Look out, Little Tokyo! On Thursday, October 25, Godzilla will rise from the briny deep when we screen the original 1954 Japanese version of the movie on our outdoor plaza. To celebrate, we’ve put together five fun facts you might not know about the greatest city-destroyer of all time.
1. Godzilla was originally known in Japan as Gojira. The name came about in the early stages of planning the movie because the prehistoric sea monster was described by its creators as a cross between a gorilla (gorira) and a whale (kujira).
2. Ishiro Honda, director of Godzilla (Gojira) and co-creator of the character, later assisted renowned director Akira Kurosawa in making films. The men became friends in the late 1930s when they were both employed by Toho Studios. Honda and his team created the kaiju movie genre, but by the late 1970s, this type of sci-fi film had fallen out of favor and suffered from lackluster box office returns. Honda then became an assistant on Kurosawa’s last five films between 1980 and 1993.
3. Composer Akira Ifukube created Godzilla’s distinctive roar by rubbing a pine-tar-resin-coated glove along the string of a double bass and then slowing down the playback. The roar has changed over the course of more than thirty remakes and sequels but all pay homage to the original.
4. George Takei got his start in the film industry by doing voice-over work for the 1956 kaiju movie, Rodan also directed by Ishiro Honda. You can also listen for the unmistakable voice of the Star Trek legend and JANM Trustee in the English-language version of the second Godzilla film, Godzilla Raids Again.
5. An actual dinosaur was named after Godzilla’s Japanese name, Gojira. Gojirasaurus was discovered in 1981 in the Cooper Canyon Formation near Revuelto Creek, New Mexico. The scientists who discovered the enormous fossil thought it was fitting to name the dinosaur after the fictional monster. One of the largest meat-eating dinosaurs known from the Triassic Period, Gojirasaurus was estimated to be about 18 feet long and 330–440 pounds!
Need more Godzilla in your life? On November 25, at 1:00 p.m., author Steve Ryfle will be at JANM to discuss and sign copies of his book, Ishiro Honda: A Life in Film, From Godzilla to Kurosawa, is the first to take a look at the director’s life and career. Ryfle highlights Honda’s work and his background, including days spent as a Japanese soldier, experiences in the aftermath of Hiroshima, and his friendship with fellow director Akira Kurosawa.
Have you seen our newest exhibition? Kaiju vs Heroes: Mark Nagata’s Journey through the World of Japanese Toys centers around collector and designer Mark Nagata’s collection of vintage and contemporary Japanese vinyl toys. The exhibition delves into the rich history of these pop-culture artifacts and explores how these toys helped Nagata form connections to his cultural identity as an American of Japanese ancestry. The JANM Store offered several limited and exclusive toys for sale when the show first opened. That initial batch of toys sold out lightning fast but there’s still plenty of other merchandise related to the exhibition available.
Plus, on October 20, the JANM Store will release three more limited edition Nagata designed toys: a Captain Maxx figure, a glow-in-the-dark Tripus hand-painted by Nagata, and a one-of-a-kind hand-painted Tripus variant. These will be available only on-site at the JANM Store on a first come, first served basis. The release of these new toys coincides with Nagata visiting JANM that same day. From 11:00 a.m ˗ 12:00 p.m., he will be signing his toys as well as his book, Toy Karma: The Kaiju Toy Collection and Art of Mark Nagata, which features his illustration work as well as his toys. From 1:00 p.m. ˗ 4:00 p.m. Nagata will continue painting a kaiju sculpture he’s working on in phases. (It’s in the exhibition when not being painted.)
Even after October 20, the JANM Store will remain busy throughout the autumn season. Our Member Appreciation Days start on Friday, November 23 and last through Sunday, November 25. During this time, museum members can enjoy a 20 percent discount at the JANM Store and janmstore.com. Members also receive free museum admission and a 20 percent discount at several other Southern California institutions. Visit janmstore.com/membershopping for details, restrictions, and a list of participants that includes the California Science Center, Fowler Museum, Pasadena Museum of History, Skirball Cultural Center, and others.
Also, November 25, is the second annual Museum Store Sunday! The JANM Store is joining over 700 Museum Stores from all fifty states, ten countries, and three continents to provide an exceptional shopping experience. Select JANM products and publications will be 25 percent off, on-site only (you can remember this as 25 percent on the twenty-fifth). At 1:00 p.m., author Steve Ryfle will sign copies of his book, Ishiro Honda: A Life in Film, From Godzilla to Kurosawa. Honda is best known for directing the movie Godzilla and many other well-known kaiju movies. The films Honda directed mirrored Japan’s postwar anxiety and included cutting-edge specials effects. This formula appealed to audiences around the world and created an unstoppable popular culture phenomenon. This book is the first to take a look at the director’s life and career. Ryfle highlights Honda’s work and his background including days spent as a Japanese soldier, experiences in the aftermath of Hiroshima, and his friendship with fellow director Akira Kurosawa. We hope to see you here!
Become a JANM member and, in addition to the Member Appreciation Days noted above, enjoy free general admission to the museum, discounts on workshops and other ticketed events, access to Members Only events, a 10 percent discount at the award-winning JANM Store and janmstore.com, and much more. Join or renew now!
Our newest exhibition, Kaiju vs Heroes: Mark Nagata’s Journey through the World of Japanese Toys opens on Saturday, September 15 and showcases hundreds of dazzling vintage and contemporary Japanese vinyl toys, providing a feast for the eyes and the imagination! Kaiju translates to “strange creature” in English but has come to mean “monster” or “giant monster” referring to the creatures that inhabited the postwar movie and television screens of Japan. The advent of these monsters brought about the creation of characters to combat them—hence the emergence of pop-culture heroes like Ultraman and Kamen Rider. Drawing from the extensive vinyl toy collection of Mark Nagata, the exhibition also demonstrates how Nagata’s pursuit of these Japanese toys took him on an unexpected journey that brought new realizations about his cultural identity as an American of Japanese ancestry.
Growing up in California, Mark Nagata was a fan of Disneyland, comic books, and classic Japanese television shows, movies, and toys. These influences inspired his creativity and spurred his initial interest in drawing and art. After attending the Academy of Art College in San Francisco during the late 1980s, Nagata embarked on a 10-year-plus journey as a freelance commercial illustrator. In 2001, Mark transitioned from illustration to co-founding Super 7 magazine, a publication dedicated to vintage and art vinyl toys. Through his work on the magazine, Nagata combined his passion for Japanese vinyl toys with his artwork. It was during this period that Nagata founded the Max Toy Company in 2005 to produce vinyl kaiju and hero toys. Fast-forward to today, and not much has changed for this toy designer, painter, illustrator, and collector. We caught up with Nagata via email to ask him a few questions.
JANM: What is your favorite kaiju toy of all time?
Mark Nagata: To be honest, my favorite kaiju toy is actually a hero toy. It’s an Ultraman figure, made of soft red vinyl, produced by a Japanese company called Bullmark in the 1970s. Ultraman is my favorite hero and when I discovered that there was a very rare variation of this figure, the hunt was on. During one of my trips to Tokyo in search of toys, I actually found one but the price was very expensive. Even though my fellow toy friends were willing to let me borrow the money, sadly I had to pass on the chance to obtain it. For the next month after returning home, I couldn’t stop thinking of the figure. So, I decided to sell off a bunch of toys and contacted a dealer in Japan to see if the figure was still there for sale. Luckily, it was and they helped me to purchase it. Because the figure is fragile and expensive, I requested that they carefully wrap and pack the figure in a sturdy box and declare the full insurance amount when shipping it.
I waited what seemed like weeks for the figure to arrive. To my complete horror, the mailman handed me a shoe box that was partially opened, and inside the figure was barely wrapped in one piece of newspaper! I quickly examined the figure to make sure it was not broken and luckily it was in perfect condition. As I was throwing out the box, I glanced at the shipping label and once again was shocked to see that the declared insurance value was $5.00, not the value of $5,000! The story has a happy ending, but to this day I keep thinking of how lucky I was that it made it to me in one piece!
JANM: Where was the most unique place you bought a kaiju toy?
MN: Not really the most unique place, but I think using a fax machine to order toys from Japan was unique. Before email and the internet (yes, that long ago) I would buy toys via the fax machine. A dealer from Japan would fax me in the middle of the night (it was his daytime) with various toy offers. The next day I would circle what I wanted and fax it back to him. I’d still have to wait for another fax to me with payment information. Once I got the totals I had to get a postal money order and mail the payment to him. I’d wait a month for a box to arrive and sometimes a toy would be sold out by the time he got payment. In that case, I would end up with a credit with the dealer.
There was much more work involved to obtain Japanese toys back in those days. Now, with the internet, toy buyers can get a ”fix“ instantly. To me, the fun has been taken out of the searching and hunting process for these toys.
JANM: What is your favorite piece featured in the exhibition?
MN: I know I will get asked this question and to be honest it’s like picking your favorite child! In no particular order for the heroes: the Bullmark Red Ultraman figure, Marusan Talking Ultraman figure, and Ultraman costume. For kaiju figures, I would say the glow in the dark Bullmark Zazan figure, Bandai Barom One Doruge figure, and Bullmark Mirrorman Darklon figure.
Join Mark Nagata on Saturday, September 15, at 2:00 p.m., for a conversation with Marusan toy company President Eiji Kaminaga about kaiju toy history, the world of Japanese toy collecting, and their companies’ histories. (The Marusan toy company created some of the first vinyl kaiju and hero toys of the 1960s and these toys make up a significant part of Nagata’s collection). The conversation will be moderated by Brad Warner, who worked for 15 years at Tsuburaya Productions, the makers of the Ultraman television shows.
Following the discussion, Mark Nagata will sign copies of Toy Karma, an accompanying book by and about Nagata, as well as a 13″ x 19″ print (10″ x 17″ image size) featuring a kaiju and hero image by toy photographer Brian McCarty, who will also be signing the print. The book is $24.95 and the print is $50. Both can be purchased the day of the event. RSVP here.
Japanese American journalist James “Jimmie” Matasumoto Omura was one of the most outspoken dissidents against the mass incarceration of Japanese Americans during World War II. In brash and biting newspaper articles, Omura often criticized leaders in the Nikkei community for what he thought was their complicity concerning the actions of the United States government. While very strident in his criticism of forced incarceration, Omura also often wrote about his ire towards the US government’s decision to draft imprisoned Nisei into military service without addressing the violation of their human rights. As well, Omura was one of the first Japanese Americans to seek government redress for violations of civil liberties after World War II.
In his vividly written memoir scheduled for release on August 28, Nisei Naysayer: The Memoir of Militant Japanese American Journalist Jimmie Omura, he talks about being one of the most vocal Japanese American activists during and after World War II and how his critiques in Japanese American newspapers often meant being shunned by the Nikkei community. The main impetus for writing the memoir, Omura said, was to correct the ”cockeyed history to which Japanese America has been exposed.” He also writes about his early years on Bainbridge Island in Washington, the summers he spent working in the salmon canneries of Alaska, how hard it was to find work during the Great Depression, as well as how his early journalism career took him to San Francisco and Los Angeles.
Edited and with an introduction by historian Art Hansen, and with contributions from Asian American activists and writers Frank Chin, Yosh Kuromiya, and Frank Abe, Nisei Naysayer provides an essential, firsthand account of Japanese American wartime resistance.
Omura passed away in 1994, but Hansen, who is also professor emeritus of History and Asian American Studies at California State University, Fullerton, will be at JANM on August 25 at 2 p.m. to discuss the book and Omura’s life and work. Here we share a brief excerpt from a recently published Discover Nikkei article that goes more into detail about Omura.
Jimmie Omura was born in Washington in 1912, and later moved to Los Angeles. As a young man, he chose to pursue a career as a journalist. His star rose quickly in the journalism scene of the early 1930s while editing a variety of Nikkei publications. In these early days, he was not afraid to speak his mind. His publication the New World Daily gained critical acclaim for its elegant writing, but he also incited the ire of Japanese American Citizens League (JACL) supporters by criticizing its leadership. The JACL was already a powerful political influence on the West Coast at the time, and even in this pre-war period, its stature was not to be taken lightly.
When Omura continued to speak his mind into the 1940s, criticism of him began to escalate. The war was raging, and the JACL was no longer an organization that sought to promote the people and culture of varying regions within Japan. The JACL now had the responsibility to represent the entire Japanese American population. Because of this, the JACL became a force that had the ear of the national government. However, the JACL was divided in condemning the forced incarceration of Japanese Americans and did not fully use its voice to help prevent this atrocity.
Naomi Hirahara, the acclaimed author of the Mas Arai mysteries, is coming to the Japanese American National Museum on March 17. She will be discussing and reading from her most recent book, Hiroshima Boy, the last in a series of seven mystery novels featuring the Japanese gardener detective. The following is an excerpt of a new article by Kimiko Medlock about the book and Hirahara on JANM’s Discover Nikkei website.
In this final installment of Mas Arai’s adventures, the sleuth is getting older. His friend Haruo has died, and he travels to Japan to deliver Haruo’s ashes to his family on the small island of Ino near Hiroshima. Mas originally plans to hand his friend’s ashes over to his family, turn around and return immediately to the States—but as so often happens, his best-laid plans go awry when he discovers the body of a young boy floating in the island harbor, and returns to his room to find his friend’s ashes missing. Mas decides to stay on the island to solve the twin mysteries of the murder and the missing ashes.
Critics are praising Hiroshima Boy as “a wonderful finale to a fine mystery series,” and many also continue to ask whether Hirahara will change her mind and bring back the much-beloved Mas Arai down the road. But the author herself spoke with Discover Nikkei, and she is satisfied with the series’ close. Hiroshima Boy, the title a reference to both the murder victim in the story and to the protagonist himself, is a fitting end as it brings Mas back to his roots. “I knew that the last mystery needed to be in Hiroshima,” Hirahara said in our interview. Readers learn in Mas’s very first case, Summer of the Big Bachi, that Mas’s experience growing up in wartime Hiroshima and surviving the atomic bomb form a large part of his identity, so it is appropriate that his last escapade brings him full circle back to the source of those memories.
Hiroshima was a difficult place to set a mystery tale, however. The author herself is not intimately familiar with the prefecture, nor with how the comparatively less transparent police force operates in Japan. The setting thus presented a sizable challenge to Hirahara’s research and writing process. “I knew that the last mystery needed to be in Hiroshima,” she says, “but I was wary about writing a novel set in a place I have visited, but is not my home.”
To find out how Hirahara solved this challenge, read the full article here.
The author discussion with Naomi Hirahara on March 17 starts at 2 p.m. It is included with JANM admission but RSVPs are recommended.
Hiroshima Boy and other Mas Arai by Naomi Hirahara are available for purchase at janmstore.com.
Naomi Hirahara fans will want to check out Trouble on Temple Street: An Officer Ellie Rush Mystery, available exclusively on Discover Nikkei. LAPD bicycle cop Ellie Rush, first introduced in Murder on Bamboo Lane (Berkley), returns in this special serial. Chapters 1–7 are online now, with new chapters released on the 4th of each month through August.
Happy New Year! We hope everyone had a fun and relaxing holiday. Here at JANM, we’re excited to kick off 2018 with our annual Oshogatsu Family Festival, one of the biggest and most beloved JANM Free Family Day events. This year’s festival, taking place on Sunday, January 7, features readings, demonstrations, and book signings inspired by no fewer than four wonderful children’s and young adult books—three are hot off the press, and two revolve around dogs, the Asian zodiac animal of 2018. Who says the written word is dead? Read on for details on the featured publications!
At 11:30 a.m., join Santa Fe–based artist Joel Nakamura as he reads from and signs his new children’s book, I Dreamed I Was a Dog. Known for mixing motifs from folk and tribal art to create a uniquely infectious vision, Nakamura has won numerous awards for his commercial illustration work. His new book, inspired by his own dreams, depicts a young boy’s dreams of transforming into a variety of animals and transportation vehicles. Filled with the artist’s signature fantastical, eye-popping imagery, I Dreamed I Was a Dog is sure to delight young eyes. Says Nakamura: “JANM has been a big part of our family, so it is a great honor to participate in an event and share my book. Goes well with the Year of the Dog too.” You can also read an in-depth article about Nakamura and his work on Discover Nikkei.
The next book may very well bring tears to your eyes. At 12:30 p.m., one of our volunteers will read Yoshito Wayne Osaki’s My Dog Teny, an autobiographical tale about the author’s own dog, whom he had to leave behind when he was incarcerated at Tule Lake concentration camp as a child. After the war, Osaki went on to a long career as an architect, helping to rebuild many Japanese American communities, but he never forgot about his beloved dog Teny. Illustrated by Felicia Hoshino, this bittersweet children’s book ends on an affirmative note. Best of all, a portion of the sales proceeds go toward rescuing dogs!
Finally, fans of graphic novel superstar Stan Sakai will rejoice as he presents a drawing demonstration followed by a book signing at 1 p.m. Sakai is best known as the creator of Usagi Yojimbo, a rabbit ronin who roams through a historically accurate feudal Japan, getting into a variety of adventures along the way. It’s hard to believe that the award-winning Usagi Yojimbo comic was first created in 1984; after a whopping 33 years in business, the graphic tales are as fresh and popular as ever. There are several in-depth profiles of Sakai, a longtime friend of the museum, and his creations on Discover Nikkei; the most recent one is by curator and historian Meher McArthur.
Sakai’s two latest publications are Usagi Yojimbo Vol. 31: The Hell Screen and Teenage Mutant Ninja Turtles/Usagi Yojimbo. The former is the most recent collection of Usagi Yojimbo stories, featuring a battle with a mythical kappa monster as well as an encounter with a ghastly painting known only as the Hell Screen. The latter is the first TMNT/Usagi crossover comic in 20 years; the handsome hardcover edition includes many extras, including a reprint of the first crossover comic, sketches and notes from the artist, and collaborative cover art with Sergio Aragones, Kevin Eastman, and others. Please note that seating for this event is limited; interested guests must sign up at the information table.
For a complete Oshogatsu schedule, visit janm.org/oshogatsufest2018. All of the above books are available for purchase at the JANM Store and janmstore.com. As always, members receive a 10% discount. Happy reading!
The Japanese American National Museum sits in the heart of Little Tokyo, a fact that we who work at the museum have always been very proud of. Rich in history and yet filled with hip stores, cafes, and restaurants, the neighborhood dynamically bridges past and present, offering a memorable experience for shoppers, diners, and history buffs alike.
The holidays are a great time to come to Little Tokyo, and Go Little Tokyo has come up with this handy Holiday Guide to help you sort through all the choices. You can download it from their website to get a head start on planning, or you can just pick one up when you’re in the neighborhood. We have a stack of them at our front desk!
New Year’s is a big deal here in Little Tokyo, so be sure to check out some of the festivities that will be happening nearby. Again, Go Little Tokyo has helpfully assembled an online calendar for your convenience. And of course, don’t forget about JANM’s own annual Oshogatsu Family Festival on Sunday, January 7—one of the museum’s biggest and most beloved family day events!
As if you needed any more incentive, Go Little Tokyo is also holding a FREE DRAWING for a gift basket filled with $250 worth of treasures from Little Tokyo. To enter, just make a purchase at any of our neighborhood stores or restaurants between now and January 31, 2018. Snap a photo of your receipt and email it to firstname.lastname@example.org. One entry per receipt from a Little Tokyo business. We can’t tell you what’s in the rest of the basket, but we can whet your appetite with the contribution from the JANM Store, pictured below.
It’s hard to believe, but the holidays are now upon us. Thanksgiving is only a week away, and after that, it will be just a few short weeks until Christmas.
The JANM Store is always a great place to shop for the holidays, but this year the store has even more on offer than usual. Read on for details on all of our upcoming store events, which provide unique shopping options for all gift hunters.
This coming weekend (November 18–19), the JANM Store is hosting a Pre-Holiday Trunk Show featuring beautiful scarves, shawls, and accessories from Japanese textiles company NUNO and elegant, one-of-a-kind jewelry from LA–based designer Hisano Shepherd. Read our fascinating interview with Hisano, then come and peruse special products that you won’t find anywhere else. JANM members receive a 10% discount!
This year’s edition of Holiday MADness will be packed with special extras. On Saturday, November 25, Citron Clothing returns for another trunk show featuring their stylish and timeless apparel, made from the finest fabrics. (Note: member discounts do not apply to Citron products.)
And on Sunday, November 26, the JANM Store will be a proud participant in the Museum Store Association’s first ever Museum Store Sunday, a global event designed to highlight the unique retail experiences that only museum stores can provide. To celebrate, the store will be extending a 10% discount to anyone who shows a valid membership card from any museum, not just those participating in Holiday MADness. In addition, we will welcome award-winning children’s book author Allen Say at 2 p.m. for a book signing to celebrate the release of his new book, Silent Days, Silent Dreams. Members and Holiday MADness participants, purchase your copy at the store that weekend and get 20% off the cover price!
Finally, last but not least, we are celebrating Hello Kitty’s birthday all month with special discounts of up to 40% on selected Hello Kitty products. Perfect for stocking stuffers!
Hisano Shepherd has made a name for herself as an innovative designer of contemporary jewelry. Born in Japan but raised in both Tokyo and Los Angeles, Shepherd has had a passion for jewelry since she was a child, leading her to complete bachelor’s and master’s degrees in metalsmithing and jewelry making. She then worked her way up from the bottom of the jewelry industry, going from polishing and fixing costume jewelry to eventually making a mark with her own designs. Today, her unique and eye-catching work is making waves throughout the fine jewelry market.
On Saturday, November 18, Shepherd’s jewelry will be featured in the JANM Store’s Pre-Holiday Trunk Show. We caught up with the designer via email to ask her a few questions about her practice.
JANM: Your jewelry designs are very unique. Where do you get your inspiration?
Hisano Shepherd: When I launched little h jewelry in 2012, I made it my mission to reinvent the pearl. The pearl jewelry I saw in the market at the time was too classical in style and bored me. I began experimenting with the silhouettes of pearls and also began cutting pearls. My Pearl Geode collection was inspired by the naturally formed geodes that I saw at the Tucson Gem, Mineral & Fossil Showcase. When I cut the pearl in half and cleaned out the interior, I knew that I would be able to encrust gemstones to mimic the appearance of a geode.
JANM: Why are you particularly interested in pearls?
HS: My husband and I run a pearl jewelry company. I am the Chief Creative Officer and we travel around the world buying pearls. Because I source the pearls myself, I get to really cherry-pick the color, shape, size, and overtones. The more I learn about pearls the more I’m drawn in. Pearls cannot be created without great partnership between human and nature. I love the organic way they are grown and their variety of organic shapes.
As an artist, I also find it helpful to limit my medium. I challenged myself to only make jewelry with pearls, and I was able to carve out a niche position in the modern jewelry industry.
JANM: As a child, you split your time between LA and Tokyo. Do you feel that Japanese culture and aesthetics were a significant influence on you?
HS: Yes, absolutely! The culture is reflected in how I work. I can sit quietly for hours on end and concentrate on setting the stones and designing new collections. I think it came naturally for me. I’ve been taught to work hard and be diligent by my parents and grandparents.
Even though some of my pieces are ornate and colorful, I am drawn to simplicity and clean lines. It’s very aligned with Japanese aesthetics of expressing beauty with a minimalistic view.
JANM: How would you describe your own jewelry style? Tell us about some of your favorite pieces that you like to wear.
HS: I wear pearls every day, whether they are from little h or not. I like to layer them with thin, simple diamond jewelry, but pearls are always the focus.
My favorite little h piece is my ruby Grotto Collection pendant, for which I won an award from the Cultured Pearl Association of America. It was the first Grotto piece I made and I just love the soft bluish white color of the pearl with the contrasting bright red of the rubies.
My favorite pearl is a natural conch pearl. I have a pink conch pearl pendant that my husband gave me when we got married.
JANM: Are there any new projects or pursuits on the horizon that you’d like to tell us about?
HS: I am always pushing the boundaries and constantly experimenting with pearls. My latest collection is the Spiral Collection, which will be available in spring 2018. I was inspired by the circular lines formed by baroque pearls. I carved radially along the grooves of these circles and set small stones all around the indentation. It’s a bit more bold and masculine than my other collections and I love it. Depending on the piece, it reminds me of a halo, an aura, or even a scar. Sometimes the most artistic ideas can come from something grotesque. I take such ideas and make them into beautiful jewelry. I am enjoying the possibilities of expanding this collection.
Check out Hisano Shepherd’s stunning designs in person at the JANM Store’s Pre-Holiday Trunk Show on Saturday, November 18.
Staff members at JANM have been particularly excited lately about a new product being sold at the JANM Store: Karami, a unique salsa developed over 100 years ago by Japanese American immigrants in Colorado. In addition to being extremely tasty, the salsa (whose name means “beautiful heat”) offers a window onto a little-known piece of Japanese American history.
According to Karami’s website, the salsa came into being around the turn of the 19th century, after some enterprising Japanese immigrants settled in Colorado with their families. Finding themselves far inland without access to the ocean-based food staples of their native land, they were forced to be inventive with the resources they had. After sampling a variety of local vegetables, they found that the spicy green chile pepper made for the most viable substitute for seaweed. They mixed the green chiles with soy sauce and used it as a topping on rice, fish, chicken, and meats.
Generations of Japanese Americans who grew up in Colorado were known to keep a jar of the homemade mixture on their kitchen table. Every family had their own variation on the recipe. It was Jason Takaki’s family recipe that formed the basis of the product now known as Karami Japanese Salsa; with the help of his partner Kei Izawa, Takaki was able to turn his salsa into a viable business. For a detailed account of their journey, check out this Daily Camera article. For an early review of the salsa, see Gil Asakawa’s 2013 article on JANM’s DiscoverNikkei.org. For even more delicious historical details on Colorado’s Japanese salsa, check out this article on the Great Flavors website.
This writer sampled the product and was instantly hooked. Karami Japanese Salsa possesses a smooth, silky quality that I’ve never experienced in other salsas. An initial pleasingly sweet flavor soon gives way to a memorable kick that packs a low, slow-burning heat. I had it with tortilla chips and polished off half a jar before I knew it. Maria Kwong, JANM’s Director of Retail Enterprises and the person responsible for bringing us this salsa, tells me it’s great on hot dogs. Jason Takaki himself likes it best on fried rice.
A jar of Karami sells for $8 in our store; check it out the next time you’re at the museum. Please note this product is not available online.