I have been told that while perusing through a gallery space, the average person spends about 5 seconds in front of a work of art before moving on to another piece. I, myself, am guilty of this, as I have found myself racing through exhibits, which would take hours upon hours to properly absorb and appreciate. Although I have had the pleasure of being immersed in art from a variety of galleries and cultures, from the many we have here in Southern California to those on the East Coast and have seen a generous share works from renowned masters to local Michiganian artists, there unfortunately does not exist an encyclopedia of “Art Seen by Alexa” chronicling the art that I have seen in my lifetime. I’m one of the last people on this earth to have a photographic memory, so that’s understandable right? Pass by someone’s masterpiece and appreciate it for the time being, but soon it floats off into the deep dark abyss that are our forgotten memories. It happens. But I was recently taught the copious amounts of hard work that goes into us viewers being treated with eye-candy, museum style. And trust me, it deserves way more than the five-second glance us Plain Jane’s and Average Joe’s give it.
For the past few weeks, I have been given a taste into what it takes to bring an exhibition into fruition as we prepared for the opening of the museum’s new exhibit, Year of the Rabbit: Stan Sakai’s Usagi Yojimbo. I am not a nerd when it comes to the world of comic books, but educating myself in the world of Usagi Yojimbo was as easy as picking up a comic book, literally. Definitely something I wish I could have said for chemistry and calculus in high school. Portions of my past weeks have consisted of spending one-on-one time with Stan Sakai’s artwork as my fellow intern, Yuiko and I, transformed Stan’s works from being brilliant works on paper to being works on paper that are now matted, framed, and hanging in the galleries. Hours were spent in the Collections department as we measured, cut mats, drilled holes, and were reminded that our math skills were a little rusty from when we had last used them in high school.
Despite the refresher we needed on adding and subtracting, we successfully hauled plexi and frames around Collections and used power tools, which ultimately amounted into the works of Stan Sakai ready for your viewing pleasure. This was an invaluable opportunity to see original works up-close and personal as opposed to behind glass and a velvet rope. I am always a fan of not only final works, but the progress and process behind them and it was awesome to see the artist’s original pencil sketches underneath his final products in ink. At the end of our few weeks, everyone’s hard work was revealed and the museum’s new exhibition looks amazing! So if you’re ever in the mood to delve deeper into the world of Usagi Yojimbo or witness the culmination of the blood, sweat, and tears that went into the finalization of this exhibit, come check out Year of the Rabbit!!!