We have a few spaces available in our introduction to udon making class with Sonoko Sakai!
Find out how to make real and delicious udon noodles! Wear close toes shoes with soft soles. Bring an apron and a tupperware to take home your udon. $75 members; $85 non-members, includes admission and supplies. RSVP early, 12 students max.
“Have a story? Write it, perform it, film it, or sing it. We all know everyone has a story to tell. I, for one, am delighted two Mixed Chicks created the festival four years ago. Held at the Japanese American National Museum in the heart of Little Tokyo, the festival is a home of sorts. It’s a safe place, a place where anyone can be whatever she wants to be.”
This just in… today’s (Saturday, June 18) sumi-e demonstration and workshop at 1 pm is now FREE with admission! Learn how to create a sumi-e painting, an art form that strives to distill the essence of an object in the fewest possible strokes.
On Saturday JULY 9, 2011, Year of the Rabbit: Stan Sakai’s Usagi Yojimbo opens to the public.
Admission is also free because July 9th is our Target Free Family Saturday! And for all you Stan Sakai fans–he will be at JANM for a demonstration, talk, and signing of his new book, Usagi Yojimbo Volume 25: Fox Hunt.
Last Sunday the National Museum teamed up with Great Leap for a day of environmental performances, workshops, and vendors. Check out some of the exciting pics by one of our favorite volunteer photographers Ben Tonooka!
Saturday (June 11th) is Target Free Family Saturday from 11 am – 4 pm! This month we join our neighbors at MOCA in celebrating Street Art. We have a full schedule of painting demonstrations, sketching workshops, and art making activities. Our friends from the Mixed Roots Festival will be taking part in the fun with some art making too.
I always have so much fun thinking about art activities for Family Day but, sometimes, something seems like a good idea at first but it needs to be tested and tweaked before putting it into action at Family Day. Yesterday I tried things out and made a few samples of our poster making and sticker printing activities for Saturday. Fortunately, everything worked out pretty well so, come on over! We’re ready! I can’t wait to see what the creative minds of our Family Day visitors will come up with. Hope you’ll join us!
I received my preview copy of Allen Say’s upcoming book yesterday and can’t wait to carry it in the Store. Drawing from Memory is based on his 1979 novel, The Ink-Keeper’s Apprentice, which was essentially a biographical account of the defining moments of an artist as a young boy. I read Ink-Keeper’s Apprentice after buying El Chino for my four-year-old child. (I really bought it for myself, because I was blown away by the story of a Chinese American bullfighter!) I wanted to know more about the author and to find other books by him. The story captivated me in its stark, straight-forward examination of life of a pre-adolescent living in post war Japan. It was a story that was at once very extraordinary, yet surprisingly familiar.
Drawing from Memory, the new book, is a fleshing out of Say’s story with the the talent which he has become best known for—his achingly beautiful paintings. He tells the real stories behind the novel, shares pictures and details of his friends and beloved sensei, Noro Shinpei, and also frames a picture of life in post-war Japan.
The visual look of this book shows the versatility of Say’s art—his command of color, line, framing, and storytelling—along with his keen sense of zen spareness. He knows how much is enough.
Here’s a link to the promotion Scholastic is doing with 65,000 librarians. Click on non-fiction. You’ll have to wait through two other promos, but you’ll be rewarded with a sneak peak at Drawing from Memory.
And mark your calendars because Allen Say will be here on September 17 for a Public Program and booksigning. (We will also have some of the original artwork on display that weekend!)
Nikkei newspapers like The Rafu Shimpo in Los Angeles and the Nichi Bei up in San Francisco have served important roles since the early Issei immigrants began establishing communities across the United States.
Last spring, our Discover Nikkei team began working on a project to share stories about some of these publications and organize a public program. On April 2, 2011, we presented “From Newsprint to New Media: The Evolving Role of Nikkei Newspaper” in the Tateuchi Democracy Forum in partnership with The Rafu Shimpo, Nichi Bei Foundation/Nichi Bei Weekly, Cultural News, and Nikkei Nation.
The program included a historical overview by Gil Asakawa and presentations by panelists Gwen Muranaka (Rafu Shimpo), Kenji Taguma, (Nichi Bei Foundation/Nichi Bei Weekly), Shigeharu Higashi (Cultural News), and George Johnston (Nikkei Nation). The presentations were followed by a moderated discussion and questions from the audience covering topics such as the coverage of the earthquake and tsunami in Japan, as well as local relief efforts; the viability of Nikkei media and the closing of some longtime newspapers in recent years; how can Nikkei media change to be relevant to younger demographics without alienating older generations; and the use and role of social media.
I often take for granted how easy it is to follow breaking news. To find out what happened during a raid on a compound in Pakistan, I can turn on a 24-hours news channel or click on a few links to get caught up.
But 50 years ago the medium of television was new. And 50 years ago today, the first buses of Freedom Riders (and three reporters) left Washington, D.C. and headed South to test Boynton v. Virginia, the U.S. Supreme Court decision that had desegregated interstate travel. What followed changed the course of the United States history.
JANM was honored to have been selected as the West Coast venue for this program and streamed the Webcast to a live audience of students from LAUSD’s Civitas School of Leadership and Ribet Academy. Following the Webcast, Dr. Robert and Mrs. Helen Singleton, two Los Angeles-based Freedom Riders, and Mr. Tamio Wakayama, a Japanese Canadian member of SNCC, were on a panel moderated by Dr. Sybil Jordan Hampton, a member of JANM’s Board of Trustees and herself an important figure in the Civil Rights Movement. We were star struck!!!
This has gotten us thinking about how the Freedom Rides impacted Japanese Americans, and especially how it may have emboldened those in the Redress Movement. What were the Issei, Nisei, and Sansei who watched these images broadcast on national television (just as that medium was becoming commonplace) thinking and feeling as they watched the buses burning, the cruel racism, and brave individuals standing up for what was right?
What would you have been thinking if you had been watching those Freedom Riders make their way South under the “protection” of Boynton v. Virginia?