Category: Pop Culture

JANM’s Tateuchi Democracy Forum was packed full on Tuesday night for a special community viewing of the latest episode of the Asian-American sitcom Fresh Off the Boat. The episode featured a LGBTQ storyline, and the event drew many members of the Asian American media and LGBTQ communities. The viewing was followed by a panel discussion with writer and showrunner Nahnatchka Khan, guest actor Rex Lee, author/comedian D’Lo, and artist/organizer Erin O’Brien, moderated by filmmaker Curtis Chin. The event was organized by Jeff Yang, journalist and father of the show’s young star, Hudson Yang.

The episode, titled “Blind Spot,” kept everyone laughing. It revolved around a visit from mom Jessica Huang’s old college boyfriend, Oscar Chow. Jessica, oblivious to the fact that Oscar is now openly gay, wonders why her husband Louis feels absolutely no jealousy. Louis, for his part, is oblivious to the fact that the person Oscar really loved in college was him, not Jessica. Much hilarity ensues as the couple confronts one another about their respective “blind spots.”

The panelists, who were all LGBTQ-identified, engaged in a lively and humorous discussion following the episode. Rex Lee, who played the character of Oscar Chow, said that his favorite thing about guest starring on this episode was getting to know the three child actors, who now send him tweets constantly. Erin O’Brien analyzed the gay subtext in Fresh Off the Boat and other popular shows, jokingly proclaiming that “everything has a gay subtext.” D’Lo, who has had roles on the LGBTQ-themed shows Looking and Transparent, expressed his preference for Fresh Off the Boat, which features people of color.

During the Q&A, one audience member called out the Oscar Chow character for being “stereotypically gay.” Lee responded that as a gay man himself, he felt he was able to play Oscar from the inside, rather than via external gestures. This drew applause from the audience, who for the most part seemed to appreciate a television show capable of showcasing both Asian and gay characters with light but intelligent humor. Audience members also approved of the show’s culturally authentic details, such as this episode’s reference to “white flower oil,” an herbal remedy commonly used by Chinese families.

Throughout the discussion, the panelists spoke most passionately about the hunger for media representation of LGBTQ people and people of color, pointing to the huge turnouts both for that night’s event and an earlier community viewing of the premiere episode of the show as evidence. It was noted that fans of the show comprise a highly diverse demographic that includes Hispanics, African Americans, Asian Americans, and whites. O’Brien asserted, “We really want to see ourselves on TV. And as cultural producers, we have realized that we have to do this ourselves.”

Loud hisses came from the audience at the mention of a recent article on the Deadline website, which offended many by asking if diversity in casting had gone too far, reducing the available roles for whites. (The site has since apologized for the story.) “To see more people of color on the screen, how is this not a great thing?” asked Nahnatchka Khan. Later, when complimented by an Asian American man in the audience for a joke in the episode that alluded to Louis’ “big bones” and thus countered stereotypes of Asian men as under-endowed, Khan responded, “You just have to be committed to the message.”

To watch the complete panel discussion online, visit JANM’s YouTube channel.