Treasure of Today

Greetings!  My name is Jenni Nakamura. I am one of three Getty Multicultural Undergraduate Interns, here at the Japanese American National Museum, working in the Media Arts Center. Over the next 10 weeks, I will be shooting, editing, transcribing and learning as much as I can from John Esaki and Akira Boch (and the rest of the National Museum staff!).  I am a 4th year Asian American Studies major at UCLA.  My interests are culturally relevant social services within the Asian American community and my passion is to explore the use of visual arts to preserve and give light to hidden personal histories and community issues.   It is an immense blessing and gift to be a part of the family here for the summer!

“Yesterday is history, tomorrow a mystery, but today is a gift. That’s why it’s called the present.”

I remember coming to the Japanese American National Museum as a young girl. Promises of Suehiro lunch and green tea ice cream afterwards were icing on the cake.   I remember walking through the historic building with the dark rooms and brightly lit displays.  I can still here my grandmother’s voice recalling the sights, sounds, tastes and feelings of those painful years for her family and countless others.  I remember when the new building was built and my grandparent’s excitement as I ran around Common Ground with my nose pressed up against the glass, as if to soak up a century’s (and more!) worth of history.  I remember walking into the barrack display for the first time – speechless, like stepping into a silent memory that was finally gaining a voice.  I remember watching home videos (“Something Strong Within”) on the walls of the exhibits, like windows in a time machine, doors to moments that will never replay…

Though seemingly fragmented, these pieces form an intricately woven puzzle that have led me to this moment.  To be sitting here in the Media Arts Center, is like a complete picture: media, Japanese American history, stories of the past, and Little Tokyo.  I’m amazed and thankful for all that has transpired to be here, now – just another part of a continuing journey – destination to be determined.  Thankful and excited for these upcoming weeks, for the stories to be heard, the lives that will intersect and the hope that comes from reflecting on the struggle our community has endured.

Standing here at a crossroads with the end of my undergraduate career in sight, I realize that this moment would not be possible without the intersection of my past, my heritage, my history and the mysterious, but hopeful futureToday, indeed, is a gift and a blessing – a treasure.  My time at the museum has been just that.  From lunch time conversations with the staff and volunteers of “the good ol’ days”, to sifting through video footage and transcriptions of people from the community with whom I have worked or have read about in my Asian American Studies classes – my time here at the museum has almost been like a returning to a family that I’ve always had a connection to but never fully known.  A return to the place where this seed, of passion, of hope, of joy through visualizing and capturing the histories and struggles of the past was planted and is continuing to blossom…

Chris Komai, George Takei, and Akira Boch

Happy Birthday George!

Happy 75th Birthday to George Takei! The Japanese American National Museum congratulates George and thanks him for all he does for our institution, our community, and our country. Not every celebrity is as civic minded as George, but he has always made himself available when possible to support good causes and to speak out against prejudice and discrimination.

Chris Komai, George Takei, and Akira Boch
George Takei with JANM staff members Chris Komai & Akira Boch

A lot of people know George was on Celebrity Apprentice this year and then got “fired” by Donald Trump. What people probably haven’t heard is that viewers of the program responded to the classy and respectful way George conducted himself on that program and his refusal to blame anyone else. He took responsibility and then with great dignity left the program.

Since George had designated the JANM as his charity, viewers made donations in George’s honor to the Museum right after he was let go.

Today, George is working very hard at creating a musical telling the story of what happened to George, his family, and thousands of innocent Japanese Americans during WWII. The government forced our families to leave their homes and over 120,000 were imprisoned. George knows that it is important that story is shared by all Americans, so he is trying to get “Allegiance” to Broadway.

Happy Birthday, George. You are a great American!

Drawing the Line videos all online!

There’s just one more month to see Drawing the Line: Japanese American Art, Design & Activism at JANM!

If you’d like a taste of what is in the exhibition, all of the  Drawing the Line artist videos are online now. You can check them out on our YouTube channel.

Here’s the video of musician and dancer Nobuko Miyamoto, founder of Great Leap.

If you’re a fan of Nobuko, don’t miss her performance this coming Tuesday at the Los Angeles Contemporary Exhibitions:

Nobuko Miyamoto—What Can a Song Do?
Tuesday, January 24, 7pm
Los Angeles Contemporary Exhibitions, 6522 Hollywood Boulevard, Los Angeles, 90028.

Nobuko Miyamoto and Chris Iijima. Courtesy of Photographic Collections, Visual Communications. © Visual Communications.

Together with a group of guest musicians and activists from the 1960s/‘70s and the present, Miyamoto brings alive the dynamic moment when her 1973 album “A Grain of Sand: Music for the Struggle of Asians in America,” created a heartbeat for the Asian American Movement and shared rhythms with Black, Latino, and Native American cultural and political activists.

General admission is $10, students is $5, and it’s FREE for members of JANM and LACE! Tickets available at the door.

One last Drawing the Line update! We asked Yoshimi Kawashima (a former intern and current JANM volunteer!) to write an article about Gidra magazine for our Discover Nikkei site. Yoshimi is a current UCLA student active with the Nikkei Student Union (NSU), so thought she’d appreciate the assignment. We think she did a great job! GIDRA: The Voice of the Asian American Movement

Update (added 1/20/12): We’ve pulled together a Nikkei Album on our Discover Nikkei site with all of the Drawing the Line videos with brief summaries of each video. Check it out >>

“Common Ground” Volunteer Videos

Visitors to the museum often remark that what made their experience so special was getting to hear and talk to our volunteer docents. They share stories with our visitors that bring the artifacts in our Common Ground: The Heart of Community to life.

An ongoing project at the museum has been for our staff & interns in the Watase Media Arts Center, curatorial, and education units to work with some of our volunteers to develop 30 second (approximately) short videos talking about their favorite artifacts from Common Ground. The project is part of an ongoing effort to examine and re-envision the role the Museum and our volunteers will play in the 21st Century.

This is a wonderful project to record and share the stories especially of some of our older long-time Nisei volunteers while they’re still active at the museum.

We’re now up to 25 volunteer videos online. The most common artifact selected is the Heart Mountain barracks which makes an appearance in 3 videos. Although most are World War II-related, several are about pre-war Issei and Nisei life. While many are very poignant, some are humorous, like Marion Wada’s selection of a Hershey’s chocolate tin which recalls fond memories of childhood prior to WWII.

For those connected with the museum or have gone on tours here, you’ll recognize a lot of very familiar and dear faces. I’ve included a few of the more recent videos here, but you can view all of the videos from our Discover Nikkei website or on YouTube. Which ones are your favorites?

We’d like to thank the participating volunteers for sharing their personal stories: Ike Hatchimonji, Charlene Takahashi, Icy Hasama, Marion Wada, Mary Karatsu, Hitoshi Sameshima, Bill Shishima, Nancee Iketani, Ben Tonooka, Pat Ishida, Bob Uragami, Babe Karasawa, Yae Aihara, Richard Murakami, Yoko Horimoto, Jim Tanaka, Tohru Isobe, Mas Yamashita, Robert Moriguchi, Kathryn Madara, Kent Hori, May Porter, Eileen Sakamoto, Lee Hayashi, and Roy Sakamoto.

Funding for the Nisei Oral History project was provided by grants from the National Park Service and the California State Library through the California Civil Liberties Public Education Program.

Support for volunteer programming was generously provided, in part, by Toyota Motor Sales, U.S.A., Inc., The William Randolph Hearst Foundation, and The Ralph M. Parsons Foundation. The internships were provided through the Summer 2010 Getty Grants Program for Multicultural Undergraduate Internships to Los Angeles Area Museums & Visual Arts Organizations.

 

Car designer Larry Shinoda

When you walk into the museum now, one of the first things you notice as you enter the front doors to the Pavilion is a 1963 Corvette Sting Ray. I pass by the car every day on the way to my office, and I always see visitors stopping to admire it.

Photo by Gary Ono

But why a Corvette in the Japanese American National Museum?

It’s because it was designed by Japanese American automotive designer Larry Shinoda, and it’s part of the Drawing the Line: Japanese American Art, Design & Activism exhibition on view through February 19, 2012.

Untitled drawing (Stingray), Larry Shinoda. Pencil on paper. Gift of the Shinoda Family, Japanese American National Museum (2003.124.3).

Upstairs in the exhibition galleries, we also have a number of his original drawings and sketches of various other cars he designed like the Mako Shark concept car, and the Boss Mustang. There’s also a bunch of historic photos, trophies, and other memorabilia that were donated to the museum by his family after his passing in 1997.

I have to admit that I don’t know much about cars, but the aerodynamic sporty style is very cool to see, and his personal story is very interesting too. His father died when he was a young child. From early on, he was always interested in cars and in drawing. He and his family were incarcerated at Manzanar during WWII. After the war, he grew up in Southern California where he built and raced cars, leading to his work designing and building cars.

The Watase Media Arts Center created a video about Shinoda for the exhibition with interviews with his sister and a long-time good friend:

The video is included on the exhibition DVD available for purchase through the Museum Store: Drawing the Line: Japanese American Art, Design & Activism in Post-War Los Angeles (DVD) >>

By the way…Shinoda didn’t just design cars. He also worked on pretty much anything that moves such as Roger Penske’s race trailers, motor homes, tractors, big rig trucks, and even the Goodyear Blimp logo. And for those who were wondering…no, he’s not related to the other famous Shinoda that we have featured at the museum!

One more bit of trivia…the wedding dress currently on display in our Common Ground exhibition was made by Larry Shinoda’s mother!

GIDRA magazine

Our award-winning Watase Media Arts Center recently produced ten new videos for the Drawing the Line: Japanese American Art, Design & Activism exhibition (on view through February 19, 2012).

For those who can’t make it down to see the exhibition or prefer to watch it from the comfort of your own home, we will be sharing them online over the next few months.

The first video up is about Gidra, the seminal magazine of the Asian American movement published from April 1969 to April 1974.

We also have scans from 4 full issues on Discover Nikkei:
April 1969 (first issue) | January 1971February 1973April 1974 (final issue)

For those of you who worked on, contributed to, or read Gidra, please take this survey: Did you Gidra survey >>

* * *

We’ll be posting new videos weekly. So check back for the links.

We’re pulling them together into a Drawing the Line playlist on our JANM YouTube channel too.

All of the videos are also available on DVD from the Museum Store: Drawing the Line DVD >>

“Farewell to Manzanar” screening with Director John Korty!

Our Farewell to Manzanar screening is coming up this Sunday! The special guest will be Director John Korty who will participate in a Q&A following the screening.

One of our volunteers recently interviewed the award-winning director for our Discover Nikkei website about how he got into filmmaking, and about making Farewell to Manzanar into a film.

Read the interview >>

* * *

If you haven’t already purchased tickets for this special screening, here’s the info:

Farewell to Manzanar screening
Japanese American National Museum
Sunday, October 23, 2011 • 2pm
Join Director John Korty for a Q&A following the screening!

$25 Members; $30 non-members, includes admission and a complimentary copy of the DVD.

Purchase tickets >>

* * *

If you can’t make it to the screening, you can also order copies of the DVD from the Museum Store. The DVD includes bonus features: the Remembering Manzanar documentary created for the Manzanar National Historic Site; and an interview with Jeanne Wakatasuki Houston from when she was honored at the Museum’s 2006 Gala Dinner.

Order the DVD from the Museum Store >>

View video clips from the interview on Discover Nikkei >>

NEW! How to do your own oral history interview tutorial on Discover Nikkei

Have you ever wanted to record the history of your grandparents, your parents, or other people in your life?

In 2009, Cole Kawana was a sixth grader at Seven Arrows School. His assignment was to do a service-learning project, and so with the help of his extended family, he conducted an oral history interview with his great-uncle, Arthur Ichiro Murakami, who is a Hiroshima atomic bomb survivor.

In addition to the oral history, he decided to create a video tutorial so that he could teach and encourage his fellow students to try it for themselves.

His video tutorial was shown as part of Xploration Lab this past spring. It’s now also on the Museum’s Discover Nikkei website.

We’ve split the tutorial up into segments, with each one going over different steps in the process, including equipment, preparation, conducting the interview, and follow-up.

In addition to Cole’s tutorial video clips, we’ve added a downloadable checklist and sample release form. We’re also working on sample questions and translating everything into the other site languages (Japanese, Spanish, and Portuguese).

At the end of the page, you can view the interview that Cole conducted with his great-uncle, plus links to additional online oral history resources.

Check out the tutorial on Discover Nikkei >>

Many thanks to Cole and his family for letting us share his video! Thanks to Sam Arbizo, Esther Newman, Yoko Nishimura, and Geoff Jost for working to get the tutorial online!

 

“Farewell to Manzanar” release on DVD

After 35 years, Farewell to Manzanar will FINALLY be available for people to buy!

In 1976, the made-for-TV movie was shown on NBC, directed by John Korty from a screenplay written by the original authors of the book—Jeanne Wakatsuki Houston and her husband James D. Houston. It was a film made for a mainstream audience using Japanese American actors and many crew, something that is still pretty unheard of today.

There were several reasons why it was never re-broadcast, and only rarely shown after its initial viewing. It was also never made available for sale for the public, despite constant requests from the community, as well as from many educators who use the book in their classrooms as part of their curriculum.

Personally, I’m really excited about the release on DVD because I’ve never actually seen it. I do remember reading it in junior high school for a class assignment, and I’ve heard about the film version so many times. I used to work in the Museum’s Store for many years, and one of the most consistent (and persistent) questions I got year after year was whether we had it for sale. I’m so glad that I can now finally say “Yes!”

FAREWELL TO MANZANAR SCREENING

The Museum is doing a special screening of Farewell to Manzanar on Sunday, October 23 at 2pm in the Democracy Forum. Join special guests for a screening and Q&A. Tickets are $25 for Members or $30 for non-members, and includes Museum admission and a complimentary copy of the DVD. Purchase tickets for the screening >>

You can also order the DVD from the Museum Store >>

LEARN MORE

We asked Esther Newman, one of our volunteer writers, to write a series of articles about the film for our Discover Nikkei website. The first one was published today: Farewell to Manzanar on DVD—Timeless and Timely

Additional pieces will look at director John Korty and the actors in the film.

30-second volunteer videos

Our volunteers are amazing. They continually inspire us with their dedication and enthusiasm. They are even willing to step outside their comfort zones if it means helping the museum to share the important stories of the Japanese American experience.

Since last summer, staff at our Watase Media Arts Center along with interns and volunteers have been working on a series of digital shorts that record many of our docents and other volunteers. The videos share the volunteer’s personal stories related to artifacts from our core Common Ground: The Heart of Community exhibition.

We’re collecting them together for easy access on our Discover Nikkei website. There are already 15 of the videos online, with more being added almost weekly.

Check out the volunteer videos on Discover Nikkei:

The 21st Century Museum: Significant artifacts selected by Japanese American National Museum Volunteers
http://5dn.org/janm-vols

Volunteers featured so far: Bob Uragami, Babe Karasawa, Yae Aihara, Richard Murakami, Yoko Horimoto, Jim Tanaka, Tohru Isobe, Mas Yamashita, Robert Moriguchi, Kathryn Madara, Kent Hori, May Porter, Eileen Sakamoto, Lee Hayashi, and Roy Sakamoto.

Here are the three most recently uploaded videos: