On May 29, 2016, JANM received the extraordinary gift of an original paper crane folded by Sadako Sasaki, the young Hiroshima-born girl who died in 1955 of complications resulting from radiation poisoning. Before her death, Sasaki folded over 1,000 paper cranes in hopes of recovering from her illness. Because of her efforts, which touched many people, paper cranes have since become a universal symbol of peace, hope, and recovery. The museum is honored to be the only West Coast recipient of one of Sasaki’s cranes, joining such global institutions as the Hiroshima Peace Memorial Museum, the USS Arizona Memorial at Pearl Harbor, the 9/11 Tribute Center in New York, and the Harry S. Truman Library and Museum in Independence, Missouri.
Highlights of the gifting ceremony can be seen in the below video, produced by JANM’s Frank H. Watase Media Arts Center. The moving event included remarks by Clifton Truman Daniel, grandson of US President Harry S. Truman, and Masahiro Sasaki, brother of Sadako. Not included in the video were a song sung by Yuji Sasaki, Masahiro’s son, in tribute to his aunt; and a clip from Orizuru 2015, a short film inspired by Sadako’s story, introduced by director Miyuki Sohara.
This Saturday, August 6, is the 71st anniversary of the atomic bombing of Hiroshima. Be sure to join us at 1 p.m. that day for a special talk by Above the Fold curator Meher McArthur, who will speak about Sadako Sasaki and how her actions influenced the spread of origami practice. The talk, which will take place in JANM’s Tateuchi Democracy Forum, is part of the museum’s Tateuchi Public Programs series. Above the Fold, which looks at contemporary origami practice, is on view through August 21.
In just a few short days, JANM will open Above the Fold: New Expressions in Origami, an inventive exhibition in which the traditional Japanese art of origami serves as the inspiration for innovative new sculptures, large-scale installations, and conceptual artworks from around the world. Above the Fold is curated by Meher McArthur and toured by International Arts & Artists, Washington, DC.
Join us for the public opening on Sunday, May 29, or Members Only Preview Day on Saturday, May 28. In the meantime, enjoy the photographs that follow, which capture intrepid JANM and IA&A staff working hard to unfold and install the complex artworks in the show.
For several years, Ruthie’s Origami Corner has been a popular fixture at JANM, whether as its own standalone event or as part of larger events like Target Free Saturdays and Oshogatsu Family Festival. Visitors young and old have benefited from Ruthie Kitagawa’s gentle guidance as she leads them in making unique origami items to commemorate every occasion.
A longtime JANM volunteer, Ruthie is a native Angeleno who spent part of her childhood imprisoned at Santa Anita Assembly Center and Amache Relocation Center. She has had an interest in arts and crafts for as long as she can remember; while still in high school, she volunteered to teach a class for the Boys and Girls Club.
Ruthie did not discover origami until later in life, and she admits that at first, she was not very good at it. Her initial experience with the craft occurred during preparations for her brother’s wedding in 1992, when she assisted in folding hundreds of gold foil cranes. She remembers with good humor that her cranes wound up on the reception tables, hidden behind floral arrangements, and that she was not invited to help with her sister’s wedding decorations two years later.
Shortly after her brother’s wedding, Ruthie’s older sister Lois—a dedicated JANM volunteer—encouraged her to take origami classes at the museum. Under the tutelage of Ryoko Shibata, who taught the origami classes at that time, Ruthie dedicated herself to improving her skills, which steadily blossomed. At the same time, she began volunteering at JANM as a docent and a Hirasaki National Resource Center assistant. Shibata Sensei eventually asked Ruthie to be her assistant in the origami classes, which Ruthie then took over when Shibata retired.
Sadly, Ruthie’s older sister passed away in 1998. Ruthie credits Lois—who was an avid origami practitioner—and JANM with inspiring her passion for the art form. Today, Ruthie applies a creative approach to her origami practice, often adding her own unique flourishes to designs she finds in books.
When asked what she enjoys the most about teaching her origami classes, Ruthie responds: “I love getting to know the people who come. They try so hard, and they can’t always complete the projects, but when they do, their faces just light up! That makes me really happy.”
If you missed the Folding Paper: The Infinite Possibilities of Origami exhibition when it was here at JANM earlier this year, there will be opportunities to catch the amazing origami pieces as the exhibition travels.
Folding Paper just opened at the Thorne-Sagendorph Art Gallery at Keene State College in Keene, NH. It will be on display through December 9, 2012. The exhibit is free and open to the public.
From there, it will go next to the Leigh Yawkey Woodson Art Museum in Wausau, WI from January 26 – April 7, 2013. Future venues are the Crocker Art Museum (Sacramento, CA), Oregon Historical Society (Portland, OR), Peoria Riverfront Museum (Peoria, IL), Bellevue Arts Museum (Bellevue, WA), Center for the Arts of Bonita Springs (Bonita Springs, FL), Brigham Young University Museum of Art (Provo, UT), and the Boise Art Museum (Boise, ID).
Price: $10/person (for each scouts, for each adult, for each sibling)
RSVP: email@example.com. In your rsvp, please be sure to include (a) the name of each scout; (b) the age of each scout; (c) the name of each sibling; (d) the name of each adult. Space is limited and advance registration is required.
This is a great chance for Scouts to see the Folding Paper exhibition before it closes on August 26.
Photos by Richard Watanabe and Richard M. Murakami
Our 14th Annual Summer Festival on the Courtyard is this weekend!
Summer Festival is our BIGGEST event of the year. We’re preparing a full day of FREE family fun. If you couldn’t make it to London for the Summer Olympics, come out to JANM for the JA Olympics!
LOTS of free activities and crafts to keep kids of all ages busy all day, or just stop by in between checking out the various Nisei Week and Tanabata Festival festivities going on throughout Little Tokyo.
The coolest exhibit at JANM is the paper folding. But I call it origami because I love to learn new origami every time I go to the museum. There’s a beautiful white dress and even shoes that are made by folding paper. Wow! There are masks, dinosaurs and other great things to see. I have been going to JANM for 7 years and I am going to be 9 pretty soon.
Sipho Mabona is one of the most accomplished and respected origami artists in the world.
Like many folders of complex origami forms, he starts with square sheets of paper and transforms them into bugs, birds and beasts that are so intricately folded that they often take hours to complete. Without using scissors or glue, he is able to create perfectly proportioned, anatomically correct and artistically exquisite representations of swallows, polar bears, insects and even people. He is not the only artist who does this, as we can see from the other folded figures in the Folding Paper exhibition that is currently at the Japanese American National Museum (JANM). Such artists as Robert J. Lang, Brian Chan and Michael G. LaFosse are renowned for their remarkable folded paper depictions of the natural realm.
What makes this Swiss-South African artist different is what he chooses to do and say with his folded paper bugs, birds and beasts. Mabona’s large-scale installations, often comprising many tens of folded creatures arranged in a particular formation, make bold and very timely political and social statements.
His 2010 work Bearly Surviving, which depicts dozens of polar bears crowded together on a shrinking iceberg—all folded individually from squares of white paper—is a poignant sculptural commentary on the damage caused by climate change. Another of his installations depicts a flock of graceful swallows confronted by a glass window; several have hit the glass and have fallen dead on the floor, suggesting a tragic collision of the human and natural realms.
His site-specific installation The Plague, which is currently on view at JANM, contains an even more potent political message. A total 144 locusts take form out of sheets of dollar bills and swarm the gallery, evoking the Biblical plague that was inflicted on humans who had behaved badly.
According to Mabona, the transformation of money into locusts is a reference to the large, multi-national investment corporations that take over smaller companies throughout the world and then discard them for a quick profit. In German-speaking Europe, such corporations, usually foreign, have recently been referred to as Heuschrecken, or locusts, spreading in swarms and greedily devouring local businesses. In 2011, he decided that it was this concept that he wanted to depict in his next installation. Since the US dollar bill has become the global symbol of capitalism, he contacted the US Bureau of Engraving and Printing and ordered sheets of uncut dollar bills for his project. He then flew out to New York to pick them up, as the Bureau won’t send uncut bills overseas.
In October 2011, he began folding his locusts out of squares measuring 7 by 3 bills each. Each locust took approximately 5 hours to fold, and is cleverly designed so that George Washington’s head appears on the wings and upper back, and the phrase “In God We Trust” runs across their foreheads. Mabona was careful to study not only the anatomy of these voracious insects but also their swarming formation; they all fly in the same direction at once. A week before the exhibition opened at JANM, Mabona began installing the piece, attaching each locust to a plastic thread that stretches up to the 35-foot high ceiling and then down to the floor. The effect is quite menacing. It is easy to forget that these creatures are folded out of paper.
Mabona is fascinated by the transformational aspect of origami, the potential to fold a flat square of paper into any form. The concept of transformation plays a large part in The Plague; dollar bills are morphed into a sinister plague of destructive insects. “Although a locust swarm is scary,” says Mabona, “where there is the ability to transform, there is hope. In origami, paper is folded into forms like these locusts, but the forms can be unfolded again. The creases will remain, but the paper can be folded again into something else—perhaps butterflies.”
Folding Paper: The Infinite Possibilities of Origami is on display through August 26, 2012. Visit the exhibition site for more details, related programs, and origami resources: janm.org/exhibits/foldingpaper
By Meher McArthur
Curator of Folding Paper: The Infinite Possibilities of Origami
The musical artist and YouTube phenom Marie Digby is solid with JANM — and JANM is definitely down with her. Recently, Ms. Digby participated in a PSA for The Remembrance Project (www.remembrance-project.org) for JANM. (Remembrance Project is a way of commemorating folks who suffered through the US concentration camp experience and making sure that such civil rights tragedies never occur again in this great nation.)