A Vegetarian’s Guide to Dining in Little Tokyo: Going Vegan, Part 2

Rakkan’s vegan gyoza is very tasty and comes with a unique tomato salsa for extra flavor.
All photos by Sylvia Lopez.

Last week, we looked at some great choices for a filling vegan lunch in Little Tokyo. Today, we will explore vegan options in noodles and desserts!

Rakkan
359 East First Street

Rakkan Ramen is one of the newest restaurants to open up on First Street, just steps away from JANM, and they have some stiff competition. They are one of four ramen spots on that block alone! However, I think they give themselves a strong edge with their wide array of vegan-friendly options.

On the menu, you will find avocado sashimi, an avocado and tofu bowl (they had me at “avocado”), and a vegan gyoza, which is fried without being oily and has a delightful crispiness to it. In addition to all this, they also offer vegan ramen! Now, this is a big deal to me as ramen traditionally features broth made from pork or fish, and noodles made with eggs. As an amateur home cook, I know that you can get some of that umami flavor from kombu and dried shiitake, so it’s always great to see restaurants consider plant-based broths.

The Bekko Ramen at Rakkan.

At Rakkan, they will even provide a laminated card listing their ingredients, allowing curious guests with food aversions to order with some peace of mind. For vegans, you can order the Pearl, Bekko, or Ruby ramen. I had the Bekko, which had a savory miso broth, chewy wheat-based noodles, slices of bamboo shoot and mushroom, cubes of tofu, and fresh chopped scallions. The only thing that left me baffled was the slice of tomato included as a topping, but I’m nitpicking at this point because overall, I was impressed! Ramen is such a comfort food to me and while many think that vegetarians should be content with a salad, Rakkan has demonstrated that variety and substance are possible.

Bonus Tips for Noodle Lovers

For people with wheat sensitivity, there are also gluten-free noodles available at Rakkan. Don’t forget to also try My Ramen Bar’s vegetarian ramen, which features spinach noodles. And if you’re in the mood for a thicker noodle, Kagura, located inside the Japanese Village Plaza, also offers vegan and vegetarian soups—my favorite is their veggie udon.

PB&J or coconut? Which one to choose?!

Café Dulce
134 Japanese Village Plaza, Building E

While I did talk about Café Dulce in my first Vegetarian Little Tokyo blog entry, I come back to it with important news: they now offer vegan donuts! I repeat, DONUTS! This is kind of a big deal considering the fact that I often walk into the JANM staff lounge and see a pink box full of donuts that I could never eat, and can only stare longingly at. When I found out Café Dulce was offering vegan donuts, I was immediately on the case.

Because a staff member at the café is vegan, the owners decided to introduce two new donuts that are made without eggs or butter: the peanut butter and jelly donut and the coconut donut. Both are delicious, flavorful, and sweet without tasting like pure sugar. The PB&J was surprisingly refined; I was expecting a slathering of conventional peanut butter, but instead, you get a raised donut sliced in half, sealed together with just the right amount of jelly, and topped with crushed peanuts. The coconut donut is also raised, topped with a generous amount of thinly sliced coconut shreds, and drizzled with chocolate and nuts. Pair one of these donuts with Café Dulce’s signature coffee or tea, and you’re set for a break time treat!

The vegan coconut donut pairs well with Café Dulce’s signature drinks.

Bonus Tips for Sweet Tooths

Now let’s say you’re in the mood for something sweet, yet more representative of traditional Japanese culture. Head on over to Mitsuru Café, also located inside the Village Plaza. Here you can pick up a mitarashi dango—a sweet rice ball skewer topped with a warm, sugary soy glaze. You can also go to Fugetsu-Do (Little Tokyo’s oldest business!) on First Street, not too far from the plaza, and find a wide variety of mochi and manju that are crafted onsite.

Be sure to check out my other two blog posts (here and here) to learn more about vegetarian dining choices in Little Tokyo!

You can take a real-life vegetarian tour of Little Tokyo this Saturday, October 21, when our intrepid volunteer Roxane Lewis leads Edible Adventures: Vegetarian Little Tokyo. Purchase your tickets here.

A Vegetarian’s Guide to Dining in Little Tokyo: Going Vegan, Part 1

Tofu tacos topped with a vegan coleslaw, one of two bento options at Far Bar.
All photos by Sylvia Lopez.

Being vegetarian in Little Tokyo is getting easier than ever. Being vegan—which means eliminating all animal-related products from one’s diet and lifestyle—still offers a bit of challenge, especially when you have lunch meetings with coworkers and you don’t want to inconvenience them. While I will gladly take one for the team and just go with a salad on a lunch outing, I’m happy to report that there are some great vegan gems to be found in Little Tokyo—some recently added! In fact, I have so many tips to share that this blog post will have to be divided into two parts.

So if you’re thinking about taking more steps toward a plant-based lifestyle, or just want to try something different, read on for my suggestions, and don’t forget to check back next week for Part 2!

Sandwich Shop
123 Astronaut E S Onizuka Street, Suite 108

The vegan chicken banh mi from Sandwich Shop.

Located next to the Marukai Market in Weller Court is an inconspicuous little place: The Sandwich Shop. Their name says it all—they have sandwiches! I was excited to see that they actually have a vegan offering, and a hearty one at that. The vegan chicken banh mi includes pickled vegetables, jalapeño peppers, cilantro, and vegan mayo, all on a crisp baguette. The “chicken” is soy-based and marinated in a ginger sauce, giving it a delicious flavor that blends well with the other components.

This one made me nervous the first time I tried it because it was a little too much like the real thing. But if faux meat is your thing, or if you are an omnivore looking to add more plant-based meals to the mix, this is a great option that always hits the spot, especially when I’m on the verge of being “hangry.” They offer a variety of chips to choose from, so grab a bag along with your sandwich for the perfect lunchtime recharge.

Far Bar
347 East First Street

The Thai curry bento at Far Bar, my favorite of their two vegan bento offerings.

Just steps from JANM is Far Bar, a hip fusion restaurant specializing in craft beer, spirits, and enticing food. Its location in the historic Far East Building gives it a chic vintage vibe, making it a great spot to unwind after a long day. While their dinner menu includes a number of vegan specialties, I’m going to focus on their lunch offerings, which feature not one but two vegan bento plates: the Thai curry and the tofu tacos. Each bento comes with a vegan mushroom soup, edamame, a grain salad, rice, and fresh fruit, all for just $10.

My favorite, the Thai curry, has a variety of squash, carrots, and potatoes in a creamy broth with a hint of coconut and spice. The mushroom soup is light yet robust in flavor, and the grain salad is a nice, refreshing complement to the meal. The tofu tacos are tasty and a great example of Japanese-Mexican fusion, which this vegan Chicana working in Little Tokyo can really appreciate! Make sure you ask for hot sauce though as these tacos are very mild in flavor. I only wish you could order these bentos for dinner as well as lunch!

Next week: ramen and desserts!

Did you enjoy these tips? Come take a real-life vegetarian tour of Little Tokyo on Saturday, October 21, when our intrepid volunteer Roxane Lewis leads Edible Adventures: Vegetarian Little Tokyo. Purchase your tickets here.

“Transpacific Musiclands” Celebrates Japanese/Latinx Cultural Exchange and Collaboration

I have a friend in Tokyo. His name is Shin Miyata. For the past 17 years, Shin has been running an independent music label called Barrio Gold Records. He primarily distributes groups from across Latin America, but his specialty is Chicano music from East Los Angeles. He also brings bands from East LA to Japan to perform live.

Nobody else in Japan is doing this kind of work.

I met Shin back in 2000, when I had the opportunity to go with the band Quetzal to Tokyo to document their tour. I learned that Shin had lived in the East LA neighborhood of City Terrace as a college student in the mid-1980s, doing a study-abroad home stay. He had been deeply inspired by Chicano books, films, and music—specifically 1970s bands like El Chicano and Tierra—and he had come to LA because he wanted to experience the Chicano culture first hand. He even took Chicano Studies classes at East LA College.

Shin Miyata. Photo by Rafael Cardenas.

On a recent visit to Los Angeles, Shin told me that it was his dream to bring over musicians from Japan so they could perform with musicians from East LA. Specifically, he wanted to bring Japanese musicians that play different types of Latin music. He believed that audiences would appreciate the heart and soul they put into the music, and that it would be amazing to see this sort of collaboration.

Thus, the idea for Transpacific Musiclands was born.

The Japanese American National Museum, located in Little Tokyo just across the bridge from Boyle Heights and East LA, would be the perfect venue. Shin would curate the event, drawing on some of the many Chicano bands he has worked with, and also selecting musicians from Japan to participate. The event would celebrate his work as a cultural ambassador while also encouraging unity and collaboration during a time of great political and ideological division worldwide.

[youtube https://www.youtube.com/watch?v=dgTm2TivhlU&w=560&h=315]

Held in conjunction with the groundbreaking exhibition Transpacific Borderlands: The Art of Japanese Diaspora in Lima, Los Angeles, Mexico City, and São Paulo, Transpacific Musiclands will take over the JANM plaza on Saturday, October 14, 5–9:30pm. Featured acts will include Quetzal, El Haru Kuroi, and La Chamba. Conjunto J, a group from Osaka that plays Mexican border music, will join in, along with Tex Nakamura, East LA Taiko, and poets Luis J. Rodriguez and Ruben Funkahuatl Guevara. There will be DJ sets by Gomez Comes Alive and the man himself, Shin Miyata.

Each of the featured artists has benefited from Shin’s work, but they also share a deep affection for him. He has worked to create cultural exchanges and understanding between East LA and Japan for many years, and in doing so, has built a strong network of loyal friends.

Along with all of this incredible music, the Okamoto Kitchen food truck will be there, along with a beer garden by Angel City Brewery. Concertgoers will also be able to check out the exhibitions inside the museum till 8 p.m.

You can get your tickets right HERE.

Transpacific Musiclands is supported by Los Angeles County Arts Commission. It is
held in conjunction with the exhibition
Transpacific Borderlands: The Art of Japanese Diaspora in Lima, Los Angeles, Mexico City, and São Paulo, which is part of Pacific Standard Time: LA/LA, a far-reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California. Pacific Standard Time is an initiative of the Getty. The presenting sponsor is Bank of America.

JANM Works with Metro and Boyle Heights High School Students to Create Construction Phase Artworks for the Bunker Hill Neighborhood

Decorative banners created by the students of Boyle Heights High School can now be seen on Hope Street between 2nd and 3rd in downtown Los Angeles. All photos courtesy of the author.

The Japanese American National Museum was honored to be chosen by the Los Angeles County Metropolitan Transportation Authority’s Metro Art Program to participate in the design of decorative banners to cover the Regional Connector Transit Project construction site. Over a year in the making, the banners can now be seen on Hope Street between 2nd and 3rd, just around the corner from The Broad.

JANM was commissioned by Metro to identify professional artists to mentor local high school students in creating the artwork for the banners. We chose the wonderful Ako Castuera and Edwin Ushiro, both of whom have exhibited their work at JANM, to work with an excellent group of students at Boyle Heights High School.

Led by Steve Brye, students from Boyle Heights High school
take a walking tour of the Bunker Hill neighborhood.

Students were first asked to learn about the history and iconography of the neighborhood so they could incorporate it into their art. We took a walking tour of Bunker Hill, during which the students documented the area with sketches and photographs. The tour was led by Metro’s Senior Transportation Planner Steve Brye, who is a longtime resident of Bunker Hill. Students then reviewed their own images as well as some historical photographs, and came up with imagery that was inspired by Bunker Hill past and present. Ushiro worked to compile their artwork into larger pieces for the banners.

The students go through the photographs they took while on their tour.

During the course of this project, JANM staff had the opportunity to visit the students at their school in our neighboring community of Boyle Heights and the students came to visit us here in Little Tokyo as they created art inspired by Bunker Hill. I can’t help but think how great it is that we’re in Los Angeles, where so many diverse and interesting communities can intersect to create something that makes our city a little brighter. The next time you’re in the Bunker Hill area, be sure to check out the work of the students from Boyle Heights High School!

Thank you to Metro, the students of Boyle Heights High School, Principal Leigh Ann Orr, Ako Castuera, and Edwin Ushiro. We had a great time working with you all!

More about the Regional Connector Transit Project: metro.net/projects/connector
More about the Metro Art Program: metro.net/art

Scapegoat Cities: New Podcast Explores Japanese American Incarceration

Podcast logo by Kelsea Bauer. The design combines a bonsai tree with the scales of justice.

The following guest blog post, announcing the launch of a new podcast exploring the World War II incarceration of Japanese Americans, is contributed by Eric Muller, a law professor and longtime friend of the museum.

After the election of Donald Trump, many people were asking themselves: “How can I help counter what lies ahead?” I decided to create a podcast called Scapegoat Cities, which is launching today.

The idea is simple. Over the course of two decades of deep research in the National Archives for my books and articles, I’ve gathered many touching but unknown stories of the forced removal and imprisonment of Japanese Americans during World War II—stories that put a human face on the gross miscarriage of justice. Scapegoat Cities lets me tell a handful of those stories in an accessible and compelling way.

I believe that if we want to ensure that something never happens again, we need to first ensure that we really know what it was that actually happened. That’s what this podcast is for: to help listeners know in detail and also feel how Japanese Americans experienced unwarranted confinement by the US government. My hope is that this will contribute in some small way to resisting the dangerous religious and ethnic profiling that the policies of the Trump administration threaten to enact. It will remind people of the real human costs of these seemingly abstract policies.

The first two episodes, available now, give a good idea of what the podcast will do. “The Desert Was His Home” tells the story of the disappearance and death of Otomatsu Wada, an elderly Issei, from the Gila River concentration camp in Arizona. In “The Irrepressible Moe Yonemura,” an extraordinary young man defies all odds and becomes one of the most popular and respected members of his class at UCLA. He brings the same indomitable spirit to his time at the Heart Mountain camp—and then he volunteers for wartime service as part of the renowned 442nd Regimental Combat Team. Both of these stories are based on real events that took place at those two camps. Each of the stories, in its own touching way, reveals something important about the nature and impact of confinement.

It’s surprising how much information survives that helps me tell these stories. I learned the story of the disappearance of the Issei gentleman from the records left behind by Gila River’s “Project Attorney,” the white government lawyer who both helped run the camp and who served as a legal adviser for inmates. The story was also extensively covered in the camp’s newspaper and in Arizona newspapers. I first learned about Moe Yonemura from the pages of the Heart Mountain Sentinel, the camp’s newspaper, and then discovered the UCLA campus newspaper and yearbooks and the narrative records of his battalion’s service in Italy online.

There are lots of ways to listen to the podcast. The easiest is to subscribe to the podcast on iTunes or wherever else you like to find your podcasts. You can also go to the podcast’s website, which has each episode available for download along with additional background information, including photographs and suggestions for further reading.

I hope people enjoy the podcast, and that those who do will leave a review on iTunes and tell their friends!

Eric Muller is a law professor at the University of North Carolina at Chapel Hill. The son of a Jewish refugee from Nazi Germany, Muller has for two decades focused his research and scholarship almost exclusively on the wartime removal and imprisonment of Japanese Americans. He’s published two monographs and a third edited volume as well as many academic articles. He’s also proud to have led the creation of the main historical exhibit at the site of the Heart Mountain concentration camp in Wyoming, which won museum awards.

Asian American Comic-Con’s Summit on Art, Action, and the Future

Asian American Comic-Con presented a Summit on Art, Action, and the Future at JANM on July 15. Below, JANM summer intern in public programs and media arts Leighton Kotaro Okada contributes a photo recap of the event.

A roundtable discusses the advancement of APIA women in the film industry.
All photos by Leighton Kotaro Okada.

The first Asian American Comic-Con, held in 2009 in New York City, marked the birth of new discussions in Asian Pacific Islander American (APIA) communities. Eight years later, the Comic-Con has returned to address new developments in APIA media production and representation.

JANM President and CEO Ann Burroughs with George Takei, Keith Chow, and Jeff Yang.

On Saturday, July 15, 2017, dozens of artists, comic fans, bloggers, movie lovers, writers, actors, “Trekkies,” and activists gathered at JANM under the common theme of APIA pop culture. Panels and roundtable discussions touched on various hot topics, including diversity, Asian American women in the film industry, and more. Panelists came from all over the country and represented a range of diverse opinions and experiences, each bringing a unique point of view and novel ideas on the future of APIAs in media.

Phil Yu, Keith Chow, George Takei, and Jeff Yang gather for a selfie at the event’s conclusion.

A roundtable titled “Woman Warriors: Reimagining Asian Female Heroes” gathered actresses, writers, and producers to discuss the advancement of APIA women in the film industry. Topics such as dragon lady and martial arts stereotypes, fighting for rich and novel roles, and the difficulties of working as both an APIA and a woman in the industry came up while answering questions such as “What should we expect in a rich, textured, powerful, and provocative APIA heroine?” and “What’s worked, what hasn’t, and why has it taken so damned long?”

George Takei receives the Excelsior Award for Art in the Service of Activism.

A highlight of the event was legendary actor and activist George Takei receiving the first-ever Excelsior Award for Art in the Service of Activism. Takei was especially happy to receive the award in the same building where he was married. He then joined author, culture critic, and New Frontiers: The Many Worlds of George Takei curator Jeff Yang and Angry Asian Man founder Phil Yu for a special live recording of a They Call Us Bruce podcast. The three talked about Star Trek, politics, and married life, ending with a discussion of “the good, the bad, and the OH MYYY of being George Takei.” Takei’s infectiously hearty laugh and constant joking kept the crowd roaring with laughter.

George Takei, Jeff Yang, and Phil Yu tape an episode of the podcast They Call Us Bruce.

Asian American Comic-Con’s Summit on Art, Action, and the Future was organized, emceed, and moderated by Nerds of Color editor-in-chief Keith Chow and Jeff Yang in cooperation with the Japanese American National Museum.

Leighton Kotaro Okada majors in East Asian Languages and Cultures with minors in Teaching English to Speakers of Other Languages (TESOL) and Songwriting at USC.

A Young JANM Volunteer Shares Her Impressions of the 2017 Pilgrimage to Manzanar

Joy Teruko Ormseth at JANM. Photo by Carol Cheh.

JANM recently welcomed Joy Teruko Ormseth to its volunteer ranks. Born in 2000 in Los Angeles and currently a student at Arcadia High School, Joy is, at 16 years old, one of our youngest volunteers.

This past April, JANM volunteers and staff organized a bus tour to join the annual pilgrimage to the site of the American concentration camp at Manzanar, where thousands of people of Japanese ancestry were confined during World War II. Joy, who had only briefly visited Manzanar as a child, decided to join the group. She graciously agreed to an interview, in which we learn about Joy’s family background as well as her impressions of Manzanar.

JANM: Why did you go on the Manzanar pilgrimage this year?

Joy Teruko Ormseth: I wanted to understand better about the whole situation because it was really hard for me to conceptualize what the people who were interned were going through. I obviously have never experienced that, and so it was hard for me to imagine having to go through that.

The JANM contingent poses for a group photo during the Manzanar Pilgrimage.
Photo by Ben Furuta.

JANM: What’s your family’s background?

JTO: My grandma was interned in Poston as a child, and my great-grandpa on my grandfather’s side was interned at Heart Mountain. But my grandfather was kibei [a Japanese person born in the United States but educated in Japan], so he was still in Japan during the war. I’m half Japanese, so this is all on my mother’s side of the family. My dad is Norwegian.

JANM: When you were growing up, did your grandparents share any memories of their time in camp?

JTO: Not my grandfather, since he was in Japan during the war, but my grandmother would always tell me about the dust storms at Poston, how they would wake up and there would just be sand everywhere. She also told me that her mother—my great-grandmother—was from an upper-class family in Tokyo, so the other mothers would kind of look down on her because she spoke a different dialect of Japanese. Also, other families were put off by our family because grandma’s elder brother Tom volunteered to serve in the 442nd [Regimental Combat Team].

Evelynne Matsumoto (née Watanabe), Joy Ormseth’s grandmother, in the 1950s.
Photo courtesy of Evelynne Matsumoto.

JANM: Did the other mothers look down on your great-grandmother because most of them were working class?

JTO: Yeah.

JANM: Why were they put off by the brother for joining the 442nd? I thought that was considered the height of honor and patriotism.

JTO: Grandma said the other families didn’t understand why he would volunteer, because they were put in camp [by the same government].

A replica of one of the barracks that once filled the Manzanar camp site. Photo by Ben Furuta.

JANM: Your grandmother sounds like she has an amazing memory.

JTO: Yeah, she remembers a lot. She has a really good memory. She even remembers stuff from before the war!

JANM: Was she your main connection to this history?

JTO: Yes, she was. Out of all her siblings, she’s the one who talks about it the most, and she’s the youngest. She also knows a lot because she became a teacher and she likes to research everything.

Interior of the recreated barrack. This structure is much safer and more comfortable than the original barracks were, due to the necessity of accommodating visitors. Photo by Ben Furuta.

JANM: Tell me more about your grandmother’s memories of Poston.

JTO: I know that my Auntie Mary, her sister, had a baby in camp who died because there wasn’t proper medical care. She had also lost a baby right after the bombing of Pearl Harbor. (My grandma had several siblings, and the oldest ones were a lot older than she was.)

JANM: Oh my God, that’s horrible. Were there any babies born who did survive?

JTO: Yeah, there was one daughter who’s still alive.

JANM: What did your grandma think of the food in camp?

JTO: Great-grandma worked in the mess hall. She always demanded that the family eat at least one meal together per day, to keep the family together. I think grandma said they ate a lot of Spam! She also told me that creamed chipped beef on toast was often served, which the inmates referred to as “SOS” (sh** on a shingle).

Representatives from the other camps made their presence felt with colorful banners.
Photo by Ben Furuta.

JANM: In total, who all from your family was in Poston?

JTO: My grandmother. Then there was Uncle Jack, Auntie Mary, and Uncle Tom, who joined the 442nd. My Uncle Harvey was the oldest of the siblings and he was already in the military—he was drafted before the bombing of Pearl Harbor and served in military intelligence. Another auntie, Alice, worked as a secretary in Minnesota during the war.

JANM: Did they find other families that they could get along with?

JTO: They never talked that much about other families. My grandmother did say that since she was so little, she never really considered the severity of the situation—she was just happy that she had other kids to play with. Before the war, they lived in Central California, and I guess there weren’t as many children around there. So when she went to camp she was like, there are all these kids here to play with!

Taiko drummers helped to kick off the ceremonies at the 2017 Manzanar pilgrimage, which was attended by more than 2,000 people. Photo by Ben Furuta.

JANM: How did you get connected to JANM?

JTO: My mother used to volunteer at the Little Tokyo Historical Society, so I grew up knowing a lot about Little Tokyo and JANM because my mom loves history, like my grandma. I just figured that I would like to volunteer here.

JANM: What volunteer duties are you taking up at JANM?

JTO: I’m still a trainee, so I’m still figuring out what I want to do. But last week, I volunteered at the HNRC (Hirasaki National Resource Center) and it was so cool! We have access to ancestry.com, and I didn’t know how many documents there were on that website. One of the other volunteers was showing me how to research everything. I find all the dates so interesting—it’s all just right there, right in front of you, but it happened so long ago.

JANM: What were your impressions of Manzanar?

JTO: It was really hard for me to visualize all the barracks, because obviously they’re not there anymore, but [the trip] did help me to understand a little better the thought process of the Issei, what they were thinking. It made me realize that they came to this country believing in the American dream—if you work hard, you can succeed—and when we were there, it was so isolated, so barren, it was like, is this the American dream that they came for? That made me really upset and frustrated, and helped me understand just a little bit what they were going through.

A barren landscape. Photo by Ben Furuta.

JANM: Was there anything from the ceremony that stuck out for you?

JTO: Well first of all that song “Sukiyaki”—I really liked it because it was a musical connection to the past that kind of made it more real. Also, Alan Nishio’s talk was very inspiring.

JANM: Are you interested in going on any more pilgrimages?

JTO: I’ve heard that Poston is really difficult to get to, but I might want to go there one day.

Camp Pilgrimages Are in Full Swing—And Historic Camp Newspapers Are Now Available Online!

The monument at Manzanar serves as a memorial to those who died there. The inscription reads “Soul Consoling Tower” in Japanese characters. Photo by Carol Cheh.

It’s summer, and to many in the Japanese American community, that means camp pilgrimage season. To honor the experiences of their forebears (and in some cases, their own experiences as children) and to help ensure that they never forget the grave injustices committed against their community during World War II, Japanese Americans and their allies are paying visits to the sites of several American concentration camps where persons of Japanese ancestry were imprisoned without due process following the bombing of Pearl Harbor in December 1941.

The vast majority were held in ten main camps run by the War Relocation Authority and located in remote, desolate areas throughout the United States: Amache (Colorado), Gila River (Arizona), Heart Mountain (Wyoming), Jerome (Arkansas), Manzanar (California), Minidoka (Idaho), Poston (Arizona), Rohwer (Arkansas), Topaz (Utah), and Tule Lake (California). (Additional camps and detention centers run by the Department of Justice or other government agencies confined special populations or served as holding centers.) As of this date, five of the ten main camps hold formal pilgrimage events. The pilgrimages to Manzanar and Amache have already happened; below are links to complete information about the pilgrimages yet to come.

Pilgrimage to Minidoka (Idaho): July 6–9, 2017
Pilgrimage to Heart Mountain (Wyoming): July 28–29, 2017
Tule Lake (California) hosts pilgrimages every other year; the next one will happen in 2018.

While the other five sites don’t hold formal events, they are also open to visitors. Topaz, in fact, has just installed permanent exhibits, and will have a ticketed grand opening for their museum on the weekend of July 7–8, 2017. With the exception of Gila River camp, permits are not required.

Not able to make it out to a camp site? Last month, the Library of Congress announced on their blog that newspapers self-published by Japanese Americans while they were imprisoned are now available online. These newspapers are amazing historical artifacts, offering up-close, first-person glimpses into what life was like inside of a camp. You’ll find accounts of daily activities, official camp announcements, editorials about important issues, reports on the exploits of Japanese Americans in the US military, and more. More than 4,600 English- and Japanese-language issues published in 13 camps are available and can be accessed here.

On April 29, a group of JANM volunteers and staff organized a bus tour to attend the 2017 Manzanar Pilgrimage together. Check this space next week for an exclusive interview with one of JANM’s youngest volunteers, 16-year-old Joy Ormseth, who made the pilgrimage with us.

JANM Appreciates Its Volunteers

Past and current winners of the Miki Tanimura Outstanding Volunteer Award and others gather for a group photo. L to R, standing: Richard Murakami, Teri Tanimura (daughter of the award’s namesake), Bill Shishima, JANM President and CEO Ann Burroughs, Irene Nakagawa, Nahan Gluck, Lee Hayashi, Babe Karasawa, Ken Hamamura, Carole Yamakoshi, Janet Maloney, Helen Yasuda, Roy Sakamoto, Hal Keimi, and Mike Okamura. L to R, seated: Bob Moriguchi, Marge Wada, Masako Koga Murakami, Bob Uragami, Ike Hatchimonji, and Julia Murakami. Photo by Ben Furuta.

Volunteers are at the heart of the Japanese American National Museum, an institution that was founded through a tireless grassroots volunteer campaign. Today, volunteers continue to play a crucial role in the museum’s operations: leading docent tours and representing the museum to our visitors, staffing the Hirasaki National Resource Center, helping to count and restock inventory for the JANM Store, helping to organize the annual Gala Dinner and Silent Auction, and leading activities for the School Visits program, among numerous other tasks. Some of our volunteers are camp survivors or descendants of camp survivors, providing a critical link to the past.

To recognize the outstanding commitment of our volunteer corps, JANM annually gives out awards to those volunteers who went above and beyond the call of duty in helping the museum fulfill its mission. On May 13, 2017, awards for outstanding service in 2016 were announced during our special Volunteer Recognition Event.

JANM Vice President of Operations/Art Director Clement Hanami presents the 2016 Administration Award to photographer Ben Furuta. Photo by Nobuyuki Okada.

Ben Furuta, who photographs many of our public programs, won the Administration Award, which recognizes outstanding service and achievement in an administrative/operational capacity. Sharlene Takahashi, one of our docents, received the Community Award, which is given for outstanding service and achievement in working with visitors, with the public, and in the community on behalf of the museum. The Program Award was given to Patricia Ishida and Linda Fujioka to recognize their outstanding service and achievement in educating visitors through public and school programs. And finally, the Miki Tanimura Outstanding Volunteer Award, named after a passionate volunteer who passed away tragically in 1992, was given to Ken Hamamura, who assists JANM in many different areas, including photo archiving and preparations for the last two National Conferences.

Sharlene Takahashi holds up her 2016 Community Award. Photo by Richard Murakami.
JANM Director of Education Allyson Nakamoto presents the 2016 Program Award to Patricia Ishida. (Linda Fujioka was also a winner of this award, but could not be present for the event.) Photo by Ben Furuta.
Ken Hamamura, center, holds up his 2016 Miki Tanimura Outstanding Volunteer Award, surrounded by members of his family. On the far left is Teri Tanimura, daughter of Miki, and on the right is JANM President and CEO Ann Burroughs. Photo by Ben Furuta.

Volunteers also receive pins to recognize the number of years of service they have given to JANM. This year, pins were given out as follows: One Year—Noreene Arase, Yoshiko Ehara, Teri Lim, Melinda Logan, Keiko Miya, Michael Okuda, Sandra Saeki, William Teragawa, and Tomi Yoshikawa; Five Years—Peter Fuster and Kyle Honma; Ten Years—Terri Kishimoto, Carol Miyahira, Grace Yamamura, and Mas Yamashita; Fifteen Years—Eiko Masuyama, Fred Murakami, Julia Murakami, Larry Oshima, and Mitsuyo Tanaka; Twenty Years—Marge Wada; Twenty-Five Years—Kimiko Oriba, Bill Shishima, and Helen Yasuda.

L to R, standing: JANM President and CEO Ann Burroughs; One-Year Service Pin recipients Yoshiko Ehara, Teri Lim, Melinda Logan, Michael Okuda, and Tomi Yoshikawa; JANM Board of Governors member Nikki Kodama. L to R, kneeling: One-Year Service Pin recipients Noreene Arase, Keiko Miya, and William Teragawa. Photo by Ben Furuta.
Ann Burroughs, left, with Ten-Year Service Pin recipients Terri Kishimoto, Carol Miyahira, Grace Yamamura, and Mas Yamashita. Ken Hamamura joins them on the right. Photo by Ben Furuta.
Ann Burroughs, left, with 15-Year Service Pin recipients Julia Murakami and Larry Oshima. 2016 Tanimura Award winner Ken Hamamura is on the right. Photo by Ben Furuta.
Ann Burroughs, 20-Year Service Pin recipient Marge Wada, and JANM Board of Governors member Gene Hanamori. Photo by Ben Furuta.
JANM President and CEO Ann Burroughs; 25-Year Service Pin recipients Kimiko Oriba, Bill Shishima, and Helen Yasuda; and JANM Board of Governors member Gene Kanamori. Photo by Ben Furuta.

As always, the staff at JANM thanks our volunteers from the bottoms of our hearts. Without their efforts, the museum would not be able to organize nearly as many programs or serve nearly as many visitors in its ongoing quest to promote understanding and appreciation of America’s ethnic and cultural diversity by sharing the Japanese American experience.

For information about volunteering with JANM, please visit janm.org/volunteer or contact volunteer@janm.org or 213.830.5645.

Mike Saijo Workshop Attracts Artists of All Ages

All photos by Ben Furuta.

This past Saturday, May 20, artist Mike Saijo, who is featured in the exhibition Instructions to All Persons: Reflections on Executive Order 9066, led a free art workshop titled Reconstructing Memories. The daylong drop-in workshop, held in conjunction with the exhibition, invited all JANM visitors to explore their connections to history and current events.

Saijo took a photograph of each interested participant, which he then printed onto a section of newspaper that the participant chose out of several available stacks. Guests completed the artwork themselves, with Saijo’s assistance, by mounting the print onto a wood panel with glue.

Visitors of all ages stopped by to participate in this simple yet provocative exercise. Each visitor was able to take home his or her own “self-portrait.”

Mike Saijo, a contemporary mixed-media artist based in Los Angeles, was recently profiled for JANM’s Discover Nikkei project. Read the profile here.