor Sales, U.S.A., Inc., The William Randolph Hearst Foundation, and The Ralph M. Parsons Foundation. The internships were provided through the Summer 2010 Getty Grants Program for Multicultural Undergraduate Internships to Los Angeles Area Museums & Visual Arts Organizations.
When you walk into the museum now, one of the first things you notice as you enter the front doors to the Pavilion is a 1963 Corvette Sting Ray. I pass by the car every day on the way to my office, and I always see visitors stopping to admire it.
But why a Corvette in the Japanese American National Museum?
Upstairs in the exhibition galleries, we also have a number of his original drawings and sketches of various other cars he designed like the Mako Shark concept car, and the Boss Mustang. There’s also a bunch of historic photos, trophies, and other memorabilia that were donated to the museum by his family after his passing in 1997.
I have to admit that I don’t know much about cars, but the aerodynamic sporty style is very cool to see, and his personal story is very interesting too. His father died when he was a young child. From early on, he was always interested in cars and in drawing. He and his family were incarcerated at Manzanar during WWII. After the war, he grew up in Southern California where he built and raced cars, leading to his work designing and building cars.
The Watase Media Arts Center created a video about Shinoda for the exhibition with interviews with his sister and a long-time good friend:
By the way…Shinoda didn’t just design cars. He also worked on pretty much anything that moves such as Roger Penske’s race trailers, motor homes, tractors, big rig trucks, and even the Goodyear Blimp logo. And for those who were wondering…no, he’s not related to the other famous Shinoda that we have featured at the museum!
One more bit of trivia…the wedding dress currently on display in our Common Ground exhibition was made by Larry Shinoda’s mother!