Descanso Gardens’ Renowned Camellia Collection is Rooted in Japanese American History

25 Feb

Image courtesy of Descanso Gardens

A camellia in bloom at Descanso Gardens. Image courtesy of Descanso Gardens.

 

Through a special partnership agreement, all JANM members are invited to visit Descanso Gardens this Sunday, March 1, free of charge. Located 20 minutes north of downtown Los Angeles, Descanso Gardens is a 160-acre nature preserve known for its botanical collections and seasonal horticultural displays. This weekend will be an especially good time to visit as the Gardens will be hosting their annual Camellia and Tea Festival, during which patrons can enjoy the blooming camellias and participate in a variety of celebratory activities.

The camellia collection at Descanso Gardens is said to be the largest in the world; it boasts rare and familiar camellias and has been designated an International Camellia Garden of Excellence by the International Camellia Society. The collection is worth seeing for these reasons alone, however, its origins are also closely tied to Japanese American history, giving it an added significance for members and friends of JANM.

Descanso Gardens started out as Rancho del Descanso, the home and ranch of newspaper publisher E. Manchester Boddy. A horticultural enthusiast with a particular interest in plants of Asian origin, Boddy started a camellia collection in the 1930s with plants purchased from local nurseries, some of which were owned and operated by Japanese Americans.

F. M. Uyematsu, owner of Star Nursery. Image courtesy of Descanso Gardens.

F. M. Uyematsu, owner of Star Nursery. Image courtesy of Descanso Gardens.

When Japanese Americans faced mass incarceration following Japan’s bombing of Pearl Harbor during World War II, Boddy was sympathetic to their plight. He admired Japanese culture and had in fact written a book in 1921, Japanese in America, extolling the contributions of Japanese immigrants. Boddy decided to purchase the entire camellia inventory of the Star Nursery, owned by the Uyematsu family, prior to their removal to Manzanar. He also purchased the Mission Nursery business owned by the Yoshimura family in San Gabriel, continuing to operate it while the family was imprisoned at Gila River.

Unlike many opportunistic investors who offered to buy the nurseries at a fraction of their value, Boddy paid fair prices to the Uyematsus and the Yoshimuras, enabling both families to put their financial affairs in order before being incarcerated. The camellias from Star Nursery were planted in the shade of live oak trees on about 25 acres of Boddy’s property, where they continue to flourish today. After the war, Boddy closed down the Mission Nursery and moved all of its stock to his estate.

F. W. Yoshimura, son of the founder of Mission Nursery and then, after release from Gila River, founder of the San Gabriel Nursery in San Gabriel. Image courtesy of Descanso Gardens.

F. W. Yoshimura, son of the founder of Mission Nursery and then, after release from Gila River, founder of the San Gabriel Nursery in San Gabriel. Image courtesy of Descanso Gardens.

In 1953, Boddy sold his home and ranch to the County of Los Angeles. A volunteer-run support group called the Descanso Gardens Guild, formed in 1957, took over the management and development of the property, eventually turning it into the public institution it is today.

A more detailed version of this story is available on discovernikkei.org. You can also read a history of the Mission Nursery, which was reincarnated after the war as the San Gabriel Nursery and Florist, here.

If you are a JANM member, simply present your current membership card to receive FREE admission to Descanso Gardens this Sunday.

Japan’s Unique New Year

18 Feb

At JANM's 2015 Oshogatsu Family Festival, Kodama Taiko perform a mochitsuki (rice cake pounding) ceremony to ring in the new year. Photo: Russell Kitagawa.

At JANM’s 2015 Oshogatsu Family Festival, Kodama Taiko perform a mochitsuki
(rice cake pounding) ceremony to ring in the new year. Photo: Russell Kitagawa.

 

February 19 marks the official beginning of the Year of the Sheep, according to the most common interpretation of the ancient lunar calendar that has been used throughout Asia for centuries. On that day, many Chinese, Korean, and Vietnamese communities will hold their traditional New Year celebrations. For the Japanese, however, it will more or less be a day like any other.

Japan is unique among Asian countries in that it is the only one that celebrates New Year on January 1, like the Western world. This custom can be traced back to 1872, when the Meiji government decided to abolish the lunar calendar and adopt the Gregorian calendar, believing the latter to be scientifically superior.

The Meiji Era, which lasted from 1868 through 1912, was a period of rapid progress and sweeping Western influence in Japan, as the country began its transition from an isolated feudal society to a modern one of “enlightened rule.” For the Japanese citizens of the time, the lunar calendar was a symbol of the old ways; in fact, the modern Japanese word for Lunar or Chinese New Year is kyushogatsu, meaning “old or outdated new year.” Adopting the Gregorian calendar, which was in use throughout the trading nations of Europe and America, meant keeping in step with the times.

JANM visitors join in on the fun at Oshogatsu 2015. Photo: Richard Watanabe.

JANM visitors join in on the fun at Oshogatsu 2015. Photo: Richard Watanabe.

 

In spite of this outlook however, the Japanese have retained many of their cherished New Year traditions; they simply practice them during the days immediately before and after January 1. JANM’s Oshogatsu Festival, for example, takes place on the first Sunday after January 1. The festival adapts several popular New Year traditions for a large and diverse crowd, including pounding mochi, eating buckwheat noodles, and sampling special New Year dishes like kamaboko (fish cakes) and kuri kinton (puréed sweet potatoes).

JANM wishes everyone a Happy Lunar New Year. We look forward to welcoming you to our museum many times during the Year of the Sheep.

A Girl Scout’s Tribute to Hello Kitty

11 Feb

16-year-old Senior Girl Scout and Los Angeles resident Elizabeth Keller participated in JANM’s first Hello Kitty Girl Scout Program on November 22, 2014. She graciously agreed to share her thoughts on her experience. Thank you, Elizabeth! The essay is accompanied by photos taken at the most recent Girl Scout workshop, held on February 7.

Girl Scouts visit JANM for a special Hello Kitty workshop, February 7, 2015. Photo: Russell Kitagawa.

Girl Scouts visit JANM for a special Hello Kitty workshop.
Photo: Russell Kitagawa. All photos taken on February 7, 2015.

 

To me and many other girls, Hello Kitty is the ultimate symbol of femininity. Her lovely, bubbly, adorable little world full of flowers and hair bows is enchanting. And in a world where being “girly” is frowned upon, Hello Kitty reminds us not to be afraid to be our fabulous selves.

The Scouts get their own private viewing of Hello! Exploring the Supercute World of Hello Kitty. Photo: Steve Fujimoto.

The Scouts got their own private viewing of Hello! Exploring the
Supercute World of Hello Kitty
. Photo: Steve Fujimoto.

 

I had never considered the other aspects of Hello Kitty, however, until my Girl Scout troop visited the Japanese American National Museum’s Hello! Exploring the Supercute World of Hello Kitty. The exhibition was educational and heartwarming. I learned that Hello Kitty is five apples tall and that her full name is Kitty White. I found that I could have Hello Kitty on everything that I own—my lunchbox, my roller skates, my rice cooker, and even the braces on my teeth.

JANM staff then helped the Scouts to make their own Hello Kitty-inspired artwork. Photo: Russell Kitagawa.

The Scouts making their own Hello Kitty-
inspired artwork. Photo: Russell Kitagawa.

 

After viewing the exhibition, all the Girl Scouts completed a craft. I doodled small pictures of Hello Kitty and watched girls as young as five make beautiful art out of a character that had inspired their creativity.

Photo: Russell Kitagawa.

Photo: Russell Kitagawa.

 

Looking around at more cute, pink, or otherwise charming household objects than I thought I would ever see—everything from clothes to food to headstones—it dawned on me that Hello Kitty is more than a simple little icon splashed on some toys. She represents the idea that we not only own our femininity, but that we also have the right to display it as we please.

A Scout shows off her creation. Photo: Russell Kitagawa.

A Scout shows off her creation. Photo: Russell Kitagawa.

 

Everything a girl does—from wearing makeup to playing video games—is seen as a call for attention, especially male attention. Hello Kitty recognizes no presence or agency except her own. She doesn’t ask anyone’s permission to be her lovely pink self; she simply is.

Photo: Russell Kitagawa.

Photo: Russell Kitagawa.

 

During the Hello Kitty Girl Scout Program, I saw little girls—young Scouts who are still learning about what it means to be a girl—exploring concepts presented in the exhibition, like business, foreign relations, and fashion. They learned about these things in the context of their beloved Hello Kitty. They discovered—and I was reminded—that they can do anything with their own power. And if they want to rule the world in a pretty pink dress, well, nothing can stop them.

Scouts and their troop leaders pause to savor a great day at JANM. Photo: Steve Fujimoto.

Scouts and their troop leaders pause to savor a
great day at JANM. Photo: Steve Fujimoto.

BIG TROUBLE IN LITTLE TOKYO: New Film Series at JANM Spotlights Asian American Film

3 Feb

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JANM’s Vice President of Programs, Koji Sakai, announces the launch of an exciting new Asian American film series at the museum.

During the last quarter of 2014, JANM’s Tateuchi Democracy Forum was the site of two sold-out screenings and panel discussions celebrating the thirtieth anniversary of the iconic film The Karate Kid and the tenth anniversary of Alice Wu’s romantic comedy, Saving Face. In December, it also hosted a well-attended screening of Tadashi Nakamura’s feature-length documentary, Jake Shimabukuro: Life on Four Strings, followed by an intimate talk and a live ukulele performance by Shimabukuro.

Now, in an effort to continue screening Asian American films, I am proud to announce a new bi-monthly film series called Big Trouble in Little Tokyo. To organize this series, JANM is partnering with Visual Communications, one of the premier Asian American media organizations; Angry Asian Man, one of the first and most influential Asian American blogs; and First Pond Entertainment, a consultation and distribution service for independent films that focuses on socially-driven documentaries and narratives that feature underrepresented communities in front of and behind the camera.

Starting next week, we will screen a film on the second Wednesday of every other month under the Big Trouble in Little Tokyo banner. The series will feature big Hollywood productions as well as small independent films, from the distant past and the more recent present, and will often include post-screening discussions with actors, directors, and others involved in the making of the movie. It will celebrate some important anniversaries, and most importantly, it will provide a venue for more Asian American films to be seen and appreciated.

TheJoyLuckClub Our first screening, taking place on Wednesday evening, February 11, will be The Joy Luck Club (1993), the film adaptation of Amy Tan’s bestselling novel, directed by Wayne Wang. Wang and stars Rosalind Chao and Tamlyn Tomita will be in attendance for a Q&A following the screening. On April 8, we will screen Big Trouble in Little China (1986), the cult film directed by John Carpenter that inspired the title of this film series. Post-screening panelists will include actors George Cheung and Gerald Okamura.

On May 13, we will have a very special screening in honor of Asian Pacific American Heritage Month: The Curse of Quon Gwon: When the Far East Mingles with the West (1916–17), a silent black-and-white film directed by Marion Wong. The Curse of Quon Gwon is the earliest known film directed by an Asian American, and one of the earliest directed by a woman. The evening will include a talk with filmmaker Arthur Dong, who preserved two reels of the historic film, which was later restored by the Academy Film Archive. Parts of the film are still missing.

As an Asian American filmmaker, one of the things that saddens me is the lack of opportunities and places to screen our films. That’s why as a JANM staff member and part of its programming team for more than five years, it has always been important to me to ensure that the museum can be such a place. JANM has hosted dozens of film festivals, from the Los Angeles Asian Pacific Film Festival to Outfest, and hundreds of screenings. Now we have a series to call our own. For complete details on upcoming screenings, please visit our Big Trouble event page.

Author Lisa See’s Unexpected Connections to Japanese American History

28 Jan

ChinaDollsCover.final Lisa See’s bestselling novels—which have included Shanghai Girls, Dreams of Joy, and Snow Flower and the Secret Fan—are known for telling compelling stories of human relationships set against the rich backdrop of Chinese and Chinese American history. Her latest novel, released last June, is no different.

Set in San Francisco on the eve of World War II, China Dolls follows three independent young women as they revel in the city’s exciting and glamorous Chinatown nightclub scene. The women become close friends, sharing secrets and supporting one another through struggles and triumphs. When the Japanese bomb Pearl Harbor however, it sets in motion a chain of events that threatens to change their lives forever.

One of the remarkable things about China Dolls is that it captures some key connections between Chinese American and Japanese American experiences. As in much of her work, See draws on her own family’s history to weave some of China Dolls’ narrative. During World War II, See’s grandparents lived in and took care of the home of the Oki family while they were imprisoned in camp. While many Japanese Americans lost everything after the war, the Oki family was able to return to their home and their belongings. In China Dolls, the incarceration of Japanese Americans plays a major role in the book, with vivid passages describing life in the camps.

Hideo Date Where South and North Winds Meet, ca. 1940, watercolor and gouache on paper. Japanese American National Museum, gift of Hideo Date.

Hideo Date, Where South and North Winds Meet, ca. 1940, watercolor and gouache on paper. Japanese American National Museum. Gift of Hideo Date.

 

See’s family history intersected with Japanese American history in other significant ways. In 1935, Eddy and Stella See (Lisa’s grandparents) opened the Dragon’s Den restaurant in the basement of the F. Suie One Company, located in Los Angeles’ original Chinatown. Eddy See commissioned three artists, including his good friend Benji Okubo, to paint murals of mythical Asian figures like the Eight Immortals on the restaurant’s exposed brick walls. See had already been selling artworks by all his friends in a small gallery in the mezzanine. These included works by Okubo, Hideo Date, and Tyrus Wong, who went on to become an influential graphic artist after creating the signature look for Disney’s Bambi movie.

Benji Okubo, Portrait of Sissee See, c. 1927–45. Japanese American National Museum. Gift of Chisato Okubo.

Benji Okubo, Portrait of Sissee See, c. 1927–45. Japanese American National Museum.
Gift of Chisato Okubo.

The Dragon’s Den became a popular gathering spot for artists and actors, and See’s gallery now stands as an important early effort to show the work of Asian American artists. Many of these artists continued to exhibit together, earning a few different nicknames as a group, such as “the Orientalists.” Today, many works by Date and Okubo—along with those of the latter’s sister, Mine Okubo—are proudly featured in JANM’s permanent collection. (Pictured at right is Benji Okubo’s portrait of Lisa See’s great-aunt Florence See Leong, nicknamed “Sissee.”)

This Saturday, January 31, Lisa See will be at JANM to discuss China Dolls and her family’s connections to Japanese American history. She will also take questions from the audience.

China Dolls can be purchased from the JANM Store and online at janmstore.com. For a more in-depth profile of the author, check out this new feature story on Discover Nikkei.

Little Tokyo Markets Explored in Edible Adventures Tour This Saturday

21 Jan

The early Little Tokyo grocery store, Kii Shokai Foods, is commemorated with an engraving on the sidewalk in front of Daikokuya restaurant.

The early Little Tokyo grocery store, Kii Shokai Foods, is commemorated with an
engraving in front of present-day Daikokuya restaurant.

 

When the first Japanese immigrants began arriving in California in the late 19th century, they needed to establish certain infrastructures for themselves in order to facilitate their survival in a new, and often hostile, country. One such infrastructure was the self-sufficient community of Little Tokyo, where a variety of Japanese businesses catered to Japanese needs. Another was the pioneering development of wholesale produce and flower markets.

It is a little known fact that prior to World War II, Japanese immigrants grew and sold 75 percent of all fresh produce consumed in Los Angeles—produce that was sold at such outlets as the venerable Grand Central Market, opened in 1917. Japanese American growers also established the city’s first major flower market, the Southern California Flower Market (popularly known as “the Japanese market”), on Los Angeles Street in 1913. This initial effort eventually gave rise to the Los Angeles Flower District, the largest wholesale flower district in the nation.

Today, Nijiya Market anchors the bustling Japanese Village Plaza in Little Tokyo.

Today, Nijiya Market anchors the bustling Japanese Village Plaza in Little Tokyo.

 

Downtown and Little Tokyo are filled with the ghosts of thriving immigrant businesses from the past. One such ghost can be found just a few steps from JANM. If you look at the sidewalk in front of the busy Daikokuya restaurant, you will see fading gold letters commemorating the establishment of Kii Shokai Foods in 1910. Today, the ethnic market tradition is carried on in Little Tokyo by popular chains like Nijiya and Marukai.

This Saturday, learn more about the fascinating history of downtown’s markets and the pivotal role that Japanese Americans have played in their development. Roxana Lewis, travel agent and history buff, will lead Edible Adventures: Little Tokyo Markets, Then and Now from 10 a.m. to 2 p.m. $40 for members and $50 for non-members gets you an informative tour, lunch, and admission to our core exhibition, Common Ground: The Heart of Community. The tour is limited to 18 participants, but a few spaces are still available!

Imagine Little Tokyo Short Story Contest Seeks Entries by January 31

14 Jan


Far East Cafe, a drawing by Ernest Nagamatsu, first prize winner of the 2014 Imagine Little Tokyo short story contest.

Far East Cafe, a drawing by Ernest Nagamatsu, first prize winner of the 2014 Imagine Little Tokyo short story contest.


Last year, as part of Little Tokyo’s 130th anniversary celebrations, the Little Tokyo Historical Society (LTHS) sponsored the first-ever Imagine Little Tokyo short story contest, inviting the general public to submit short works of original fiction set in the historic neighborhood. Stories could take place in the past, present, or future and were judged on the writer’s storytelling ability and use of the neighborhood as a cultural setting.

The contest was a success, attracting about sixty diverse submissions. Ernest Nagamatsu won the first prize of $1,000 with “Doka B-100,” a sorrowful tale about coping with the grief of war. Rubén Guevara’s “Yuriko and Carlos,” a story of interracial romance set during World War II, won the second place prize of $500 while Satsuki Yamashita took the third place prize of $250 with “Mr. K,” which takes the reader on a heartwarming journey of self-discovery over a series of meals in Little Tokyo. All three of the top stories were published in the print edition of The Rafu Shimpo and online at the LTHS website and at JANM’s own Discover Nikkei project. Twelve additional finalists were also published online.

Inspired by the enthusiastic response to last year’s contest, LTHS decided to make Imagine Little Tokyo an annual event. For the 2015 edition, the categories have been expanded to accommodate Japanese-language and youth submissions. The prizes will be $600 for the best English-language story; $600 for the best Japanese-language story; and $400 for the best story by a writer 18 years old or younger. As with last year’s edition, winning stories will be published in the Rafu Shimpo and on the LTHS website and Discover Nikkei.

Do you have a Little Tokyo tale you’d like to tell? The deadline for submissions is January 31! For complete guidelines, visit the LTHS website.

Members Get Perks at Oshogatsu Family Festival

31 Dec

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It’s almost time for the Oshogatsu Family Festival, one of JANM’s biggest and most anticipated events of the year! On Sunday, January 4, the museum will be alive with festive arts and crafts, food, cultural activities, and performances. The programs last all day, from 11 a.m. to 5 p.m., and are free to all visitors. (Note: admission to Hello! Exploring the Supercute World of Hello Kitty, a specially ticketed exhibition, is not included.)

JANM members enjoy special perks at events like these. If you are a member, be sure to check in at the front desk and get your member sticker so you don’t miss out on the following:

12–2 p.m.: MEMBERS ONLY Osechi-Ryori Tasting
At this exclusive opportunity for JANM members, taste a selection of traditional Japanese new year foods—including various sweets and vegetables—and learn about the symbolism of each dish. Get in line early because the tasting will only last as long as supplies last!

12–5 p.m.: Double Raffle Tickets for Sheep Candy Sculptures
Shan Ichiyanagi will demonstrate the ancient, and now rarely practiced, Asian folk art of candy sculpting, as he makes candy in the shape of sheep. The finished pieces will be raffled off throughout the day. Members get double raffle tickets!

1–1:30 p.m.: Reserved Seating for Taikoza Performance
Taikoza, a group that uses traditional Japanese instruments to create an exciting contemporary sound, will present short performances on koto (zither) and shakuhachi (flute). Get to the Tateuchi Democracy Forum early to take advantage of specially reserved seats for members!

1–4 p.m.: Petting Zoo Members’ Express Line
Meet real live sheep and their goat friends at our Oshogatsu petting zoo, brought to you by Jessie’s Party Animals. Speed your kids through to the zoo by using the Members’ Express Line! (For children only. Line ends at 3:30 p.m.)

1–5 p.m.: Hello Kitty Members’ Express Line
Say “Hello!” and share a hug with Hello Kitty, the star of JANM’s exhibition Hello! Exploring the Supercute World of Hello Kitty. Put smiles on your kids’ faces—our Members’ Express Line will get them to Hello Kitty faster!

3 p.m.: Reserved Seating for UniverSoul Hip Hop Performance
Watch an energetic performance from UniverSoul Hip Hop, a community-based group dedicated to educating and enriching youth by bringing hip hop dance and culture to K–12 classrooms. Members enjoy reserved seating in the Tateuchi Democracy Forum!

These are just some highlights of what to expect at the 2015 Oshogatsu Family Festival. A complete schedule is available at janm.org. To become a member or renew your membership, visit our membership page. See you in the new year!

Lucky Foods for Japanese New Year Celebrations

26 Dec

Kids enjoy traditional new year foods at JANM's 2013 Oshogatsu Family Festival. Photo: Caroline Jung.

Kids enjoy traditional new year foods at JANM’s
2013 Oshogatsu Family Festival. Photo: Caroline Jung.


One of the most important holidays celebrated in Japan is Oshogatsu, meaning “new year” in Japanese. A number of festive customs characterize Oshogatsu celebrations, including the preparation and eating of traditional new year foods called osechi-ryori.

Osechi-ryori are typically presented in ornate boxes called jubako. Each osechi dish has a special celebratory meaning. For example, kamaboko, or fish cakes, are placed in alternating rows of white and red, resembling the rising sun. Ebi are prawns cooked in sake and soy sauce; with their long beards and bent waists, prawns symbolize a wish for a long life. Kuri kinton, or puréed sweet potatoes kneaded with sugar, is an auspicious dish believed to bring wealth because the sweet potatoes look gold in color.

JANM volunteers work hard to prepare the osechi-ryori tasting every year.

JANM volunteers work hard to prepare the osechi-ryori tasting every year.

Another food-oriented new year custom is the making of rice cakes, or mochi. Although mochi is now commonly sold and eaten year-round, it is traditionally a Japanese new year food, made in a ceremony called mochitsuki. Boiled sticky rice is put into a wooden, bucket-like container and patted with water by one person while another person hits it with a large wooden mallet. Pounding the rice eventually forms it into a rice cake.

The mochi is then made into a decorative item called kagami mochi (sometimes called okasane), formed from two round mochi cakes with a Japanese orange (daidai) placed on top. The name daidai is auspicious because it also sounds like the Japanese phrase meaning “generation to generation,” evoking long life and the continuity of the generations. The mochi itself symbolizes the past year and the year to come; thus, kagami mochi signifies the continuity of the family over the years.

Lucky new year foods await JANM members at Oshogatsu!

Lucky new year foods await JANM
members at Oshogatsu!

Similarly, soba (buckwheat) noodles, with their strands that seem to go on forever, are also eaten for good luck and longevity. One must finish one’s bowl before midnight however, or face a year of bad luck!

JANM’s Oshogatsu Family Festival, happening on Sunday, January 4, 2015, adapts many of the customs associated with Japanese new year festivals. Featured activities include a special osechi-ryori tasting for members only, a soba noodle sampling, and a mochitsuki ceremony by Kodama Taiko that’s open to all. Bring the whole family and ring in the Year of the Sheep, JANM style!

This little girl is going to have good luck in the coming year.

This little girl is going to have good luck in the coming year.

Set Your New Year’s Resolutions with the Help of Daruma Dolls

19 Dec

Want a Daruma doll to help you set some 2015 goals? Join us for Oshogatsu on January 4th, where you can make one!

Want a Daruma doll to help you set some 2015 goals? Join us for Oshogatsu on January 4th, where you can make one!

 

The new year is almost upon us! What better time to set some goals and start hoping for a 2015 that is filled with good fortune and wishes come true?

In Japan, the Daruma doll is a traditional figure that helps people with their new year hopes. When a Daruma doll is new, it just has two white circles for eyes. The doll’s owner must make a wish or set a goal while drawing in one of the pupils. When the wish comes true or the goal is accomplished, the owner can fill in the second pupil, giving the doll a complete set of eyes.

Plenty of Darumas to be had in the Museum Store.

There are plenty of Darumas to choose from at the JANM Store.

 

This Daruma, situated in the JANM lobby, helps attract money to support the museum's programs.

This Daruma, placed in the JANM lobby, helps attract money to support the museum’s programs.

The Daruma doll was inspired by the Indian priest Bodhidharma, who founded Zen Buddhism in the 6th century BC. According to one version of the story, Bodhidharma sat in silent meditation for nine years without moving or blinking his eyes. This lack of movement caused him to lose the use of his arms and legs, which is why Daruma dolls don’t have limbs. Despite this fact, the dedicated priest continued to travel through China to spread his teachings; thus, the Daruma is seen as a symbol of determination and perseverance. If you try to push a Daruma over, he will spring right back up!

Perhaps you’ve seen Daruma dolls before. If not, all you have to do is take a look around Little Tokyo and chances are good that you will spot a Daruma or two… or more! The JANM Store is stocked full of Darumas just waiting for their new owners’ wishes and goals. You can even make your own by joining us for the Oshogatsu Family Festival on January 4, where I will be leading a Daruma doll-making craft table.

As you look around the exhibition Hello! Exploring the Supercute World of Hello Kitty, be sure to keep an eye out for this little Hello Kitty Daruma!

When you visit the exhibition Hello! Exploring the Supercute World of Hello Kitty, be sure to keep an eye out for this little Hello Kitty Daruma!

 

Even socks can be found in the Museum store.

These clever Daruma socks put good luck on your feet.

 

Can you spot Hello Kitty bobblehead's little Daruma friend?

Our Hello Kitty x JANM bobblehead even has a little Daruma friend to keep her company.