Anyone who has ever organized a custom toy show will tell you that when the art starts rolling in, it’s like you are having your own private Christmas. The quality and ingenuity of the work is very high for this show and we are now thinking that some of the pieces may be auctioned off during the run of the exhibition. Details to come!
The task of photographing all these pieces and prepping them for the web store hasn’t gotten started yet, but I wanted to share a few teasers that were created from photos sent to me by the artists.
I’m not sure what order these will come up in, but the artists are Konatsu, Mark Nagata, and Stan Sakai. I’m sure you will be able to figure out who did what!
I work in Visitor Services, so I open and close the galleries a few days each week. Lately, I’ve noticed that whenever I walk into X-Lab, something is always different–whether it’s the rifled-through laminated newspapers at the 1940s radio or new drawings on our “Only What You Can Carry” magnet board.
The following post-it activity is the one activity that has changed the most over time. You see–I’m all about conscious dialogue, so this activity in particular is one of my favorites. When the exhibition team put X-Lab together, they posed a question on our wall. In several weeks’ passing, the question became so hotly debated, it was as if our visitors themselves were evolving the activity. It reminds me of a some sort of crazy online comic book message board, except that it’s all about civil rights–not so much Batman vs. Superman.
Red post-its mean “NO”, yellow post-its mean “UNDECIDED”, and blue post-its mean “YES”. Our question was:
“Is it important to OBEY government rules in times of national crisis even if it means LOSS of privacy and civil rights?”
Some responses were:
YES, because… “in times of crisis, governments tend to react drastically, and I need to keep my family and I as safe as I possibly can.”
UNDECIDED, because… “in a time of emergency, you look to your government for help; however, privacy is highly important for anyone and so are a person’s rights as a human!”
NO, because… “if the rules go against the basic fundamentals of equality and freedom, then it goes against what it means to be a U.S. citizen.”
Our newest, most current exhibit, Xploration Lab, is a part-classroom, part-prototype “black box” exhibit. Visitors can participate and experiment with hands-on activities designed to engage audiences of all ages about the World War II Japanese American experience.
In laying the groundwork for X-Lab, our team of curators, education specialists, media arts producers and designers envisioned an exhibit that would uniquely grab the attention of visitors—spawning the development of several activities. Some of these activities include a vintage 1940s-era radio that you can tune to World War II broadcasts; J.A. Express, which is a video montage encapsulating several decades of Japanese American pre-War history into 180 seconds; and an “only what you can carry” chamber, which emulates the urgency facing families who were forced to pack their lives into a single suitcase in preparation for removal as President Roosevelt decreed in Executive Order 9066.
The exhibition team genuinely wanted to consider how our visitors would react to X-Lab. In order to capture these reactions, we installed a large touchscreen iMac–equipped with a webcam and a microphone. This was used to record visitor responses to our thought-provoking questions, such as:
“Imagine if the government suspected you of being disloyal, how would you respond?”
Have you ever wondered what happens to the artifacts you see hanging on walls or sitting in cases in a museum after an exhibition is over?
Here’s a little peek at our collections and production units’ staff at work deinstalling Momo Nagano’s “American Families” tapestry in the Taul & Sachiko Watanabe Gallery after the closing of the exhibition, American Tapestry: 25 Stories from the Collection.
The tapestry is back on its shelf in our climate controlled collections storage. You can see the hygrothermograph on the shelf above to monitor temperature and humidity.
So, that was just one object out of 25 stories presented in the exhibition. Others had special mounts, supports or cases with accompanying text panels. In Norman Mineta’s archival collection alone there were 31 boxes displayed on shelves enclosed within 3 cases. After all the objects are removed, or in the case of the “American Families” tapestry as objects are deinstalled, Collections staff write a condition report on the artifact which is updated in our collections management database. The artifact is rehoused and returned to storage or, if it is a loan, to loaning institution or individual, which is a whole other ball of wax.
We recently honored cartoonist Stan Sakai at our 2011 Gala Dinner where he was awarded the Cultural Ambassador Award.For those of you who are not familiar with his work, he’s best known for his iconic character, Usagi Yojimbo—a samurai rabbit in feudal Japan, which he created in 1984.
His comic books have been translated into a dozen languages and in Empire magazine’s list of greatest comic book characters of all time, Usagi Yojimbo placed 31st, ahead of Green Lantern, Daredevil, and Hellboy!
We’re also working with Stan on a retrospective exhibition of his work that opens on July 9. Our award-winning Watase Media Arts Center staff is working on a short documentary to accompany the exhibition. Last summer they went to the Comicon in San Diego where they interviewed some of his fellow cartoonists who all agreed that he’s one of the nicest guys in the business. After meeting him, we all agree and can’t wait for his exhibition!
Chris Komai, the Public Information Officer at JANM, wrote an article about Stan for the Gala Dinner journal. It’s now online on our Discover Nikkei site:
This weekend is your absolute last chance to see it before it closes this Sunday!
American Tapestry features artifacts, artwork, photographs, oral histories, and more from the Museum’s collection—some that have never been seen before by the public.
From the time we opened the exhibition way back in November, two of my personal favorites artifacts have been the radio and bicycle because they share stories of friendship, hope, and doing what’s right during the dark days of World War II and beyond.
In December, over the holidays, I was talking with family about the exhibition, and learned about a very similar story about an elephant. I wrote about it for our Discover Nikkei site. That’s one of the things that I really love about JANM—how I’m often able to find personal connections to the artifacts and stories we share.
Another favorite is the Japanese-style tub that was donated by the Esaki family of Monterey, CA. John Esaki works at the museum now, but the tub was donated very early in the museum’s history. John recorded a video of his dad explaining the history of the tub, which he added to the JANM YouTube channel last year as a resource for the exhibition.
The ofuro also played a special part in the Museum’s history! Back in April 1992, the museum was scheduled to have its Dedication Ceremony. Unfortunately, it ended up being the day after the Rodney King verdicts were released and civil disturbances erupted across the city, and so the opening ceremonies were postponed.
As a new opening event was being planned, staff invited Greg Alan Williams to come speak. At the time of the riots, the former Baywatch actor had saved a Japanese American man’s life. During his visit, he saw this ofuro and it reminded him of his own family’s tub. At the ribbon cutting ceremony, he spoke about how through this artifact, he was able to find his own personal connection:
On Wednesday last, I personally experienced the wonderful power within these walls. After completing my tour, I sat on a small stool around an old Japanese redwood hot tub in the Museum’s Legacy Center. I marveled at the way three Americans, two of Japanese descent, one a great-grandchild of Africa, were sitting around the tub, laughing, openly sharing their thoughts, their pain, and their hopes for a shared and much beloved community. I believe the honesty and openness of that dialogue was possible in part because this cultural work of art [the Museum] had illuminated our similarities, as it celebrated our differences. And in so doing, had opened a channel of communication between three human beings, which might not have otherwise existed. Such is the magic of this historical masterpiece.
American Tapestry has 25 artifacts, each with its own stories to tell. Most seem like everyday items, but I think that’s what makes this exhibition so special. It reminds us that our own lives are rich with stories that connect us with the world, if only we can stop for a moment to listen.
If you can, come check it out before it closes. If you have a smartphone or other internet-accessible device, bring it with you! We have free wi-fi available in the American Tapestry galleries so you can access additional related photos and videos on Facebook and YouTube.
For those who have made it out, I’d love to hear what your favorites were!
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Communications Production Manager