Communications Production Manager at the Japanese American National Museum. I coordinate printed publications, manage web-based projects, and lots of other stuff. I also write an occasional column for our DiscoverNikkei.org project.
If you’d like a taste of what is in the exhibition, all of the Drawing the Line artist videos are online now. You can check them out on our YouTube channel.
Together with a group of guest musicians and activists from the 1960s/‘70s and the present, Miyamoto brings alive the dynamic moment when her 1973 album “A Grain of Sand: Music for the Struggle of Asians in America,” created a heartbeat for the Asian American Movement and shared rhythms with Black, Latino, and Native American cultural and political activists.
General admission is $10, students is $5, and it’s FREE for members of JANM and LACE! Tickets available at the door.
One last Drawing the Line update! We asked Yoshimi Kawashima (a former intern and current JANM volunteer!) to write an article about Gidra magazine for our Discover Nikkei site. Yoshimi is a current UCLA student active with the Nikkei Student Union (NSU), so thought she’d appreciate the assignment. We think she did a great job! GIDRA: The Voice of the Asian American Movement
Update (added 1/20/12): We’ve pulled together a Nikkei Album on our Discover Nikkei site with all of the Drawing the Line videos with brief summaries of each video. Check it out >>
There’s just 5 days left to go check out the traveling version of our popular kip fulbeck: part asian, 100% hapa exhibition at the Oregon Nikkei Legacy Center in Portland, OR before it closes on Saturday, December 31!
The exhibition was originally on display at JANM in 2006 and has since traveled to New York; Chapel Hill, NC; and Chicago before its current stop in Portland.
Exhibit hours at the Oregon Nikkei Legacy Center are Tuesday – Saturday 11 am to 3 pm, Sundays noon to 3 pm. Suggested donation for admission is $3 (free for Friends of Oregon Nikkei Endowment).
Oregon Nikkei Legacy Center
121 NW 2nd Avenue
Portland, OR 97209 Directions
Throughout the year, there is a dedicated group of Museum volunteers who take photographs of our various events, exhibitions, artifacts, and more.
Richard Murakami -- the fearless leader of our volunteer photographers corps!
Led by volunteer extraordinaire Richard Murakami, these volunteers make sure that our events & exhibitions are well documented for posterity and promotion. Their photographs are used in our publications, ads, online, reports,funding proposals, and a variety of other ways big and small.
Our volunteer photographers include professionals, as well as a range of amateurs. Although their photography experience and equipment may vary, we really appreciate all of their dedication and enthusiasm.
The current roster of volunteer photographers include:
June Aoki, Caroline Jung, Russell Kitagawa, Daryl Kobayashi, Tracy Kumono, Richard Murakami, Nobuyuki Okada, Gary Ono, Tsuneo Takasugi, Ben Tonooka, Richard Watanabe. Other contributors: Hal Keimi.
These volunteers literally take thousands of photos each year. We thank them for their hard work and look forward to their pictures in 2012!
I like to document our photographers documenting our events. I take them on my camera phone so please forgive the quality. Photo of Daryl Kobayashi & Nobuyuki Okada at the "Drawing the Line" exhibition opening on October 15, 2011.
Visitors to the museum often remark that what made their experience so special was getting to hear and talk to our volunteer docents. They share stories with our visitors that bring the artifacts in our Common Ground: The Heart of Community to life.
An ongoing project at the museum has been for our staff & interns in the Watase Media Arts Center, curatorial, and education units to work with some of our volunteers to develop 30 second (approximately) short videos talking about their favorite artifacts from Common Ground. The project is part of an ongoing effort to examine and re-envision the role the Museum and our volunteers will play in the 21st Century.
This is a wonderful project to record and share the stories especially of some of our older long-time Nisei volunteers while they’re still active at the museum.
We’re now up to 25 volunteer videos online. The most common artifact selected is the Heart Mountain barracks which makes an appearance in 3 videos. Although most are World War II-related, several are about pre-war Issei and Nisei life. While many are very poignant, some are humorous, like Marion Wada’s selection of a Hershey’s chocolate tin which recalls fond memories of childhood prior to WWII.
For those connected with the museum or have gone on tours here, you’ll recognize a lot of very familiar and dear faces. I’ve included a few of the more recent videos here, but you can view all of the videos from our Discover Nikkei website or on YouTube. Which ones are your favorites?
We’d like to thank the participating volunteers for sharing their personal stories: Ike Hatchimonji, Charlene Takahashi, Icy Hasama, Marion Wada, Mary Karatsu, Hitoshi Sameshima, Bill Shishima, Nancee Iketani, Ben Tonooka, Pat Ishida, Bob Uragami, Babe Karasawa, Yae Aihara, Richard Murakami, Yoko Horimoto, Jim Tanaka, Tohru Isobe, Mas Yamashita, Robert Moriguchi, Kathryn Madara, Kent Hori, May Porter, Eileen Sakamoto, Lee Hayashi, and Roy Sakamoto.
Funding for the Nisei Oral History project was provided by grants from the National Park Service and the California State Library through the California Civil Liberties Public Education Program.
Support for volunteer programming was generously provided, in part, by Toyota Motor Sales, U.S.A., Inc., The William Randolph Hearst Foundation, and The Ralph M. Parsons Foundation. The internships were provided through the Summer 2010 Getty Grants Program for Multicultural Undergraduate Internships to Los Angeles Area Museums & Visual Arts Organizations.
When you walk into the museum now, one of the first things you notice as you enter the front doors to the Pavilion is a 1963 Corvette Sting Ray. I pass by the car every day on the way to my office, and I always see visitors stopping to admire it.
Photo by Gary Ono
But why a Corvette in the Japanese American National Museum?
Untitled drawing (Stingray), Larry Shinoda. Pencil on paper. Gift of the Shinoda Family, Japanese American National Museum (2003.124.3).
Upstairs in the exhibition galleries, we also have a number of his original drawings and sketches of various other cars he designed like the Mako Shark concept car, and the Boss Mustang. There’s also a bunch of historic photos, trophies, and other memorabilia that were donated to the museum by his family after his passing in 1997.
I have to admit that I don’t know much about cars, but the aerodynamic sporty style is very cool to see, and his personal story is very interesting too. His father died when he was a young child. From early on, he was always interested in cars and in drawing. He and his family were incarcerated at Manzanar during WWII. After the war, he grew up in Southern California where he built and raced cars, leading to his work designing and building cars.
The Watase Media Arts Center created a video about Shinoda for the exhibition with interviews with his sister and a long-time good friend:
By the way…Shinoda didn’t just design cars. He also worked on pretty much anything that moves such as Roger Penske’s race trailers, motor homes, tractors, big rig trucks, and even the Goodyear Blimp logo. And for those who were wondering…no, he’s not related to the other famous Shinoda that we have featured at the museum!
One more bit of trivia…the wedding dress currently on display in our Common Ground exhibition was made by Larry Shinoda’s mother!
We’ve already begun planning for next year’s Gala Dinner!
The 2012 Gala Dinner is set for Saturday, May 5. We’ll be back at the JW Mariott Hotel at L.A. Live.
Our staff is currently working to finalize ticket & sponsorship opportunities, so stay tuned for more info.
In the meantime, we’re excited to announce that Toyota Motor Sales, U.S.A., Inc. will once again be providing a Lexus for our Lexus Opportunity Drawing! This time, you’ll be able to win an all-new 2013 Lexus GS 450h hybrid!
The model is being redesigned for 2013. For those who know something about cars (not me!), it’s the world’s first premium performance sedan to be equipped with a V6 Atkinson cycle gas engine and two-motor hybrid system, in a front engine rear-wheel drive vehicle.
For a chance to win, tickets are $25 each, or 5 for $100 (buy 4, get 1 free!). For details, download the flier/form below.
We recently finished posting a wonderful essay about the documentation of Manzanar during World War II by Nancy Matsumoto on our Discover Nikkei website. It’s quite an extensive piece which we posted in 18 parts. There’s also great historic photographs that accompany each part.
Source: War Relocation Authority Photographs of Japanese-American Evacuation and Resettlement Series 8: Manzanar Relocation Center
The article focuses especially on three photographers—Ansel Adams, Dorothea Lange, and Toyo Miyatake, but also about the documentation of Manzanar in art and in books by artists and authors like Miné Okubo, Jeanne Wakatsuki Houston, and Michi Weglyn.
It also examines various books and exhibitions, including the Ansel Adams exhibition here at JANM. It also references Two Views of Manzanar, an exhibition and book created by graduate students in the UCLA Fine Arts Program in the late 1970s. One of the students was Patrick Nagatani, whose works will be on display here in a retrospective exhibition opening next weekend.
As I’m writing this, I realize that we have something in our collections, exhibitions, and projects related to pretty much all of these things I’ve mentioned. We’ve just released the Farewell to Manzanar DVD based on the book & screenplay written by Jeanne Wakatsuki Houston and her husband. Our collections staff is currently working on a project to conserve & digitize Miné Okubo’s original drawings from Citizen 13660 (generously
supported by the National Endowment for the Humanities’ “We The People” project), and we have original design sketches by Michi Weglyn from her days as a costume designer in New York.
These types of realizations tend to happen often. That’s one of the great things about working at the museum so long…getting to see how different aspects of our history and culture fit together. It also goes to show how inter-related the Japanese American community is!
We recently interviewed artist Patrick Nagatani and his upcoming retrospective exhibition opening at JANM next weekend. Check out the article on our Discover Nikkei website:
Seeing Beauty Through a Magic Lens: Patrick Nagatani and 35 Years of Art
By Darryl Mori Read the interview >>
We also just launched the exhibition site which includes more information, including:
– short blurbs about the various series included in the exhibition
– prompts for the upcoming Guide by Cell audio guide that is being prepared with Patrick Nagatani
– an article about the exhibition by Lisa Sasaki who coordinated the travel of the show from the University of New Mexico’s University Art Museum. This is my favorite quote from the artist about why Nagatani feels that JANM is a perfect venue for the exhibition:
“This is the place that my parents will come to see my work. This is the place where it belongs.”
For those who can’t make it down to see the exhibition or prefer to watch it from the comfort of your own home, we will be sharing them online over the next few months.
The first video up is about Gidra, the seminal magazine of the Asian American movement published from April 1969 to April 1974.
“Seinan” is an area in Southwest Los Angeles, California, where a thriving Japanese American community existed before World War II.
Japanese American Living Legacy has gathered stories and personal experiences from people who lived in Seinan before World War II in the book published earlier this year, Seinan: Southwest Los Angeles, Stories and Experiences from Residents of Japanese Ancestry.
Join us this Sunday for a program in partnership with JA Living Legacy.
With moderator Ray Uyemura, four panelists—Ansho Mas Uchima, Minoru Shinmoto, Christine Uriu, and Thomas Shigekuni—will share stories about Seinan, including about the community’s religious groups, language schools, public schools, and social clubs.
There will be a book signing following the program.
SEINAN PANEL Sunday, October 30, 2011 • 2pm
Japanese American National Museum
Come hear how Southwest Los Angeles was a thriving Nisei community that was almost wiped out with the forced removal and events of World War II.
