Since our Store update email won't be going out until next week, I thought I'd post this on the blog. We are pleased to announce the return of Noe Yamabe's Camp Mon Shirt, specially made for the Museum. 
Get yours in time to wear for DOR!
Category: Behind the Scenes
Happy New Year from a WaterDragon
And I’m letting my Chinese side take over here so this won’t seem like a belated New Year’s greeting!
Well, I’m off to the New York Gift Show this weekend and I’m hoping to find new and exciting things there. For many of my vendors this is the only time we get to meet in person. I know that the world has changed and we are all getting used to shopping online (and believe me, I’m glad you do shop online!) but sometimes I just have to see stuff in real life to be assured that it is of good enough quality to offer to all of you.
New York is also a great place to check out other museum stores and see what’s happening on the other side of the country.
If I can get my technology to cooperate, I will try and post photos of some of the people that make and sell the items you have come to love in our store!
Thanks to our volunteer photographers!
Throughout the year, there is a dedicated group of Museum volunteers who take photographs of our various events, exhibitions, artifacts, and more.
Led by volunteer extraordinaire Richard Murakami, these volunteers make sure that our events & exhibitions are well documented for posterity and promotion. Their photographs are used in our publications, ads, online, reports,funding proposals, and a variety of other ways big and small.
Our volunteer photographers include professionals, as well as a range of amateurs. Although their photography experience and equipment may vary, we really appreciate all of their dedication and enthusiasm.
The current roster of volunteer photographers include:
June Aoki, Caroline Jung, Russell Kitagawa, Daryl Kobayashi, Tracy Kumono, Richard Murakami, Nobuyuki Okada, Gary Ono, Tsuneo Takasugi, Ben Tonooka, Richard Watanabe. Other contributors: Hal Keimi.
These volunteers literally take thousands of photos each year. We thank them for their hard work and look forward to their pictures in 2012!
“Common Ground” Volunteer Videos
Visitors to the museum often remark that what made their experience so special was getting to hear and talk to our volunteer docents. They share stories with our visitors that bring the artifacts in our Common Ground: The Heart of Community to life.
An ongoing project at the museum has been for our staff & interns in the Watase Media Arts Center, curatorial, and education units to work with some of our volunteers to develop 30 second (approximately) short videos talking about their favorite artifacts from Common Ground. The project is part of an ongoing effort to examine and re-envision the role the Museum and our volunteers will play in the 21st Century.
This is a wonderful project to record and share the stories especially of some of our older long-time Nisei volunteers while they’re still active at the museum.
We’re now up to 25 volunteer videos online. The most common artifact selected is the Heart Mountain barracks which makes an appearance in 3 videos. Although most are World War II-related, several are about pre-war Issei and Nisei life. While many are very poignant, some are humorous, like Marion Wada’s selection of a Hershey’s chocolate tin which recalls fond memories of childhood prior to WWII.
For those connected with the museum or have gone on tours here, you’ll recognize a lot of very familiar and dear faces. I’ve included a few of the more recent videos here, but you can view all of the videos from our Discover Nikkei website or on YouTube. Which ones are your favorites?
We’d like to thank the participating volunteers for sharing their personal stories: Ike Hatchimonji, Charlene Takahashi, Icy Hasama, Marion Wada, Mary Karatsu, Hitoshi Sameshima, Bill Shishima, Nancee Iketani, Ben Tonooka, Pat Ishida, Bob Uragami, Babe Karasawa, Yae Aihara, Richard Murakami, Yoko Horimoto, Jim Tanaka, Tohru Isobe, Mas Yamashita, Robert Moriguchi, Kathryn Madara, Kent Hori, May Porter, Eileen Sakamoto, Lee Hayashi, and Roy Sakamoto.
Funding for the Nisei Oral History project was provided by grants from the National Park Service and the California State Library through the California Civil Liberties Public Education Program.
Support for volunteer programming was generously provided, in part, by Toyota Motor Sales, U.S.A., Inc., The William Randolph Hearst Foundation, and The Ralph M. Parsons Foundation. The internships were provided through the Summer 2010 Getty Grants Program for Multicultural Undergraduate Internships to Los Angeles Area Museums & Visual Arts Organizations.
Car designer Larry Shinoda
When you walk into the museum now, one of the first things you notice as you enter the front doors to the Pavilion is a 1963 Corvette Sting Ray. I pass by the car every day on the way to my office, and I always see visitors stopping to admire it.
But why a Corvette in the Japanese American National Museum?
It’s because it was designed by Japanese American automotive designer Larry Shinoda, and it’s part of the Drawing the Line: Japanese American Art, Design & Activism exhibition on view through February 19, 2012.
Upstairs in the exhibition galleries, we also have a number of his original drawings and sketches of various other cars he designed like the Mako Shark concept car, and the Boss Mustang. There’s also a bunch of historic photos, trophies, and other memorabilia that were donated to the museum by his family after his passing in 1997.
I have to admit that I don’t know much about cars, but the aerodynamic sporty style is very cool to see, and his personal story is very interesting too. His father died when he was a young child. From early on, he was always interested in cars and in drawing. He and his family were incarcerated at Manzanar during WWII. After the war, he grew up in Southern California where he built and raced cars, leading to his work designing and building cars.
The Watase Media Arts Center created a video about Shinoda for the exhibition with interviews with his sister and a long-time good friend:
The video is included on the exhibition DVD available for purchase through the Museum Store: Drawing the Line: Japanese American Art, Design & Activism in Post-War Los Angeles (DVD) >>
By the way…Shinoda didn’t just design cars. He also worked on pretty much anything that moves such as Roger Penske’s race trailers, motor homes, tractors, big rig trucks, and even the Goodyear Blimp logo. And for those who were wondering…no, he’s not related to the other famous Shinoda that we have featured at the museum!
One more bit of trivia…the wedding dress currently on display in our Common Ground exhibition was made by Larry Shinoda’s mother!
Documenting Manzanar
We recently finished posting a wonderful essay about the documentation of Manzanar during World War II by Nancy Matsumoto on our Discover Nikkei website. It’s quite an extensive piece which we posted in 18 parts. There’s also great historic photographs that accompany each part.
Documenting Manzanar
By Nancy Matsumoto
Read the essay >>
The article focuses especially on three photographers—Ansel Adams, Dorothea Lange, and Toyo Miyatake, but also about the documentation of Manzanar in art and in books by artists and authors like Miné Okubo, Jeanne Wakatsuki Houston, and Michi Weglyn.
It also examines various books and exhibitions, including the Ansel Adams exhibition here at JANM. It also references Two Views of Manzanar, an exhibition and book created by graduate students in the UCLA Fine Arts Program in the late 1970s. One of the students was Patrick Nagatani, whose works will be on display here in a retrospective exhibition opening next weekend.
As I’m writing this, I realize that we have something in our collections, exhibitions, and projects related to pretty much all of these things I’ve mentioned. We’ve just released the Farewell to Manzanar DVD based on the book & screenplay written by Jeanne Wakatsuki Houston and her husband. Our collections staff is currently working on a project to conserve & digitize Miné Okubo’s original drawings from Citizen 13660 (generously
supported by the National Endowment for the Humanities’ “We The People” project), and we have original design sketches by Michi Weglyn from her days as a costume designer in New York.
These types of realizations tend to happen often. That’s one of the great things about working at the museum so long…getting to see how different aspects of our history and culture fit together. It also goes to show how inter-related the Japanese American community is!
Volunteer Docent Sergio Holguin
For many people who visit the Museum, the highlight of their visit is often getting a tour from one of our many dedicated volunteer docents. Many of our docents share their own or their family’s first-hand experiences from World War II. However, as our older Nisei volunteers have slowed down a bit, the demand for docents is being increasingly met by those whose families were not incarcerated in America’s concentration camps.
Although their experiences aren’t first-hand, their being there to share the Japanese American experience with our visitors is very important, and in some ways may even help non-JA visitor relate more with the stories.
One of our younger docents is Sergio Holguin, a computer science major at Cal Poly Pomona. Sergio is a third-generation Mexican American. He recently wrote a wonderful article for our Discover Nikkei website that shares how he became interested in Japanese American history, and why he decided to volunteer at the Museum.
Nisei? Sansei? No, I’m just a Gakusei
By Sergio Holguin
Read his article >>
*****
P.S. Here’s a 2009 article on Discover Nikkei about another non-JA Museum docent—Nahan Gluck:
“Drawing the Line” exhibition opening soon!
Drawing the Line: Japanese American Art, Design & Activism in Post-War Los Angeles…the title says it all. But what can you really expect to see?
Paintings, sketches, photographs, video clips, historic documents, a trophy, a guitar, and a Corvette!
Curious? Intrigued?
Then make plans to join us for the exhibition opening on Saturday, October 15 at 5:30pm. Some light refreshments, hear from curator Kris Kuramitsu, check out the exhibition, meet some of the artists, and take in a special performance by Nobuko Miyamoto with Benny Yee and Atomic Nancy!
Please RSVP to specialevents@janm.org by October 11th for the opening event.
For more information about the exhibition, check out the link below.
This is part of the Getty’s Pacific Standard Time project, so we hope to have a good turn-out for this event!
DRAWING THE LINE:
Japanese American Art, Design & Activism in Post-War Los Angeles
October 15, 2011 through February 19, 2012
janm.org/exhibits/drawingtheline
“Drawing the Line” banner is already outside!
US Supreme Court Justice Kennedy Meets JANM Administrators of Justice!
We had a very special guest visit JANM on Wednesday! He said that he had been hoping to visit us for a while, so while he was in LA he dropped by for a quick tour. What an honor it was to have shaken the hand of U.S. Supreme Court Justice Anthony Kennedy.
“Folding Paper” Preview — Origami exhibition coming to JANM next year!
On Sunday, September 18, the museum hosted a special sneak preview of the upcoming exhibition, Folding Paper: The Infinite Possibilites of Origami for our Upper Level Members.
Meher McArthur, curator for the exhibition that will be opening at JANM in March 2012, gave a wonderful presentation about the history of origami in Japan, but also revealed a tradition of paper folding in Europe that surprised many in the audience.
Museum staff are collaborating with Meher on this exciting exhibition that will look at not just the origins and growth of paper folding, but also present an incredible selection of origami works from a diverse array of “folders” around the world. Not only do they represent countries like Japan, the U.S., France, Belgium, and Vietnam, they are diverse in their backgrounds as well. Some are artists and educators, while a large contingent are from math & science backgrounds.
In addition to the mind-blowing contemporary pieces, the exhibition will also include a section on the influence of origami on science, medicine, fashion, and architecture. A very special section will focus especially on the role of origami cranes as a symbol of global unity and world peace.
This exhibition is being produced to travel by International Arts and Artists, but the Museum is a co-developer and will be the originating venue. Our own origami expert, volunteer Ruthie Kitagawa, is helping to create examples of some of the traditional pieces. It will open at JANM on March 10, 2012 and will travel for 3 years.
Inspired by the documentary, Between the Folds, Meher is putting together an exhibition that will delight and inform kids, educators, mathematicians, artists, and everyone in between.
If you are interested in supporting this exhibition, call Sarah Carle at 213.830.5670 for information about sponsorship opportunities.
P.S. Meher will be guest-blogging here on our FIRST & CENTRAL JANM blog! Check back for updates from her and more behind-the-scenes sneak-peeks!
