The Importance of Justin Lin and Other Asian American Cultural Pioneers

Next week, Big Trouble in Little Tokyo welcomes director Justin Lin to the museum for a tenth-anniversary screening of The Fast and the Furious: Tokyo Drift, followed by a panel discussion. Below, JANM Vice President of Programs Koji Steven Sakai reflects on Lin’s influence.

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When I was growing up in the 1980s and ’90s, there were zero Asian Americans on television, in movies, or in music. Okay, that’s not completely true, but it isn’t that far off. In fact, I remember playing G.I. Joe and turning one of the bad Asian ninjas (Storm Shadow) into one of the good guys.

Later, when I was thinking about becoming a screenwriter, I wasn’t sure it was possible since there wasn’t really anyone in the film and television world that I could point to and say, “That’s who I want to be like.” I didn’t believe it was actually a viable career, because if it was, why weren’t there more Asian Americans doing it?

It was around this time that three things happened in the world of Asian American pop culture. The Mountain Brothers, the first Asian American hip hop group signed to a major label, released their first album, Self: Volume 1, in 1999. They weren’t just a gimmick either; their album was an instant classic. Then, in 2001, Chinese American rapper MC Jin won seven freestyle battles in a row on BET’s Freestyle Friday. I tuned in at the end of every week to watch him, mesmerized by his skill. Finally, in 2002, Better Luck Tomorrow, the first feature film by Taiwanese American director Justin Lin, came out. It was one of the first Asian American movies bought by a major company.

Tokyo Drift smallAll three of these pivotal moments made me think I could make a career in the arts. But since I’m a screenwriter and producer, Justin’s accomplishment was especially meaningful to me. For once, there was someone I could emulate.

Justin has gone on to become one of the most successful Asian American filmmakers working today. And even with his success, he continues to support the Asian Pacific American community through his blog/YouTube channel YOMYOMF (You Offend Me You Offend My Family) and by always casting Asian Americans in major roles.

He has been an inspiration to me, and I would argue that he has also inspired an entire generation of Asian American filmmakers. For all of these reasons, I am honored to bring Justin Lin to JANM’s Tateuchi Democracy Forum, where he will participate in a panel discussion following a 10th-anniversary screening of The Fast and the Furious: Tokyo Drift, the first of four films he directed in the highly popular Fast and Furious franchise. This event, which is part of JANM’s Big Trouble in Little Tokyo series, will take place on Thursday, February 4, at 7 p.m.

Today, there are many more Asian Americans who are visible in popular culture. But I would argue that they all owe a gesture of thanks to pioneers like the Mountain Brothers, MC Jin, and Justin Lin, who helped make things a whole lot easier for those who came after them.

For more information about the screening or to buy tickets, click here.

Koji Steven Sakai is the Vice President of Programs at the Japanese American National Museum, where he has worked for over 12 years. In addition to his work at the museum, he has written five feature films that have been produced. Most recently, his debut novel, Romeo and Juliet vs. Zombies, was released by Luthando Coeur.

BIG TROUBLE IN LITTLE TOKYO: New Film Series at JANM Spotlights Asian American Film

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JANM’s Vice President of Programs, Koji Sakai, announces the launch of an exciting new Asian American film series at the museum.

During the last quarter of 2014, JANM’s Tateuchi Democracy Forum was the site of two sold-out screenings and panel discussions celebrating the thirtieth anniversary of the iconic film The Karate Kid and the tenth anniversary of Alice Wu’s romantic comedy, Saving Face. In December, it also hosted a well-attended screening of Tadashi Nakamura’s feature-length documentary, Jake Shimabukuro: Life on Four Strings, followed by an intimate talk and a live ukulele performance by Shimabukuro.

Now, in an effort to continue screening Asian American films, I am proud to announce a new bi-monthly film series called Big Trouble in Little Tokyo. To organize this series, JANM is partnering with Visual Communications, one of the premier Asian American media organizations; Angry Asian Man, one of the first and most influential Asian American blogs; and First Pond Entertainment, a consultation and distribution service for independent films that focuses on socially-driven documentaries and narratives that feature underrepresented communities in front of and behind the camera.

Starting next week, we will screen a film on the second Wednesday of every other month under the Big Trouble in Little Tokyo banner. The series will feature big Hollywood productions as well as small independent films, from the distant past and the more recent present, and will often include post-screening discussions with actors, directors, and others involved in the making of the movie. It will celebrate some important anniversaries, and most importantly, it will provide a venue for more Asian American films to be seen and appreciated.

TheJoyLuckClub Our first screening, taking place on Wednesday evening, February 11, will be The Joy Luck Club (1993), the film adaptation of Amy Tan’s bestselling novel, directed by Wayne Wang. Wang and stars Rosalind Chao and Tamlyn Tomita will be in attendance for a Q&A following the screening. On April 8, we will screen Big Trouble in Little China (1986), the cult film directed by John Carpenter that inspired the title of this film series. Post-screening panelists will include actors George Cheung and Gerald Okamura.

On May 13, we will have a very special screening in honor of Asian Pacific American Heritage Month: The Curse of Quon Gwon: When the Far East Mingles with the West (1916–17), a silent black-and-white film directed by Marion Wong. The Curse of Quon Gwon is the earliest known film directed by an Asian American, and one of the earliest directed by a woman. The evening will include a talk with filmmaker Arthur Dong, who preserved two reels of the historic film, which was later restored by the Academy Film Archive. Parts of the film are still missing.

As an Asian American filmmaker, one of the things that saddens me is the lack of opportunities and places to screen our films. That’s why as a JANM staff member and part of its programming team for more than five years, it has always been important to me to ensure that the museum can be such a place. JANM has hosted dozens of film festivals, from the Los Angeles Asian Pacific Film Festival to Outfest, and hundreds of screenings. Now we have a series to call our own. For complete details on upcoming screenings, please visit our Big Trouble event page.

National Asian American Theater Conference


The National Museum is honored to be one of the hosts the 3rd Annual National Asian American Theater Conference & Festival. Here is the schedule of performances that will be taking place here @ JANM:

National Center for the Preservation of Democracy (Tateuchi Democracy Forum)

June 23, 2011

7:00pm NAATCO: A Number by Caryl Churchill

9:00pm May Lee-Yang: Ten Reasons Why’d I’d Be a Bad Porn Star

June 24, 2011

7:00pm Brandon Patton and Prince Gomolvilas: Jukebox Stories

9:00pm Jason Magabo Perez: The Passion of El Hulk Hogancito

June 25, 2011

7:00pm May Lee-Yang: Ten Reasons Why’d I’d Be a Bad Porn Star

9:00pm NAATCO: A Number by Caryl Churchill

June 26, 2011

2:00pm Jason Magabo Perez: The Passion of El Hulk Hogancito

4:00pm Brandon Patton and Prince Gomolvilas: Jukebox Stories

For schedule information, visit www.caata.net/.

More Spaces Available in our Introduction Udon Making Class!

We have a few spaces available in our introduction to udon making class with Sonoko Sakai!

Find out how to make real and delicious udon noodles! Wear close toes shoes with soft soles. Bring an apron and a tupperware to take home your udon. $75 members; $85 non-members, includes admission and supplies. RSVP early, 12 students max.

For more information about Sonoko Sakai and her other workshops, visit www.cooktellsastory.com/.

Public Invited for Update on Regional Connector Plans

On June 29 at 6:30 pm, JANM will host a public meeting about the new regional connector plan here in Little Tokyo (Los Angeles).

From Blog Downtown:

“Little Tokyo, the community that had been most vocal during Regional Connector planning, got a preview of changes to its part of the rail line in January. The refined 1st and Alameda station takes up only half the space of the previous design, fitting into the northern half of the block bounded by 1st, Alameda, 2nd and Central. More importantly, it creates a gentle curve onto 2nd Street that could allow Metro to use open land at 1st and Alameda to insert the Tunnel Boring Machine (TBM) needed for construction of the underground line.”

To read the full article, go to: http://blogdowntown.com/2011/06/6281-public-invited-for-update-on-regional-connector

RECAP: Mixed Roots Film and Literary Festival

For the last four years, JANM is honored to be the host of the Mixed Roots Film and Literary Festival! Here is a sample of the blogs and stories out of this years fest!

www.honeysmoke.com/9883/mixed-roots-2/

Here is my favorite quote from the blog:

“Have a story? Write it, perform it, film it, or sing it. We all know everyone has a story to tell. I, for one, am delighted two Mixed Chicks created the festival four years ago. Held at the Japanese American National Museum in the heart of Little Tokyo, the festival is a home of sorts. It’s a safe place, a place where anyone can be whatever she wants to be.”

Check out this NPR story about the festival:  www.npr.org/2011/06/14/137174973/mixed-roots-festival-embraces-mixed-race-authors

Also, check out some pics: www.facebook.com/media/set/?set=a.10150635748970276.682967.345188765275

See you at next years Mixed Roots Film and Literary Festival!

Staff Sergeant Joe Hayashi

 

My wife and I recently moved to northeast Pasadena. While on one of my walks in the new neighborhood, I was pleasantly surprised to find a memorial to not only a Japanese American Veteran but Medal of Honor Winner Staff Sergeant Joe Hayashi of Company K of the 442 Regemental Combat team.

I was inspired to learn more about what he did. So I went on Discover Nikkei and this is what I found:

The President of the United States of America, authorized by Act of Congress, March 3, 1863, has awarded in the name of The Congress the Medal of Honor to:

PRIVATE JOE HAYASHI, United States Army

For conspicuous gallantry and intrepidity at the risk of his life above and beyond the call of duty:

Private Joe Hayashi distinguished himself by extraordinary heroism in action on 20 and 22 April 1945, near Tendola, Italy. On 20 April 1945, ordered to attack a strongly defended hill that commanded all approaches to the village of Tendola, Private Hayashi skillfully led his men to a point within 75 yards of enemy positions before they were detected and fired upon. After dragging his wounded comrades to safety, he returned alone and exposed himself to small arms fire in order to direct and adjust mortar fire against hostile emplacements. Boldly attacking the hill with the remaining men of his squad, he attained his objective and discovered that the mortars had neutralized three machine guns, killed 27 men, and wounded many others.

On 22 April 1945, attacking the village of Tendola, Private Hayashi maneuvered his squad up a steep, terraced hill to within 100 yards of the enemy. Crawling under intense fire to a hostile machine gun position, he threw a grenade killing one enemy soldier and forcing the other members of the gun crew to surrender. Seeing four enemy machine guns delivering deadly fire upon other elements of his platoon, he threw another grenade, destroying a machine gun nest. He then crawled to the right flank of another machine gun position where he killed four enemy soldiers and forced the others to flee. Attempting to pursue the enemy, he was mortally wounded by a burst of machine pistol fire. The dauntless courage and exemplary leadership of Private Hayashi enabled his company to attain its objective.

Private Hayashi’s extraordinary heroism and devotion to duty are in keeping with the highest traditions of military service and reflect great credit on him, his unit, and the United States Army.

The memorial is located at Victory Park. If you know of other memorials, take a picture and send it to me at ksakai[a]janm.org and I’ll be sure to post it on our blog!

– Koji Steven Sakai/Manager of Public Programs

Art in the Streets!

 

One of our neighbors here in Little Tokyo is the The Museum of Contemporary Art, Los Angeles. They have a wonderful exhibition going on right now Art in the Streets, which is the first major U.S. museum survey of graffiti and street art. It was amazing. Here are some pics we took while in their galleries!

If you’re in LA between now and August 8, make a day of it and check out Art in the Streets, then stop by JANM, and then grab a bite in Little Tokyo!